Alandria was convinced she could have taken Maxum down with a simple flick of her wrist but she was Brambleroot and there were coven traditions for formal magic duels that needed to be followed to the letter if she was to benefit and claim that loud-mouthed loser’s wand, magic incantations, and mystic artifacts.
In a time before writing, when stories were spoken and passed down generation to generation, the most popular involved a forest nymph named Mideia, who was as wise as she was beautiful and as she was the eldest of her kind, the duty of creating the rules by which all nymphs of the forest must abide was bestowed upon her.
In the beginning all the nymphs obeyed the rules and their society was filled to the brim with peace, prosperity and love. But all was not well in the forest for there was a wood nymph, Phelousa by name, who so envied Mideia that she sought to sever the nymph bond with nature and poison the waters of creativity inherent in the green by twisting Mideia’s forest rules and creating a new branch of magic, dark arts that would set the great woodland ablaze and chase her sisters from their home, scattering them to the four winds where they would eventually wither and die being disconnected from Mother Earth’s magic.
The moon, merely a crescent in the cloudless night sky, shines brightly on the car parked at the corner Acorn and Walmer Streets. It is a lowered car, a lowrider—a 1967 cherry red customized Chevrolet Impala with an ornate sugar skull painted on the bonnet and intricate, colorful dia de los Muertos designs running on the sides, that rides on white wall tires with twenty-inch wire-spoked rims—and it has a name, Sangriento Asesinato, which translates as Bloody Murder.
Despite the car’s garish appearance, to the casual mundane observer, it goes virtually unnoticed because of the obfuscation spell it employs, low-level magicks weaved into the Day of the Dead designs that causes the eye to notice the car but immediately slide off it like July rain off a duck’s back to find something a little more interesting to view.
In Sangriento Asesinato’s passenger seat, Xiomara sniffs the air as her autumn-orange eyes shift left and right down the unnaturally dark and empty street just beyond the intersection.
“Sight doesn’t match the scent, Zami, so this must be the place,” she says. Xiomara is a red fox no bigger than a small dog but should anyone ever be foolish enough to call her a fox, she would do her level best to rip their throat clean out. She prefers to be called a Vulpes vulpes because it makes her sound like an animal that is all business at all times. Xiomara’s fur is flame red, with a white underbelly, black paws and ear tips and her bushy tail is tipped in white. “And the street is crowded.”
Getzami Romero drums her fingers on the chain steering wheel and says, “I’d expect no less. Hopefully, none of them are drunk, high, stupid or trigger happy. I’d rather this be a friendly visit.”
Getzami checks her face in the rearview mirror. Eyebrows penciled on, thin, arched and menacing. Winged black eyeliner. Black lined lips with blue-based red lipstick. Cheeks sculpted with a bronze based blush. Jet black shoulder length hair teased to sit off her face, secured by a red bandana with white sigils replacing the standard paisley design. The two studs on her forehead, her third eye piercing, centered between and just above the eyebrows sparkle as they catch the overhead street lamp, as does the moon phase—two gold crescents bookending a full moon—septum piercing. Large gold hoop earrings swing as she turns her head left and right. The look isn’t perfect, not up to her usual standard, but she is in a rush so it will have to suffice.
Reaching past the fox, Getzami opens the glove compartment and places her twin Glock 19 9mm pistols along with a karambit knife, Kubotan keychain and brass knuckles inside before closing the box.
“You’re going in naked?” Xiomara cocks her head to one side, confused.
“No choice, Xio. It’s a sign of respect and I can’t have them thinking there’s any hostile intent behind my visit.”
The driverside car door swings open and Getzami steps out into the night air which is cool and dry. She smoothes her flannel shirt—just the collar buttoned—with her hands so the open shirt frames the white bustier that accentuates her cleavage. Normally she would hide her breasts under layers of gold jewelry but all the accoutrements associated with this aspect of her working persona are back at her apartment and as stated before, time is of the essence. Luckily, she tossed all this stuff inside the trunk along with a pair of dress pants and high top Converse sneakers after she finished the Hell Jockeys gig, so the ensemble is at least ninety percent passable.
