My Name Be Entropy

I was never what anyone would have called creative by any stretch of the imagination but my parents, my loving mother and father taught me how to appreciate creativity when I encountered it especially when we gazed up at the night sky.

They schooled me on using my imagination, on connecting the dots to form pictures and manipulating those images in my mind to construct the most beautiful art imaginable. I was alive with a raw energy that I could not brush onto canvas or mold in clay. Nor was I able to express in song, speech or written word the joy I felt standing with those whom I loved most dearly beneath a canopy of loviness brought to life by divine hands.

But that was then.

Now I serenaded the twilight every night, luring stars close enough to be plucked from the sky, one by one, and I saved their beauty in my clutch bag for the day my mother and father, who grew bored with me and succumbed to wanderlust, decided to finally return home.

“Why do you continue doing this thing, Enny?” my neighbor, the Spinster Wainwright, once asked in a tone that was more condemnation than curiosity.

“Because my mother once told me that stars used to inspire wishes,” I replied. “And I will continue to do this thing until my wish has been granted.”

To this, the old woman had no response. She simply stood at my side, watching the night sky grow darker as one by one the stars were plucked from the heavens and placed into my purse, causing galaxies to shudder.

Eventually, our star, our sun would join the others and this lonely existence would be eaten by the dark motes that share my name.

©2019 Rhyan Scorpio-Rhys

We Call It Love

They darken our doorstep, these weak men of authority do, issuing proclamations and threats in hopes of frightening us into submission. How poorly they know myself or my wife.

Were they more observant, able to peer beneath the surface of our supposed marital hatred, if one of these men, made strong only because of their sheer number, were truly bold enough to gaze into my betrothed’s eyes or even mine, they would perchance see into our souls and spot a chemistry that is more than mere butterflies churning in our bellies for our butterflies are bloodthirsty ravens forcing us into an entanglement, a battle for conquest, a contest of champions in which there can only be one victor but when the coupling is concluded, both emerge victorious.

But no, instead they bring their rules and laws, trying to persuade us into accepting that our way of thinking is not right, telling us our mating ritual will eventually end in disaster and in order to safeguard both my wife and myself, we must not only separate from one another but be sent into exile and walk the earth until we see the errors of our ways and are prepared to repent for our sins.

They think our ways foolish and perhaps I am the fool for thinking we could live among these strangers and benefit from sharing our respective cultures, acknowledging our common traits and if not embracing then at least accepting the rituals which divide us.

I state that no one will ever dictate how we live our lives for we are happy and even if their armed horde by some miracle manages to separate me from my wife, they will never succeed in tearing us apart because our hearts are knotted in the unbreakable bond of life union.

I explain that our marriage is built upon a foundation of fighting, for warrior blood courses through our veins and sometimes fighting is right. Necessary. Each dawn, as sunshine glints off our slashing blades in springtime, there exists between us a strange, violent harmony that we call love. But they are not one with understanding in this matter.

So, as they draw their weapons in an attempt to separate us, my wife smiles at me and we brace for battle, accepting their challenge.

©2019 Rhyan Scorpio-Rhys

The Wooden Cup

The last meal? Declined. Told that I might dine on whatever foodstuffs my heart desired, I found myself wanting nothing that would possibly remind me of the pleasures of this existence. Starvation would be the repast I took to my grave.

Prepared to meet my maker? Not by a long chalk. Religion was a thing that never quite managed to find purchase upon the coral reef of my soul. Mine was a spirit never moved by any diety, higher or lower, so the only salvation available for me once I came face to face with my final fate was to let oblivion enfold me within her inky embrace.

My jailors were informed that I would seek no holy counsel from a curate, as I hoped to spend my last hours in solitude but that request was ignored and a visitor was announced—a woman whose face was unfamiliar to me was escorted into my cell.

She said nothing, this woman, as she sat on the far corner on my bedding, cradling a cup hewn from wood in her delicate hands. Smiling, she offered the cup to me and made a motion suggesting that I drink.

For the life of me—a peculiar turn of phrase considering my position—I could not explain why I accepted the cup or why at her urging I touched its brim to my lips but in my grasp this simple cup was not unlike the holy grail.

