Tag Archives: writersnetwork

At Last, The Destination

Posted by Madd_Fictional on

Although the sun sat high in the midday sky, the figure who approached me was draped in a shadow so complete as to let no light escape the boundaries of its form. Its frame was crisp but the features blurred and I knew in that instant that none who lived was allowed to view its terrifying countenance.

“You have come for me?” I asked, my voice betraying the courage I strove to display.

“Come?” the figure said in a voice neither male nor female but not wholly unpleasant. “No, my dear, I am always present.”

“But you surely do not deny that you are the Grim Reaper?”

“The Reaper I am, yet not so grim. And I pose no danger to you for Death is not to blame for death. If it offers you some measure of comfort, think of me as the ultimate destination of your lifelong journey.”

The Reaper spoke without guile. Its words, a wave of tranquility, washed over me and suddenly I found myself in the embrace of a satisfaction I had never known in all my days. This newfound contentment was accompanied by the realization that I had overcome insurmountable obstacles and completed a near-impossible task, and as I accepted the Reaper’s hand, warm and soft to the touch, I slowly exhaled all the limitations of the physical world and welcomed the painless transition into the final stage of existence.

The Secret

Posted by Madd_Fictional on

The moment Lavelle stepped through the door, I realized something was wrong. He had just come home for winter recess, head shaved bald and immediately retreated into his room claiming to be exhausted from the trip. When he finally made an appearance at the dinner table, he asked if we could go shopping for some new clothes from the big and tall section. Lavelle, like the rest of my side of the family was thin and vertically challenged so when I questioned him he claimed “it’s the style now, you wouldn’t understand.” It was an obvious lie but I loved my son and went along with the deception.

While selecting stretch fabric shirts and elastic band pants that were several sizes too big for his wiry frame, Lavelle shyly asked if I could take him to see an animal therapist. I could have handled my initial response better but it was such a bizarre request that caught me out of left field. I began badgering him with questions and demanding answers until he broke down in tears and revealed that he had become a werewolf.

We did a joint counselling session with a therapist who took my son’s claim in stride. She gently suggested that Lavelle could only have true happiness if he found a way to be comfortable with his authentic self. Doing my part, I assured my son that I would continue to love and support him. I told the therapist that I was scared for him because I felt with all the torment he was experiencing by holding everything in and hiding the truth for so long, something would cause him to break and harm himself, the way some people do when they reach the final straw.

The odd thing about the whole situation was I was never afraid for my own life. I knew my son would never hurt me. And the only major adjustment I had to make was whenever he visited home during full moon periods, he tended to leave portions of his victims on my doorstep, the way house cats brought glory gifts to their owners when they killed mice, leaving me to dispose of the evidence and follow YouTube tutorials on “biohazard remediation,” but these were the things one does for love.

Busker For The Dead (Part 1)

Posted by Madd_Fictional on

I don’t have that look. Some people do, but I’m not so lucky. I don’t look like my profession. I’m a busker. Don’t laugh, it’s a living. Problem is, when you shut your eyes and picture a busker in your mind, be they small or tall, slight or portly, I will never fit the bill. I have the unfortunate appearance of someone whose job title is preceded by the word man. Milkman. Mailman. Garbageman. Just not a streetmusicman.

You may be asking why this is important. Fair enough question. When you’re panhandling for money—come on, let’s face facts, street performing is begging with a musical accompaniment—having the look of a starving artist plays as much a part in getting people to part with their hard-earned cash as talent.

“Oh, look at the poor wretch having to sing for his supper, let’s toss him a pittance, shall we, dear?”

Some of the others have nailed the look down from the hair that refuses to be tamed to the ragged clothes just over the borderline from being hip and trendy. Me? I look like a well-fed blue-collar worker trying out a new hobby. That’s why I have to work twice as hard to earn half as much as my compadres. My audiences tend to be tight-fisted, self-absorbed philistines that expect blood for the bits of copper they toss my way.

Oh, I should probably mention that I busk for the dead.

Not the kind of job you rush out and apply for. Me? I kinda just fell into it. Turns out a friend of a friend knew a guy who used to work for the cousin of a woman who lived next door to a guy who was complaining that his employee just up and quit on him. Seems he couldn’t handle the stress of performing in Perdition, which I can plainly understand now.