She leans on the open door. “You can sit this one out if you want. I’ve got it covered,” Getzami says to the fox who raises on all fours. She can tell Xiomara is nervous about being here and wants to give her friend an easy out.
Xiomara snorts and trot-hops off the car seat onto the pavement. “When have I ever not had your back, Zami?”
“Never,” Getzami admits and slams the car door shut.
Acorn Street runs the width of the city from river to river and is widely considered a boring thoroughfare as it lays no claim to fame to any unique or interesting shops, theaters or any other sites that attract tourism and if truth be known, it is fairly boring, which makes it a perfect hiding spot.
Every city, town and community in the world plays host to its fair share of ghost stories, urban legends and unexplainable occurrences and the tiny patch of Acorn that runs between Walmer Street and Readly Avenue is purported by the superstitious subculture to house the legendary Jecrossi Embassy.
The mystical and harmonious city neighborhood gently governed by the Grey Folk—first appearing in the 1944 novel Know No Home by Syrian author Miran Mansour—has become synonymous with an earthly paradise, a permanently happy land, that chooses to isolate itself from the world.
It is said that the Embassy exists within a pocket dimension—a space too small or too easily accessible to be truly considered a separate dimension—which is fine for things like a bag of holding which can contain numerous cumbersome items because it is larger on the inside but becomes unstable when trying to hold a small, secluded world complete with its own ecosystem and lifeforms.
As it turns out, the internet theories are correct and the Embassy is actually situated at this location but it isn’t visible or accessible because the single city block has been magickally shifted left of center one second out of sync with time and space. On her own, Getzami doubts she would have been able to sense this place, fortunately for her Xiomara, being a creature of enchantment gifted with an extraordinarily sensitive nose for magick, can smell the displacement.
Xiomara crosses the street, stopping at the curb and sniffs her way in a straight line from east to west and stops at a point just before the curb on the opposite side of the street. “Got it!” Xiomara smiles. “Follow me and stay close in case there are any twists and turns along the way. Some of these things can be like mazes and you can get caught up in them for hours until your air runs out. Others just boot you out but trust me, suffocating feels a whole lot better than having your atoms forced through a sieve.”
Getzami is surprised and a little embarrassed at the sense of growing unease, mostly because she imagines all the horrible things that can go wrong, even though she watches as Xiomara trots into the invisible entryway with apparent ease.
The mystic sigils dyed onto her bandana begin to glow as Getzami takes her first step and she experiences a sudden dropping sensation, the tarmac beneath her feet seems to fall away as if she is in an elevator, and her next unsteady step is like walking on a boat in choppy waters. She realizes it’s just her internal body clock adjusting to the one second time displacement which on its own would have been manageable if not accompanied by the feeling that she is passing through a veil of nematocysts, jellyfish stingers, a sensation she is all too familiar with after being stung at the beach as a little girl. Despite the sigils allowing her to step into sync with Jecrossi, she feels the nettles firing warnings into her body, thousands of needle pricks that urge her to turn back and leave.
She does her level best to remain upright and follows her friend, who stops at the tricky bits where the invisible entryway breaks into a sharp turn or bends in an odd fashion, and when they eventually pass through to the other side, Getzami notices the shift in reality almost immediately. The street beneath her feet is compacted soil instead of tarmac and the sidewalk is leveled natural stone instead of concrete. The air is different, too, nearly dense enough to be liquid and tasting of ozone just after a lightning strike and the scents of this neighborhood are somehow foreign, differing from the rest of the city. She commends Xiomara under her breath at being able to detect anything by smell alone amidst the chaotic fragrances.
“So this is what paradise looks like, huh?” Xiomara says. Sarcasm takes on a whole new flavor when coming from a fox.
