The Anniversary Meal

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As Amantha carefully diced the spleen, she caught herself. Lost in the preparation of the meal, she absently sang a song under her breath. Normally, this wouldn’t have been a problem but she was doing it in her native tongue, a dead language that might have revealed her true identity, had anyone heard it. Not that they’d have been able to pinpoint what she was exactly, but they would have sussed she wasn’t what she appeared to be.

She bit the inside of her cheek as she marinated the kidneys, the pain and the coppery tang of blood in her mouth served as a reminder to be more cautious. The head that had been severed and chilled on ice overnight to preserve its freshness, was placed in the stewpot to dissolve in a broth that smelled faintly of sulfur. She would have to remember to do the same with the hands and feet and all the other body parts that couldn’t be disguised as normal cuts of meat.

Anal to a fault, Amantha arranged all the innards neatly on the countertop and went to work on deboning the torso and limbs, the bones of which would join the head in the liquefying broth. She knew she had plenty of time to get rid of the evidence, but she also wanted time to get dressed and made up before Onathan arrived. It was their one year anniversary and she wanted the meal to go without a hitch because suspected he was going to propose tonight.

“He’s going to propose tonight,” she let slip aloud as she slit open the intestines to clean them. If only she had studied the language better, none of this food preparation would have been necessary.

Onathan’s mother was an important figure in his life, more a best friend than a parent, and he wanted to include her in the anniversary celebration, which Amantha had no problem with because she enjoyed the old woman’s company, she just wished he had phrased his wish differently.

His exact words were, “Do you mind if we had Mom over for dinner? It’s a special night that I want to share with her. Since Dad died, she’s been alone in that house and it’s not good for her.”

“Of course I don’t mind,” Amantha answered, playing the question over and over in her mind. “If you’re sure that’s what you want.”

“You’re amazing. I can’t believe how understanding you are.” Onathan pulled her into him and gave her the biggest kiss. Surely, she had gotten it right this time. The kiss made her confident that her first interpretation was accurate.

Amantha called Onathan’s mother over late last night after he had gone to bed and she came without question or hesitation. Either she was the most selfless person on the planet or she truly was lonely in that big house all by herself. This would be a good thing.

No stranger to the procedure, Amantha treated her hopefully soon-to-be-late mother-in-law to refreshments laced with a two-part toxin. The first substance was mixed into the pâte sucrée and would have passed through her system harmlessly, had it not bonded with the chemical placed in the sherry. Death was instantaneous and painless.

The phone rang not a few seconds later. It was her mother. When Amantha relayed the news and what Onathan asked and what she had done, there was silence on the other end of the line.

A chill ran down Amantha’s spine. Before her mother said a word, she knew she had gotten it wrong once again. English was such a bastard of a tricky language.

“These humans, they’re not like us, Ammie.” her mother said. “Relatives do not sacrifice themselves for celebration feasts nor do they feel pride in eating kin.”

“But what am I going to do, Mother?” the rising panic made her body quake.

“Are you sure she’s dead?”

Amantha prodded the old woman’s arm with her shoe. “No doubt about it. I followed your recipe to the letter.”

“Looks like you have no choice but to tell him the truth.”

“The truth? I can’t do that! Hi, honey, remember your mother? I killed her by mistake last night, sorry. He’ll never marry me now!”

“Then play ignorant.” her mother suggested. “Human females do it all the time.”

“And what about the body?”

“It isn’t a body anymore, it’s evidence. If you intend to live a lie, you’ll have to get rid of it.”

“I can’t move the body, somebody will see me!”

“Who said anything about moving the body?” her mother said nothing further, waiting patiently for her daughter to catch on.

“You mean cook her?”

“You were going to do it anyway.”

“I–I can’t. That would be wrong.”

Turned out she could. After hours of playing out scenarios in her head, she decided she couldn’t live without Onathan and he wouldn’t want to live with her if he found out the truth.

The difficult part was hiding the body until Onathan left for work in the morning. Amantha thought she had tipped her hand when she rushed him through breakfast and out the door. One of his mother’s earrings was on the kitchen floor, right beside his shoe! It was so close that if she made any move to retrieve it, he would have noticed.

But all that was behind her now, as she opened the refrigerator to get the older woman’s eyeballs to mash into a jelly topping for the dessert. But they weren’t there. She searched everywhere she hid body parts, everywhere they could have rolled but there were no eyeballs! She distinctly remembered plucking them out of their sockets last night.

How could she have misplaced them? Amantha knew she had to find them before Onathan came home in two hours. She threw herself into overdrive and tore the house apart, all the while cursing herself for not being more careful. The last thing she wanted was to have Onathan accidentally stumble upon one of the elusive orbs. He might not recognize it as one of his mother’s, but at the end of the day, it was a human eye and while she didn’t completely understand human culture, she was sure finding random eyeballs in your house wasn’t a common practice.

Amantha finally found them, yes, in the refrigerator. They somehow managed to roll off the saucer and landed in the crisper. She breathed a sigh of relief… until she looked at the clock; Onathan was going to be home in less than an hour, and she not only hadn’t finished dinner yet but now the house was a complete mess.