What? No, I’m very much alive, thanks for asking. My work ID acts as a sort of day pass and allows me to mull about in Hell without experiencing any of the torment and damnation. Kinda cool, but it takes some getting used to.

Although it’s a paying gig, it ain’t enough to cover rent and bills—minimum wage in Hell is murder, no pun intended, so I rely heavily on the gratuity chucked into my hat. And yes, the dead have real money. Don’t ask me how that works. I’m still trying to wrap my head around the day pass into Hell thing.

My spot is the corner of Abaddon and Wretchedness, and while a part of the overall design of Hell, it’s technically Limbo, the waiting area where souls are processed and dispatched according to assessment. And as time moves differently in Hell, the wait can be an extensive one, so you figure folks would jump at the chance to experience anything that takes their minds off the situation at hand. That is so not the case. When facing damnation, the furthest thing from their minds is to listen to anyone sing. This is made evident from the contents of my hat. Today’s take so far consists of three dollars and eighteen cents in coins, a stick of chewing gum, a balled-up snotty tissue, and a punch card from some boutique java spot with one punch away from receiving a free coffee. The coins stay in the hat, the gum in my mouth, the tissue—ick—in the trash, and the punch card in my pocket. I’m not one to go in for designer coffee but like The Police sang, “When the world is running down, you make the best of what’s still around.”

“Not what I expected,” a voice says from behind, nearly startling me out of my skin.

I turn to see a woman in her sixties, seventies, maybe—I’ve never been good at guestimating people’s ages—all done up as if for a night on the town. “You’re not the first person to say that.”

“And is it just me or is it chilly here?”

She was right, you’d figure being so close to Hell there’d be some sort of radiant heat, but there was a constant wind that blew shivers down the spine. “Not just you.”

“You’re not half bad, you know.” the woman said, looking into the hat. “You deserve more than that.”

I look up and down the avenue, We’re the only two people on the street at the moment. “It’s like they say, it all comes down to location, location, location.”

The woman opens her purse, a small clutch bag that’s a throwback to a classier time, and produces a two-dollar bill. “I’m afraid I’m not in the habit of carrying cash, so this is all I have.”

“It’s the biggest tip I’ve received in a long while.” I smile as she places the bill into the hat.

“Not that I’ll have much need for it anymore.”

“Not unless you were crossing the river Styx.”

“You mean the ferryman doesn’t accept the card?” the woman pulls out an obsidian credit card. “I was told never to leave home without it.”

It’s an outdated reference, but we both chuckle at it.

“If you’ll pardon the intrusion,” the woman asks. “How did it happen?”

“How did what happen?”

“How did you die? Peacefully, I hope.”

“Oh, no. I’m not dead, I just work here.” I show the woman my day pass.

“How interesting.” and she appears to actually find it interesting but her expression drops.

“What’s the matter?”

“It would be my luck that the first conversation I strike up in the afterlife would be with a living person. I was sort of hoping to find a travel companion for what lies ahead. I’ve always dreaded doing things by myself.”

“I’m not sure that’s how it works here. I think isolation is part of the torment process.” I realize what I’m saying just a smidgen too late to pull it back.

“Torment. I hadn’t considered that.”

“Sorry.”

“Not your fault. You’re not responsible for my sins.”

“I know I’ve just met you but it’s hard to believe you’d have anything to worry about.”

“Kind of you to say, but we’re all sinners in one fashion or another. I just wish there was a way for me to plead my case. I believe my sins were righteous.”

“You can always try.”

“No, no. I’ve never been good at that sort of thing.”

“Maybe if you practiced, rehearsed what you want to say? You can try it out on me and I’ll give you my honest feedback.”

“No, I couldn’t.”

“What have you got to lose? If you botch it up, you’re still being condemned anyway, at least this way you’ll have had your say.”

“Like my final words?”

“Exactly.”

She contemplates it long and hard. “All right then, if it wouldn’t be a bother.”

I gesture up and down the block. “Not like I’m doing anything else. Ready?”

“No, but go on.”

I straighten my posture and assume an authoritative voice. “You stand here accused of the sin of…”

“Murder,” she adds, sheepishly.

“Murder,” I repeat, stunned. “What say you in your defense?”