But she is right. The Jecrossi Embassy, the fabled inner city Shangri-La, is little more than a magick ghetto. Visually, the street which seems deserted only a block away is bustling with activity and not only because of their arrival. Street vendors exchange their wares, foodstuffs, clothing, home essentials and yes, some enchantments and drugs for odd trinkets that bears no resemblance to any sort of currency on the planet to pedestrians who give Getzami and Xiomara strange and untrusting sideways glances.
There are magicks in these streets that emanate from the cracks in the sidewalk and the graffitied tenement walls. Animals that might be mistaken for rats, cats and dogs dart from in between the apartment buildings and the back alley of the restaurant on the far corner. Yet, despite the enchantment that crackles against her exposed skin like static electricity, life is no different on this block than the rest of the city. Dejection and starvation and cruelty exist here, evidenced by the diseased bodies and damaged minds that have abandoned dreams of a better life in order to simply survive on garbage scraps and sleeping in cardboard boxes amongst the vermin that are not rats or cats or dogs. Street preachers deliver sermons to these wretches from tattered grimoires that pass in looks but not content to holy scriptures.
“Look at the gaunt faces, Zami,” Xiomara says, her fox voice cracking. “The stories etched on them, stories enough to snap your heart in two.”
If Getzami hears her friend, she gives no indication. “We have eyes on us, Xio,” she says, pointing at the stoop of the nearest brownstone where three rail thin and heavily tattooed men turn their faces and whisper to each other. One of them whistles up to one of the brownstone’s windows and makes a sound like a crow’s caw.
“It’s showtime,” Getzami says, picking up her pace as she walks in their direction.
Xiomara doesn’t match her friend’s speed, preferring to hang back and assess the situation.
Getzami looks over her shoulder and says, “No shame in heading back to the car.”
“Shame’s got nothing to do with it,” Xiomara snaps. “I’m afraid because I’m smart enough to know that we’re walking headlong into trouble.” The red fox quickens her steps to catch up with Getzami.
From the brownstone’s main entrance, ten more wiry men with matching skin ink join the lookouts, making it a baker’s dozen. They approach, affecting that badass stroll wannabes wear like a tough guy accessory, pistol grips protruding from the top of their skinny jeans waistbands and for the first time she realizes they’re barefoot and now that she notices it, everyone on the street except for her isn’t wearing shoes. The fingers on all of their hands twitch as if they’re throwing gang signs but Getzami recognizes it as the actions of low-level magick users, apprentices, in order to prime the pump—in the same manner that a suction valve in an old water pump needs to be primed with water so that the pump functions properly. The Jecrossi specialize in earth magick and apprentices need to prime their bodies in order for earth energies to flow up into and through them.
Getazami holds out her empty hands, carefully lifts the sides of the open flannel shirt and does a slow turn to show she is not strapped. “Take it easy,” she says, in as disaffected a manner as she can muster. “Bringing no ruckus. Just need to speak with Ekaterina.”
Because they are all bald and thin and are marked by the same tattoos, the goons look like they come from the same mold with the one out in front being the first cast and the others appearing to have increasing degrees of degradation with each successive pressing. They cautiously fan themselves out until they form a circle around Getzami and Xiomara.
“You expected?” asks the lead goon.
“No, but she’ll see me,” Getzami says, her eyes locking onto the penetrating gaze of the lead goon standing immediately in front of her.
“Tell then who you are,” Xiomara says.
“Shut your mouth, little doggie, people are talking.”
“Vulpes vulpes!” Xiomara snarls.
“I’m a Vulpes vulpes, not a damned doggie!”
“You’re gonna be dinner if–”
The index and middle fingers of both Getzami’s hands go into her mouth. The goons raise their hands ready to cast on her and bring her down to the tarmac. Pushing back her tongue, she whistles six notes sharp and loud in a very distinct pattern, a pattern that halts the goons in their tracks. It is the Six Tones of Order Within Chaos, the call of the Jecrossi.