She prepared the dessert in record time then hopped on the massive chore of tidying up the house. Just as she put the finishing touches on her makeup, the doorbell rang.

Amantha sat on pins and needles the entire dinner. What if he recognized his mother’s taste? A silly concern but it plagued her nonetheless.

Onathan seemed nervous as well, his eye constantly checking the wall clock or shooting over his shoulder to the front door. It didn’t stop him from enjoying the meal and he ate everything placed before him. At the end of the meal. he accidentally knocked his fork on the floor. Amantha was about to comment on how clumsy he was when he came up on one knee with a ring in his hand. “I was going to wait until mother arrived, but I feel now’s the perfect time, after the perfect meal.”

And that was all it took. The dam of emotions she tried to suppress all evening burst wide open and Amantha began to cry uncontrollably.

“D-did I do something wrong?” Onathan said, confused. “I thought you wanted this?”

“No, no, I do want this,” she said, her breath hitching. “Just not this way.”

“I don’t understand.”

“It’s not you, you’re fine. Really, really fine. It’s me. I have something to tell you…”

Sally forth and be truthful to your better half should you accidentally murder themingly writeful.

– Rhyan Scorpio-Rhys

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My Mad Fat Brain Bug: A Story Box Full of Regret

The damnedest thing can place a bug in your brain. Rod Serling is the source of one of mine.

It happened while I was deep within my Twilight Zone infatuation phase, in the prehistoric information days before civilian access to the internet, when I devoured every Serling-related book, article or fanzine I could lay my grubby little mitts on. In one of the pieces, I read how Rod’s widow, Carol, found a number of scripts and stories amongst her late husband’s possessions that were unproduced at the time.

And thus the bug found a home in my grey matter.

I pictured Rod in the final moments before he shuffled off this mortal coil, his gaze sliding across the room until it fell on the closet door, eyes filled with that unique brand of sadness only known to writers. Carol would remember that stare and later be drawn to the closet by a mysterious force that urged her to dig out a box buried deep beneath the material remnants of Rod’s life, shed like so much old skin. A box filled with his regrets, the stories that remained untold, that never found a proper home.

You don’t have to say it, I know that’s all rubbish. Simply me fictionally placing myself in the position of a man I never met. If Rod had any regrets at all, I certainly wasn’t privy to them. But that doesn’t make my brain bug any less real.

You see, I have a box–well, it started off as a file folder and grew into a box–filled with stories in various stages of development. Ideas written on scraps of paper, composition notebooks loaded with concepts and outlines, and completed stories that only exist in paper form–written pre-computer on an Underwood typewriter, circa 1950–as I haven’t gotten down to the laborious task of transferring them to my computer.

I don’t discuss my box much and I only brought it up to respond to an email I recently received (copied and answered here with permission):

I want to write a blog but I’m scared of being exposed and having people judge or attack me because of my opinions and I don’t think I have the writing skills to get my point across in the right way. What gives you the courage to write?

Guess what? Self-doubt and anxiety regarding humiliation and criticism is all part of the process and grist for the mill, so welcome to the club. What separates writers from non-writers is that instead of running away from that fear, we invite it in for wine and cheese. Befriend the beast that frightens you most because there’s a story just waiting to be revealed in that encounter.

It’s true that honest writing takes courage, as does sharing your writing with people who may not be kind in their opinion of it, but you also have to realize that it’s not your job to make people like your writing. Some people will flat out hate it because of your views (see: The Opinions Expressed) or your writing style, and because they may not know any better, can possibly hate you because of it. Hopefully, it’ll be the minority. Accept it as an unavoidable truth and move on.

As for the question, “What gives [me] the courage to write?” Everyone has their own reason for writing, and fear of acceptance isn’t high on my list. Sure, it’d be great if the unwashed masses loved my work, but the simple truth is all writing has its audience, whether infinite or infinitesimal, and if you never put your writing out there, there’s no chance in hell of your audience ever finding it.

The real reason I write is because of the aforementioned box. I just don’t want to be lying on my deathbed–hopefully many, many, many years from now–and staring at that damned box full of unwritten stories. I no doubt will have my fair share of regrets in my final days, but I’m determined not to have that box be one of them.

And since we’re on the topic of regrets, I recently read a book, “The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing” by Bronnie Ware, a palliative care nurse who cited the most common lamentations as being:

  1. I wish I’d had the courage to live a life true to myself, not the life others expected of me.
  2. I wish I hadn’t worked so hard.
  3. I wish I’d had the courage to express my feelings.
  4. I wish I had stayed in touch with my friends.
  5. I wish that I had let myself be happier.

So, while I can’t offer you reasons why you should write, I can tell you that most of the regrets listed above factor heavily in my need to write.

In closing, someone once wrote, “writing is like getting into a small boat with a wonky paddle and busted compass and setting out on rough waters in search of unknown lands.

Paddle forth and be regret-freely writeful.

©2013 Rhyan Scorpio-Rhys

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Author’s note: Since I’m never at a loss for ideas, I don’t dip into my story box as much as I’d like to, though I occasionally slip one or two of them into or in between current projects. The story idea folder on my computer… that’s a whole different story.

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©2014 Rhyan Scorpio-Rhys

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