“I don’t deserve to be here. I was sent to the wrong place. I did what needed to be done, what no one else had the courage to do and now I’m being punished for my actions.”

“And whose life did you take?”

“My own.”

“Why?”

“Others would have died if I didn’t.”

Not The End…

Tiny Stories: The Million Dollar Choice

Posted by Madd_Fictional on

Popular belief has it that the universe is comprised of atoms. In reality, the universe is actually made up of…

The cloth bag placed over her head not only prevented her from seeing where she was being taken but also blocked out all sound. Erica had no idea technology like that even existed. When the bag was removed, she found herself seated in a small nondescript room with a high-end tripod-mounted camera trained on her.

On the table before her sat an open attache case filled with twelve stacks of $100 dollar bills, eighty-three used and non-sequential notes to a stack. Beside the case were two glasses of red wine, one untampered with and the other laced with a deadly toxin.

Erica heard about things like this, private rooms on the dark web where people with money, people to whom a million dollars wasn’t life-changing like it was for her, but merely pocket change, wagered on the lives of the desperate and destitute. There were Russian roulette rooms, perverse puzzle rooms, and deadly escape rooms. She had gotten off lucky, she supposed. Hers was a simple fifty-fifty choice.

If she chose correctly, Erica stood to walk away with enough tax-free money to pay off her debts and do things the right way this time around. The smart choice would have been to ignore the invitation in the first place and find some other way to repair her damaged life, but she was inflicted with a serious gambling disease, something she inherited from her mother, and the opportunity was simply too good to pass up.

The catch? She was a lousy gambler, notorious for making bad choices even when she second-guessed herself, and her fatal flaw was that she could never pass up a dare or a bet.

Erica wasn’t allowed to touch the glasses before making her choice, so her eyes darted left to right, from one to the other, looking for the slightest discoloration between the two, and she even sniffed the air above each glass, which was pointless. These people were professionals and whatever lethal venom they used was no doubt undetectable by sight or smell.

She had a feeling in her waters that the one on the left was the dead cert unpoisoned wine glass, but was it strategically placed just a half-inch closer to her to make her select it subconsciously? Then she opted for the one on the right but suspected she was outfoxing herself. Then there was the possibility that both glasses had been tampered with. No, she couldn’t allow herself to think that way. Morty, the guy who set up this bet, had always been a straight shooter. He looked out for her whenever he could. Even when you made a habit of dealing with less than reputable people, you had to place your trust in someone. So Erica girded her loins and went with her initial instinct.

Was it her overactive imagination playing tricks on her or did she feel a static shock of electricity as she lifted the glass on the left by the stem? She tilted the snifter slowly, praying to the gods of luck and good fortune, and the moment the chilled wine touched her trembling lips, she knew…

Tiny Stories: Muse For Sale

Posted by Madd_Fictional on

Popular belief has it that the universe is comprised of atoms. In reality, the universe is actually made up of…

I know the original classified ad read:

WRITER’S MUSE FOR SALE: Well-worn around the edges. Ridden hard and hung up wet. Can handle whining insecurities. Willing to trade for a large meat lovers pizza and a domestic 6-pack.

but I have to be honest with you, I like my muse very much but my super-jealous, super-insecure girlfriend does not, so I am forced to rehome her.

She’s fashion-forward and we’ve been together for 10 long years. She enjoys playing board and card games, is a nite owl, has acquired a taste for expensive meals, is double-jointed (hey, you never know when that might come in handy), knows how to distill beer, grows her own pot (for medicinal purposes only, of course), has constant access to free concert tickets, has an open-minded twin sister (hey, you never know when that might come in handy), knows how to handle herself in a bar fight, has absolutely no interest in learning about your fields of interest, and has a tendency to be a bit of a jerk at times (time-out step not included…you’ll have to build your own).

She also receives occasional visits from her shady brother, Gronte, who, once invited inside your house, is the thing that will not leave. He’s a griffulous, groffulous grue. Nobody likes Gronte. Not. One. Solitary. Soul.

So, if anyone’s bored, lonely, or desperate enough to take a petty, spiteful, and controlling girlfriend off my hands, come and get her. My muse and I want her rehomed as soon as humanly possible because we’ve got some serious work to get back to.