The goons stare at Getzami, disbelieving what they just heard. Then their expression shifts to suspicion.
“How do you know the call?” asks lead goon.
“Like I said, Ekaterina will see me because we go back, long before the likes of you or before she came to this neighborhood,” the sadness in her eyes mirrors Xiomara’s own upon first seeing the state of the people who seek refuge here.
Before the lead goon can respond, one of the middle windows on the top row of the brownstone opens and a brown-skinned woman pops her head out. “What’s going on?” she demands.
Lead goon is about to tell the woman it was Getzami who whistled but thinks better of it and opts for, “Someone here to see the boss.”
“Someone like who?” asks the woman.
Getzami brushes past the lead goon to step into the street light and calls up to the woman, “Someone like Apache Chola!”
“And Xiomara!” the red fox barks.
Getzami shoots Xiomara a baleful glance but can’t maintain it. “And her companion, the Vulpes vulpes, Xiomara!” she echoes and her scowl becomes a smile.
They are escorted by the lead goon and four of his cronies up to the common room which is uncomfortably larger than the exterior of the brownstone. It reminds Getzami of a museum, not just in terms of the space but in all the glass-encased artifacts, as well. The floor is tiled in polished sandstone, the walls travertine stacked stone and the furniture appears to be Mesopotamian in design but she can’t be certain on the accuracy of her assessment. Although artwork decorates the walls there are no personal photographs. There is enough room here to house dozens of the homeless outside but this seemingly perfect place is far too cold in its tranquility to feel in any way homey.
In the center of the room stands the brown-skinned woman who introduces herself as Serilda. She, a full foot taller than anyone in the room, points at Getzami, “You follow me, the Vulpes vulpes remains here.”
Xiomara begins to argue but Serilda remains firm and insists there will be no audience with Ekaterina if the Vulpes vulpes refuses to remain in the common room. Getzami tells the red fox it will be all right and repeats that she and Ekaterina go way back so there shouldn’t be any danger.
Xiomara ponders for a moment before reluctantly saying, “Okay, but if things go sideways just holler and I’ll tear through these clowns like field mice!” She stares directly at the lead goon when she says it and he replies with a mocking growl which makes the red fox’s fluffy tail twitch in anger.
Getzami is shown into the adjoining room which is somehow larger than the impossibly large common room, with Serilda in the lead and the goons bringing up the rear. The walls are lined with books stacked in a chaotic fashion on recessed wooden shelves and this indoor library smells of petrichor, the scent of rain on dry earth, which would explain the moisture that dots the spines of all the books. In the exact center of the room is a reading chair that is nothing more than a series of interwoven vines that grow directly from the lush green carpet of dewy grass and in the chair sits Ekaterina, positioned perfectly with a book open to a blank page on her lap, graphite stick firmly in hand and at the ready.
“I’d like to say something clever like all the chickens, even the headstrong independent ones always come home to roost but the fact of the matter is you’ve never been here, isn’t that right, Chola?” Ekaterina says in a warm but measured tone.
The woman’s alabaster skin and albino snakeskin dress are almost a perfect camouflage within the silky white mist that rises from the grass and snakes around her. She appears to be in her sixties—but Getzami suspects she’s much older because she looks the same as when they first met almost two decades ago—and wears absolutely no makeup because only an insecure fool applies foundation on natural beauty. Her pearl hair is oiled back and plaited in a style that should have looked ridiculous on someone her age but she carries it off with authority.
“You always did know how to strike a pose, Ekat,” Getzami says, attempting a for old time’s sake grin that simply will not come.
“That’s Ekaterina to you,” Ekaterina says as she takes in the sum of her unexpected visitor. “So, tell me a story.”