It was filled with a liquid that after one sip I somehow knew to be her tears. Tears shed from happiness and from grief, yet when those collected salt drops greeted my lips the flavor was replete with the surprising splendor of the sweet serenity of a loving quiet purpose.

I drank and drank until there was no more and was momentarily reluctant to release the cup. When she left, still proffering that unnaturally kind smile, I realized what she had done. That simple and bizarre act of sharing her fluid with me sparked an ember of faith within I had no inkling existed and in that moment I knew sorrow and regret for what I had done and for the life that could have been and for the reward that existed beyond this life whose gates would never be opened for one such as I.

So it was to be oblivion after all.

©2019 Rhyan Scorpio-Rhys

This Simple Truth

It was a dark and stormy night, the type of night I had grown all too familiar with of late—when all my estranged family and distant friends slept but I couldn’t because all the regrets of my life raged in my mind with an unbearable intensity along with the enduring question—

Why am I alone?

Religion had given me assurances that I was never truly alone and family swore up and down that someone would always be there for me, yet despite all this, one dreary day I slipped on a patch of sadness and plunged into a depression so deep, so far out of human reach that not one single person, a collective of people, or even an all-powerful, all-knowing deity was able to catch my fall.

There was a saying along the lines of “what doesn’t kill you, makes you stronger” which was true I suppose but it wasn’t always in a positive way. I adapted to my loneliness and was now quite capable of being alone in a crowded room. I could not find camaraderie or companionship with the people around me, and as a writer, not even with the people in my mind, the ones that I had breathed life into.

Even my own reflection couldn’t be bothered to be in my company. Instead, it turned its back on me, facing the mirror-image room behind itself and whispered, “You have been lonely your entire life and now you will be all alone until the day you eventually die.”

And with this simple truth, slick sheets of tears poured from the storm clouds of azure eyes, streaking black and violet lightning across the alabaster plain of the loneliest face on the planet.

©2016 Rhyan Scorpio-Rhys

One Last Thing, Before I Go

Photo by Robert Lawton

They gather at my wake, my family and friends do, and I am surprised to find they are not alone. For in the crowd of mournful faces I spy the many acquaintances I have made along the way, long lost playmates from my childhood, as well as the beautiful women who I recognize immediately as the pretty girls I loved in my youth, each with children not much younger than we were when we courted.

Each of the assembled grievers tell a story, most of which I remember fondly and some I have forgotten with age, stories that make me laugh at how foolish I had been when I was at my most serious and some touching enough to make the eye water at the perceived kindnesses I bestowed upon others without even being aware.

And when the time for remembrances both affectionate and painful has past, my loved ones—and yes, even the acquaintances are loved now—raise a parting glass to wish me safe passage on my unearthly travels to where I do not know and as I feel myself being gently pulled away from this realm, I swim against the current of my final destiny and pass through each body gathered in this place to leave a personalized vivid memory in an effort to ensure I am not forgotten.

©2019 Rhyan Scorpio-Rhys

Story Tweets for the Week Ending March 2nd

Yes, I have returned from my glorious two weeks off but, no, I have not created a new short story so you’ll just have to cut your teeth on my past week’s story tweets.

Ugh. I used “tongue” twice in the same sentence. When will I learn to stop tweeting past my bedtime? It’s 2019…where’s the damn EDIT button, Twitter???

Story Tweets for the Week Ending February 23

Yep, still on vacation, so my story tweets for the past week are gonna have to hold you until I return to scratch out new short stories. Enjoy!

Til next Monday, ciao for now, compadres!

-Rhyan Scorpio-Rhys

Story Tweets for the Week Ending February 16

It’s vacation time and I could have planned ahead and scheduled a couple of short stories to keep my blog parking space warm during my absence but I’m a lazy writer so what you get is a sampling of my Twitter story tweets from the past week instead.

Sorry, not sorry.

Yes, I am painfully aware of the typo.

Holler atcha next week, peeps!