Hone, Hone, Hone Your Writing Craft, Gently on the Page

Posted by Madd_Fictional on
hone_your_craft_poster-r6b69f9c0d09d4cbea7a2a9de0e7a811b_ihk_8byvr_216

I hate to be the one to break it to you, but solid writing skills don’t suddenly blossom overnight. Like any skill, it has to be learned before it can be mastered. Your writing ability is a weapon unique to you, no one else has your voice, but raw talent isn’t enough to help you wield this weapon effectively. First, it needs to be honed by patience, determination, experience, and the 10 practical tips listed below:

  1. WRITE EVERY DAY – Writing is a muscle that needs to be exercised to get stronger. The blank page is that jogger’s path in the park you walk past everyday, the treadmill tucked in the corner of the garage, the exercise DVD that never quite found its way into the player, the dusty and unused gym membership you purchased at the beginning of the New Year. It’s the thing you need to show up for every day in order to get it to work for you.
  2. DON’T PROCRASTINATE – Sometimes you can be too smart for your own good. Knowing how difficult and painfully agonizing writing can be, you begin hearing the siren call of all the things that attempt to lure you away from planting your butt in a chair and committing words to the page. Sometimes you justify it with useful endeavors (housework, laundry, errands, and the like), other times you hide behind the white lie of doing research on the internet, or you flat out vegetate and do absolutely nothing at all. And I’m not saying there’s anything wrong with any of these activities…you simply don’t do them when it’s time to write.
  3. FIGHT THROUGH WRITER’S BLOCK – I’ve already addressed this in a previous post and since I’m not in the mood to repeat myself, you can read my thoughts on writer’s block, as well as some possible solutions to get you back into the flow here.
  4. LEARN FROM THE MASTERS – You may have noticed (head to the back of the class if you haven’t) that I continuously post lists featuring the thoughts, rules, and writing habits of famous authors. The reason should be obvious. They’ve been where you are now, handled what you’re currently struggling with…and they made it through. Who better to get advice from?  It’s like that old story:

    A man walks down the street, not paying attention where he’s going and falls into a hole. The walls are so steep he can’t get out. A doctor passes by and the guy shouts up, “Hey you. Can you help me out?”  The doctor writes a prescription, throws it down in the hole and moves on. Then a priest comes along and the guy shouts up, “Father, I’m down in this hole can you help me out?” The priest writes out a prayer, throws it down in the hole and moves on. Then a friend walks by, “Hey, Joe, it’s me can you help me out?”  And the friend jumps in the hole. The man is dumbfounded, “Are you stupid? Now we’re both down here.” The friend says, “Yeah, but I’ve been down here before and I know the way out.”

  5. FIND YOUR MUSE – If you haven’t found your muse yet, you’re probably looking in the wrong place. And woe betide the scribe who only seeks inspiration online. There’s a time to interweb—truth of the matter, you can overload your brain to the point of creative blockage or total shutdown—and a time to get back to basics by venturing out into the world to experience things that catch your attention and identify the things that motivate you to be creative.
  6. KILL YOUR DARLINGS – You love your stories to the point of looking at them through the eyes of a proud parent. Nothing wrong with that, you should be proud of them, they’re your creation, after all. But are they healthy? Are they at the right weight or are they unnecessarily bloated? Editing is the balance in your writing, the order in chaos, and it’s every bit as grueling as struggling through writer’s block. But once you master this, you’ll be amazed to discover how your writing style changes.
  7. ASK FOR FEEDBACK – Don’t even fix your mouth to ask me why. You know the reasons (you’ll become a better writer, writing will become a less painful process, blah-blah-blah). When you might need feedback is probably a better question to ask. Maybe you’ve just plotted out a story and want to run the idea past a family member or friend? Or perhaps you’re halfway through a draft and you’re unsure about the direction you’ve decided to take. Essentially, asking for feedback helps you break out of the isolation of writing and you’re no longer working in a vacuum, wondering whether or not you’re making yourself understood. Seeking feedback from others is taking positive, constructive steps to improve your own writing and develop as a writer. And develop a tough skin because not all of the feedback you get will be positive.
  8. READ, READ, READ – Stephen King once wrote, “If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.” and if you don’t believe that and don’t like to read, you shouldn’t pursue writing as a profession. Reading good writing can teach you about structure, dialogue, pacing, plot, using symbols and imagery to convey a point. Reading expert writing gives you something to strive for, as well as keeping you humble; there will always be writers out there who are better than you, just accept it. You can even learn lessons from reading bad writing (Why doesn’t the dialogue flow? Why are scenes dragging? Why don’t i care about the characters?).
  9. STUDY THE RULES, THEN BREAK THEM – Learning to be a more efficient writer can be a chore—it’s always daunting trying to adopt a new way of working. Stepping outside your comfort zone is never fun and rules generally tend to seem restrictive. But before you ask, “Why can’t I just pick and choose stuff that suits me?” consider that in order to be able to choose the bits to use and the parts to leave behind, it’s necessary to first learn all the rules before you can go cherry-picking through them.
  10. KEEP THE DEMONS AT BAY – That brainbox of yours is a Pandora’s Box jam-packed with surprises and miracles and as-yet-untapped genius…and the counterbalance to that are the demons that nurture that tortured writer’s spirit you possess. They feed on rejection and whisper fear and doubt in your ear, but since they’re a necessary evil, it’s important that you develop the ability to silence them while you’re writing. Nothing gets between you and your writing, especially not some crabs in a barrel mind demons.