“What?” Getzami shifts uncomfortably in a small puddle on the carpet grass. Ekaterina has caught her off guard, a feeling she never appreciates. “I don’t have any stories.”
“Nonsense, everyone has stories and I collect them, you see,” Ekaterina says, gesturing with a nod for Getzami to sit. “Everything is present for a story to exist: a teller, that would be you, and an audience, which would be me.”
The offered seat—a normal metal folding chair with padding—is as much out of place with the room’s décor as she herself is. A reminder, no doubt, that she is considered an interloper. The fact that the chair is bone dry despite the moist surroundings is of small consolation. Getzami squirms until she finds the position that affords the least amount of discomfort and says, “Thanks for the seat but still…no stories.”
“No reunion catch up? No explanation as to why you disappeared on me in the middle of the night? Nothing that covers your whereabouts and activities over the years, things we might have discussed had you bothered to remain in contact?”
“I’m not the keep in touch kind of gal, you know that.”
“Well, if you’re not here to apologize, justify your actions and perhaps reminisce a bit, then what brings you to my home?”
“I’m on a case…” Getzami pauses because she feels unsure of how to phrase the next bit. “And I need your help.” She expects to be scoffed or laughed at but is instead greeted by nothing but silence.
“It’s a girl,” Getzami continues when it becomes clear Ekaterina is waiting to hear more details. “A little girl and I know who took her so I need to do an extraction.”
“Is she here?” Ekaterina asks. “Are you asking my permission before you steal someone from the Embassy?”
Getzami shakes her head. “She’s in Megorum. The Clanarchists have her.”
“Again, I ask, what brings you? Your target is a little girl, easy to transport. This should be a cakewalk for the legendary Apache Chola,” the insult in the way Ekaterina says her business name is plain as day and it cuts slightly.
“Megorum is shielded against me, I can’t get in. I’ve tried.”
Ekaterina shrugs, “Cast a piercer. Why darken my doorstep?”
“I don’t magick.”
“What? After all these years I would have thought you would have picked up something,” Ekaterina says then recalls something. “But they tell me you have a familiar?”
“Xiomara isn’t a familiar. She’s my friend—”
“Best friend!” the fox interrupts.
“…best friend with excellent hearing who should be minding her business and letting me handle mine,” Getzami shouts over her shoulder before turning her attention back to Ekaterina. “Xiomara caught the tail end of an enchantment meant for me and got transmogrified into a—” she is about to say red fox but catches herself in time. “—Vulpes vulpes.”
“She was human?”
“Still is, to me, and I’m working on tracking down the slippery bastard responsible for it.”
“Wait,” Ekaterina says. “You said Megorum is shielded against you. Not merely shielded, but against you in particular, that would make it—”
“A blood shield.”
“You can’t cross the barrier because traces of your blood have been intertwined in the incantation but why go through all that trouble, unless—” Ekaterina cuts the sentence short and dismisses Serilda and the goons, who go through the proper etiquette of voicing their objections and citing the possibility of an attack before complying with the request when it is restated as a command. When they are gone, Ekaterina asks, “Who is this girl?”
“She’s my daughter, Ekat. Those hijos de putas kidnapped my baby girl and I aim to get her back and put every last one of them in the ground!”
Ekaterina shakes her head and glances over at Getzami before turning her sorrowful
gaze to the ground.
“That is terrible news, it really is, and I realize how difficult it must be to come to me asking for help but I can’t help feeling like I’m being played here.”
“Not so much as a single hello exchanged between us in years, yet you knew to find me in this hidden part of the city so you’re obviously aware of the beef I have with the Clanarchists. If I get a sudden twinge of compassion and decide to help you pierce their blood shield—and I’m assuming the same barrier that stops you from getting in, also prevents your daughter from escaping, correct?”
“I’d imagine so.”
“Then the spell we cast would have to remain in place long enough for you to enter Megorum, locate your little girl and escape with her, which means the magick can and will be traced back to us, bringing a war to our doorstep. Where will you be when that happens? Standing at our borders fighting side by side with us?”