-Rhyan Scorpio-Rhys

Tweets as Stories: There is a Letter…

In my sock drawer, there is a hiding space behind a row what my father calls grave socks as in one foot in the grave because they either do not have a match, are riddled with holes, threadbare at the toes and heels, or the ankle elastic has given up their hold on life. In that hiding space, there is a letter written carefully in a mixture of cursive and print. In that letter, are words, feelings, emotions, and admissions that a boy would never say directly to a girl’s face, not even on a double dog dare.

On a bicycle, there is a shy paperboy who, even though I have not responded to his first letter yet, would write me another letter, I am sure of it, reminding me of our time in the park. In that park, there is a rum cherry tree under which I made a promise to the shy paperboy of seven minutes in heaven.

In my closet, on an afternoon when no one is home, I make good on my promise with the shy paperboy. In the dark, my mind is filled with a sort of scary, sort of awkward fireworks that I can see but cannot hear because my heart is pounding so fast and loud that I swear the shy paperboy can hear it.

In that kiss, there is something I do not have words for, something that drops my guard completely, makes me feel truly comfortable with the shy paperboy and I am desperate to let him see me in my entirety.

In that feeling, I am crying harder than I ever have before, harder than I even knew I could, crying past the point when I run out of tears. In the tearless sobs, my breath is hitching and I realize that this is most likely the happiest and most terrified I will ever feel in my life.

In the silence, after the kiss and the tears, the overwhelming and slightly painful joy is replaced by the sound of a key sliding into a lock, the tumbling of a bolt and the jangling of a woman’s metal bracelets.

In the house, there is a mother who will tan not only my hide but the shy paperboy’s as well, if she ever finds out I have company without permission and especially if my room door is closed and that company is a boy who is in my room.

In the window, there is a scared paperboy climbing out and mumbling a prayer that he does not hurt himself or makes a sound when he drops a story to the ground below.

In my mother’s eyes, there is suspicion when she opens the door and enters my room, catching me rushing to shut the window, cutting off the cool breeze even though I am dripping with sweat.

In my mind, there is a list of excuses that I cannot find in the clutter of thoughts so I just stare at my mother as innocently as walks past me and opens the window, about to stick her head out to inspect the backyard.

In my mouth, there is a fib, “A wasp!” I say just a bit too forcefully and I build on it by telling her there was a wasp in the room so I closed the door to stop it from getting into the rest of the house and I managed to chase it out and shut the window behind it.

In the moments that tick by too slowly, my mother glances at the window again, then at my face before turning to leave but as she reaches the door, she stops and says, “You should probably find a better hiding place. Your father’s been talking about throwing out your grave socks and you wouldn’t want him finding that letter, would you? And the no company without permission rule stands no matter how sweet a boy’s words are or how much your heart aches for him, understood?”

In the end, I realize I am not as clever as I think I am, nor is my mother that foolish or unreasonable and I discover a newfound respect for her as I answer, “Yes, ma’am.”

About There is a Letter: The story began life as this sneaky tweet for a Wednesday Twitter hashtag game called 1LineWed (hosted by Kiss of Death @RWAKissofDeath) that I banged out while I was working my day job:

©2019 Rhyan Scorpio-Rhys

Project: #Novel365 2018 – Week 3

Untitled design

#Novel365 2018 Week Two

On December 30th, 2017, all of this changed. A Queens-bound J local train derailed between the Myrtle Avenue and Kosciuszko Street stations, at least it was listed as such. The train was traveling at five miles per hour and the track running between the stations was elevated above ground so a true derailment would have resulted in a jack-knifing of the train, sending cars toppling into buildings and the street below. Since the train had just departed Myrtle Avenue it hadn’t reached its average speed of thirty miles per hour, which probably saved the lives of the train crew, the one hundred and fifty-four passengers and pedestrians below. The truth was an event occurred within the fourth car from the front that caused it to cant several degrees, lifting one side of its wheels slightly off the track.

The incident happened roughly eleven thirty in the evening, in a car that suffered mechanical issues with the doors not responding to controls. Passengers were asked to move to one of the adjoining cars as the train crew locked down the faulty car, which was preferable to taking the entire train out of service. While the latter would have resulted in fewer injuries in hindsight, the action taken meant luckily there were no fatalities within the car in question.