Sally forth and be honing-your-craftly writeful.

Taking It On The Chin: The Graceful Art Of Accepting Rejection

Posted by Madd_Fictional on

“Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn’t feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That’s my favorite part. It drives me, feeds me, and makes one hell of a story.” ― Jennifer Salaiz

Rejection is akin to getting sucker-punched in the gut and, as a writer, you know this because you’ve undoubtedly experienced it in one form or another. We all have. Even with this blog, as harmless as it is, I sometimes receive comments that take issue with or flat-out reject things I’ve posted (hey, it happens, and you can’t fault people for having opinions that differ from your own).

While it’s no big secret that we all seek acceptance, rejection—impossible to avoid once your work steps out of the For-Your-Eyes-Only comfort zone and into the hands of the reading public—is an important part of your journey if your intention is to develop as a person and grow as a writer.

After you’ve gone through your initial grieving period (don’t deny or bury your feelings because that’s just not healthy), try these suggestions on for size to help you cope during the initial rejection rough patch:

1. Take yourself out of the equation

Your written piece is your baby, forever tethered to you by an unseen and intangible umbilical cord, and although it will always be a part of you, when someone disapproves of your work, they’re not necessarily rejecting you, the person.

Yes, I’m well aware it’s impossible to completely divorce yourself from something you’ve created. Especially when that sly critter Self-Doubt sidles up beside you and makes you question if there’s something wrong with you or your talent. But instead of taking this to heart and allowing it to consume you, you need to adjust your thinking.

When your work is rejected it’s usually more a reflection of the viewpoint, needs, or requirements of the person making the decision. The thoughts in your work may not align themselves with the thoughts of the target audience, which doesn’t necessarily make it bad, it’s simply not a piece that fits into their jigsaw puzzle.

Of course, if they offer you a reason why your work was rejected, you shouldn’t rush to dismiss it. Take a step back, look at the critique objectively, and if it has merit, consider incorporating it into your next draft.

2. Anticipate rejection

It’s coming whether you like it or not, so why not bake yourself a big ole Bundt cake, put the kettle on, and have yourself a little nosh when it arrives.

When writing, if you expect rejection, what it should do is make you up your game by challenging you to raise the yardstick, push the envelope and send your best work out into the world. And before you mistake my meaning, I’m not asking you to get down on your work and take the negative view that your writing isn’t good enough and never will be. I just want you to adjust your mental outlook. It’s like the saying goes, “Hope for the best, expect the worst.” It cuts down on the disappointment that may come later on.

Also, don’t let a verbal or written rejection kill your drive and lead you down the path of procrastination. Use it to become a better, stronger writer.

3. Stay focused

You can’t control your peers, society, or the world at large, so why not concentrate on your own thoughts, feelings, actions, and behaviors? Just because you’re not gifted with the inhuman ability to alter reality, doesn’t mean you’re powerless to alter your personal reality. By turning your focus inward, you acknowledge what you want and realize you have the power to set events in motion to achieve your goals.