“If needs be, then yes.”
“If-then-yes isn’t a definitive yes, which is the problem I have with this situation because if by some small miracle this thing goes to plan and you’re able to get your daughter back, you’ll be grateful, I’m sure of that, but there’s a difference between feeling gratitude and showing gratitude.”
“You’re not catching me at my best here so you’ll have to forgive me if I don’t answer with the precise words you need to hear in order to help me, but I’ve got a lot going on in my head at the moment. Allow me to answer the question again: Yes, once my daughter is safe, I will return and help you defend your borders.”
Then the conversation stops and the long silence that replaces it is loaded with the dread of possibility that somewhere along the way Getzami said the wrong thing or the right thing in the wrong way and totally ruined her chance to recruit the aid of the Jecrossi leader who was once her friend.
Ekaterina stands and paces around her seat, her eyes cast downward and never making contact with Getzami. “This place used to be the paradise you hear about in the urban legends,” Ekaterina says in a low, almost under-the-breath voice as if she is talking to herself. “Built by the Grey Folk, it was meant to be a safe haven for enchanted beings and its doors were open to all, even the likes of me. And as bad as I was, I wasn’t the worst person to gain entry. There were people hungry for power, in love with destruction, nasty killers who didn’t care who or what they slew. And they tried to gut this place. But I and the last of the remaining Grey Folk stood against them and forced them into exile. The effort cost us. We depleted most of the magick within this place, the most powerful earth energy source on the planet. And I’m working with the strongest remaining earth mages to heal it, to return the land to what it once was, but the progress, the healing, is slow. So, you see, this thing you ask of me is no small matter.”
“Ekat, I could scream I’m sorry for not keeping in touch, for not being there when you needed me until I’m blue in the face but that’s not going to change the reality of what’s done is done. And there’s no way of me convincing you of the truth that if I did actually have some magick, I would help you restore this place. As it stands, the only thing I have to offer is my life and I would gladly give it to save my daughter but I swear on my little girl’s life that if you help me and pledge to keep her safe in case I don’t come out on the other side of this alive then my life is yours to do as you see fit.”
Ekaterina taps her lips with an index finger. “And you would enter the unbreakable pact of a blood oath?”
“Do you have a blade?” Getzami asks. “I’ll slice my palm right here and now.”
Xiomara goes through the motions of conducting an inspection of the room, sniffing this and that, but what she is actually doing is marking everyone’s location in the room and judging distances in the enormous space in order to formulate the best plan of attack and escape should she and Getzami need to beat a hasty retreat. Her attention snaps from the foot of a bronze statue of a naked man to the door of the antechamber as Getzami and Ekaterina enter. A piece of cloth is wrapped around each of their right hands and a bud of blood blossoms in their palms.
Xiomara races to Getzami making a series of brief clucks, her concerned gekkering as she pushes her snout into her friend’s bleeding palm, sniffing and biting at the cloth to remove it. “Are you okay? What happened in there? Let me see the wound! Is it deep?”
“It’s okay, Xio,” Getzami strokes Xiomara’s heading attempting to calm her. “I did this so we could get what we came here for.”
“Although the world outside the Embassy is of no concern to us at the moment,” Ekaterina addresses the room in a cool, even tone. “Apache Chola has sworn a blood oath to aid us and in exchange, we will help her retrieve her daughter who has been stolen by the Clanarchists.”
A grumbling begins to stir amongst Serilda and the goons, one of anger mixed with apprehension.
Ekaterina points at Serilda and the lead goon as she continues, “Serilda and Ozias, you will accompany Chola and her companion to cast a piercing spell and return them safely to us. Their lives are your responsibility now.”
Serilda nods acceptance. Ozias does as well but it takes him a little longer and he looks none too pleased.
To be continued…
©2018 Rhyan Scorpio-Rhys