According to eyewitness reports, as the train was leaving the station there was a slight rocking that might not have raised any alarm had it not been for a passenger, illegally standing outside the train between the fourth and fifth cars. He claimed he was not riding between cars to urinate, despite statements from other passengers that when the man rushed back into the fifth car, his fly was undone and his right pant leg was wet. The man yanked the emergency brake cord, yelling, “It’s a bomb! We’re gonna die!” At first, the other passengers were angered by the seeming lunatic but one of them looked through the windowed door into the fourth car and confirmed, “We gotta get out of here!” This statement caused a panic as passengers pushed and shoved one another to get through the door at the other end of the car. Fear spread like wildfire throughout the train as the fifth car passengers forced their way through car after car inciting their fellow passengers with speculations of another New York City terrorist attack. Eventually, the eighth and final car was jam-packed with passengers eager to escape, who took turns trying to smash out the windows and pry open the sliding doors. The Metropolitan Transit Authority crew tried to reassure them everything was under control but it was far too late by then.

The MTA acted quickly in cutting the power of both the downtown and uptown tracks and passengers were evacuated from the train station, some having to be rescued off the tracks when they had fallen between cars during the passenger stampede. Of the one hundred and fifty-four passengers all but seventeen were sent to the hospital with injuries sustained from the panic resulting after the activation of the emergency brakes.

Despite being told of the unlikelihood of the incident being a terrorist attack when the police and fire departments arrived it was investigated as such. From the outside, the only sign of distress to the fourth subway car was the bloating on one side that pushed against the station platform which caused it to cant. The initial thought was an improperly detonated explosive device. The inside of the car told a different story. On the side facing the platform, striations ran along its entire length, floor to ceiling. One investigator reported, “It was like looking at stretch marks on a pregnant belly from the inside out.” Another investigator thought the striations looked like watermarks, as if tides over the course of years had pushed against the car wall at decreasing levels. What the investigators did not find were signs of an explosive device, evidence of human tampering or vandalism, or even traces of unusual and/or toxic chemicals or gas.

The train was taken out of service and at the train yard, engineers were at a loss to explain the condition of the fourth car but one of the engineers knew a colleague who was a theoretical physicist who was more than happy to take a look and venture a supposition. And though the visiting expert was fascinated by his own findings, the MTA was less so. Somehow, a passage from his report was leaked online in which he wrote, “The investigator who said these striations looked like watermarks was closer than he realized, only these aren’t watermarks, they’re timemarks. I’m willing to wager that the metal between these linear marks are of a different age than the metal within the marks themselves.”

It did not take long for public opinion to link this new piece of evidence to the subway shroud, but now the theories shifted from it being a monster or alien to a time machine. The shroud now claimed responsibility for train delays, subway accidents, and even missing persons who were last spotted riding the rails.

And just as before, a new series of speculation threads, fan fiction stories and memes cropped up seemingly overnight. One clever NYU film student who beat everyone to the punch created a Doctor Who-inspired web series about a time-traveling subway rider with a quantum Metrocard, who encountered the likes of Agatha Christie, Leo Tolstoy, and Leji Matsumoto while solving train-based mysteries. Shortly after, The Hollywood Reporter ran an article about the filmmaker currently being in talks with Steven Spielberg to take the show to network.

To be continued…

“Is he still at it?” you ask and my reply is, “Damn skippy!” Welcome to Week 3 of my personal 2018 writing challenge to turn my daily tweeting habit into something productive. This story is an experiment to write a stream of consciousness book with no outline or plot in mind, just a year’s worth of whatever-pops-into-my-fragile-little-mind tweets without edits or the fancy flourishes that will come in the rewrite. I still have absolutely no idea who any of the characters are, or how many there will be, what the story will ultimately be about or how it will end, and that terrifies and thrills me at the same time. And you get to watch me either create something (hopefully coherent and good) from thin air or fall flat on my writerly face.

So, if you can spare a moment, I invite you to either cheer me on or tell me what a colossal mistake I’m making. I’m good either way.

©2018 Rhyan Scorpio-Rhys

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