How does this apply to rejection? You may be able to avoid the downward spiral of self-doubt by accepting there will always be cynics who are entitled to their opinions, be they informed or otherwise, and said opinions do not—and I repeat do not—have power over you. Instead of focusing on their negativity, turn your attention to what you can control, apply what you’ve learned from their comments, and move forward to produce more powerful work.

4. Spot the merit in rejection

I know I’ve taken an “it’s them, not you” approach in this post but honestly, not all rejection is unfounded. We’ve all produced work that exists on different levels. Some writings strike the right chord with the majority of your audience and others miss the mark by scant inches and even a country mile. This is when you let slip your inner critic and examine your work for uninspiring ideas, a poor approach, confusing views, unclear writing, passive voice, etc.

It also helps to learn to self-question, which is far and away different from self-doubt. Turning detective and analyzing why the editor in question didn’t accept the story, what were they looking for and what you could have done differently to meet their needs, may help you decipher learning points of which you were previously unaware.

A word of caution: Unless you have a personal connection with an editor or publisher, I would advise against contacting them directly to ask why your work was rejected. While you may see it as a means to improve your craft, your intent may be misconstrued. You never want to gain the reputation of being that writer. Or, perhaps you do. In that case, have at it. Who am I to tell you what to do?

5. Understand that rejection is growth

You’ve heard the saying, “One step forward, two steps back,” and you might believe receiving a rejection is taking those two soul-crushing backward steps, but you, my friend, are absolutely 100% incorrect. It’s the one step forward to understanding what people are looking for in the real world and how you can progress your writing to accomplish your objectives.

And if you have a piece of writing that has received more than a few rejections, instead of chucking it in the drawer of misfit tales, why not give it the once-over one more time, taking all the constructive comments into account while you do it. You just might find that you can spot and understand the weak points in your story’s structure and fortify them with the experience you’ve gained from learning how to cope with, deconstruct and master the lessons within the criticism you’ve received.

As I said from the start, you’re not the only person who’s dealt with rejection. Click this link to view some of the rejection letters received by bestselling authors. If they can handle it and press on, so can you.

Sally forth and be brush-your-shoulders-offingly writeful, my friend.

13 for Halloween: Sebaceous Splendors (audio)

Posted by Madd_Fictional on

I run a shoppe on the High Street, a tiny place that has a terrible word of mouth reputation, primarily for the produce I sell.

In my shop, Sebaceous Splendors, you can find the finest cuts of skin, the purest jars of blood, and the cleanest bones on the continent. Looking for a body part? Come to Sebaceous. Need a fresh organ to grind? Sebaceous has you covered. And where do you go when your sinew and tendons run low? You guessed it: Sebaceous.

In the cold light of day, townsfolk would not be caught dead entering my establishment, which is why I switched to night hours.

Under the cloak of twilight, as the rest of the village sleeps, slippered feet shuffle across cobblestones and slink into my shoppe. The shadowed alleyways surrounding my business are choked with clientele awaiting their turn to dash in and purchase a bit of the abnormal, either for spells and enchantment or to satisfy an unnatural appetite. I cast no aspersions. I sell what I sell. What you do with it is your own affair.

Not all who visit are right-minded, as one might surmise. Some syphilitic fingersmiths seek to cheat me of my efforts by attempting to nick a spleen or appendix and make a mad dash for it, which is why I purchased a NeverEver dog, so named because if one ever sank its five rows of teeth into you, you would never commit that or any crime ever again.

So, the next time you have a craving for something that cannot be procured at your local mart or need to bind someone to you, heart and soul, for all eternity, consider dropping by Sebaceous Splendors, open Midnight to Dawn, with nightly Hour of the Wolf specials!

13 for Halloween: The Man With The Rope Tattoo (audio)

Posted by Madd_Fictional on

Motshan was born a traveler, like his father before him, his father’s father, and so on and so forth. In his community, there was an elderly woman, Ethelinda, who had been blessed with a very special gift. People brought their newly born children to her and Ethelinda would predict with one hundred percent accuracy the manner in which the child would eventually die. Not the where and when, mind you, only the how.

