Houses live, despite being constructed with inanimate objects and once-living-now-dead materials and only at night, when the humans who inhabit them quiet down and seek refuge within the secret fears and hidden desires of dreams, do they make their presence known. It comes in the throat clearing pipe rattles and the eerie creaks and moans as the domicile stretches from its support beams to the rafters before settling down upon the foundation once more. And somewhere in between these growing pain noises, I hear you through wooden slats, insulation and drywall.
You are busy conducting your nocturnal activity of burning bridges. You do this when you think I am asleep, which I pretend to be for I do not know how to confront you on this matter. Although I have never caught you in the act, I discovered the place in which you secret your tinderbox, that rusty lozenge tin containing pieces of flint, firesteel and the charcloth you use as tinder.
But it is not physical bridges you set fire to, it is connections. Human connections. At first, you severed ties with your coworkers. When that supply well ran dry, you turned your attention to the neighbors, both long-standing and new. My family was next, which should have been easy for you as you never considered my kin an extension of your own. To my surprise, yours followed shortly after. Now, it is only you and I, and I hear the striking of flint and I know without a doubt that I am next. I should get out of bed, should stop you, but I do not because I do not know how to process the reality that you no longer desire me in your life. I tell myself my love for you is strong enough to withstand your attempt to distance yourself from me, but the truth of the matter is, as I hear the charcloth catch fire, I can feel the grasp of my love for you beginning to weaken.
I had not realized, until I felt the radiant heat as you approached with your flame, that our connection was a living bridge, a spiritual combination of the northeast Indian tribal root bridges, which are formed by training the roots of the banyan tree to grow across watercourses, and the Japanese Iya Valley bridges, constructed using wisteria vines woven together when they grew long enough to span the gap.
I am surprised at how very hot and very slow moving the fire is. It creeps at its patient pace, causing destruction to the fruits of our happy memories, the flowers of our passion and the buds of future events in the making. The fire chars through the vines’ bark to consume the cambium layer beneath, the thing that is essential for the growth of the vine’s vascular tissue; and without it, the vines die.
I shed tears, though I no longer know why, for when you return to the bedroom, smelling faintly of smoke and slip under the covers, I move away from your touch for I do not know you. All the memories created in this place are ghosts that have evaporated like dreams upon waking. In the morning I will leave of my own volition, never to return and the only thing I will carry with me is your precious tin for tinder. I am filled with the sudden need to divorce myself from all human contact.
– Rhyan Scorpio-Rhys
About “A Tin For Tinder”: Truth is, there’s no backstory here. I missed the last two week’s posts because I’m in the midst of my fever rush to get my #NaNoWriMo novel done by the thirtieth of this month, so this is simply stream of consciousness writing to keep my blog active and alive.
If you enjoyed it, happy to serve. If not, I completely understand.
‘Til next week…