Normally, the infant, unclothed, needed to be pressed against the flesh of her bare bosom, but baby Motshan’s destiny radiated from his tiny frame with such a fierceness that the moment he was brought into her tent, Ethelinda exclaimed, “He is destined to hang!”

So fearful of this prediction were Motshan’s parents that they kept anything resembling a rope or cord as far away from their son as humanly possible. And while it made growing up a challenge, for it was not easy to navigate things that could possibly be used in a hanging, it also gave Motshan a superpower. As he grew to maturity, he became fearless and recklessly threw himself into the face of many dangers simply because a man destined to hang could never die in any other way than hanging.

In fact, he was so cocksure that he could defy his fate and live to a ripe old age to die of natural causes, that he paid a tattoo artist, Danior, to etch upon his skin a rope that circled his neck three times, signaling the past, the present, and the future, of which he claimed to be in control of.

When the tattoo was completed, Danior revealed that he was the brother of a Romany woman that Motshan forced himself on one drunken night, who was so traumatized by the assault that she took her own life. The ink used in the rope tattoo was mixed with her blood and Danior exacted vengeance for his sister’s death by imposing a curse upon Motshan. For each day that Motshan lived, the rope tattoo would grow tighter and tighter around his neck.

Motshan denied taking advantage of Danior’s sister and laughed the curse off as an idle threat directed at the wrong man. That night, however, his sleep was interrupted by the sound of a rope squeaking and in the morning, it felt as if an actual rope was digging into his throat.

He returned to Danior’s caravan with all the money he possessed and even dropped to his knees, begging for the curse to be lifted.

“What amount of money can bring my sister back?” Danior asked. “What is more priceless than having the great Motshan the Fearless grovel at my feet for his pathetic life?”

The tattoo artist had a point, he was indeed Motshan the Fearless, and having this man laugh at him and mock him, drove him into a rage. Motshan lunged to his feet and slammed into Danior, sending the pair tumbling out of the caravan to wrestle in the dirt. Rolling on top, Motshan snatched up the tattoo artist’s throat, twisting it so fast and so hard that a panicked whistle escaped the man’s lungs before his neck snapped and his body went limp as a ragdoll.

During the fight, a crowd had gathered and witnessed the savage murder. Motshan tried to explain his side of the story but they were too incensed to listen. Danior was a good man by reputation, grieving the loss of his poor sister, who did not deserve to die in that manner.

The crowd of onlookers turned into a mob out for vengeance and they came at Motshan with stones and whatever was handy that could be used as a weapon, so he ran into the nearby woods. They gave chase but Motshan was a fit man, stronger, healthier, and swifter than most of them, which meant he was able to evade capture.

But he did not get away.

Days later, his body was discovered hanging in midair beneath the branch of a dule tree. According to witnesses, the branch above Motshan’s head bowed as if supporting a weight but there was no rope, cord, or vine visible between the branch and the man’s lifeless body. Head lolled to one side, his eyes bulged from his bloated, purple face and his neck was cinched where the rope tattoo existed. Surrounding the rope were tattooed bloodstains that dripped down to his exposed chest and spelled out the word, VADOMA.

The name of Danior’s dead sister.

13 for Halloween: Mise en Place (audio)

Posted by Madd_Fictional on

Everyone wrote Mise en Place off as another cheap reality competition knockoff tv series because the premise was identical to a much better cooking show in which two teams of amateur chefs competed for a lucrative position at a Michelin 5-Star restaurant, while working in a restaurant-style kitchen set up in the television studio sound stage.

In order to test the rookie chefs’ knowledge base and skills, a series of cooking challenges that escalated in difficulty were designed to eliminate weaker contestants until there was a single winner.

Despite this similarity, the show set itself apart immediately in the very first episode during the “Eat It, Now Meat It” challenge, where chef-contestants had to recreate a protein dish prepared by celebrity chef and host, Jacquez Devereaux, by taste alone. The loser of the challenge faced elimination after the host delivered the show’s signature catchphrase, “You have been cut from the line, prepare to be served.”

When it was later revealed that the protein in the dish was human flesh which also had to be correctly identified by gender, nationality and country and city of origin, in order to secure a win, and the loser was escorted to the show’s abattoir to be cut into sections for the next competition, the show became an instant ratings success.