Taking It On The Chin: The Graceful Art Of Accepting Rejection

“Was I bitter? Absolutely. Hurt? You bet your sweet ass I was hurt. Who doesn’t feel a part of their heart break at rejection. You ask yourself every question you can think of, what, why, how come, and then your sadness turns to anger. That’s my favorite part. It drives me, feeds me, and makes one hell of a story.” ― Jennifer Salaiz

Rejection is akin to getting sucker-punched in the gut and, as a writer, you know this because you’ve undoubtedly experienced it in one form or another. We all have. Even with this blog, as harmless as it is, I sometimes receive comments that take issue with or flat-out reject things I’ve posted (hey, it happens, and you can’t fault people for having opinions that differ from your own).

While it’s no big secret that we all seek acceptance, rejection—impossible to avoid once your work steps out of the For-Your-Eyes-Only comfort zone and into the hands of the reading public—is an important part of your journey if your intention is to develop as a person and grow as a writer.

After you’ve gone through your initial grieving period (don’t deny or bury your feelings because that’s just not healthy), try these suggestions on for size to help you cope during the initial rejection rough patch:

1. Take yourself out of the equation

Your written piece is your baby, forever tethered to you by an unseen and intangible umbilical cord, and although it will always be a part of you, when someone disapproves of your work, they’re not necessarily rejecting you, the person.

Yes, I’m well aware it’s impossible to completely divorce yourself from something you’ve created. Especially when that sly critter Self-Doubt sidles up beside you and makes you question if there’s something wrong with you or your talent. But instead of taking this to heart and allowing it to consume you, you need to adjust your thinking.

When your work is rejected it’s usually more a reflection of the viewpoint, needs, or requirements of the person making the decision. The thoughts in your work may not align themselves with the thoughts of the target audience, which doesn’t necessarily make it bad, it’s simply not a piece that fits into their jigsaw puzzle.

Of course, if they offer you a reason why your work was rejected, you shouldn’t rush to dismiss it. Take a step back, look at the critique objectively, and if it has merit, consider incorporating it into your next draft.

2. Anticipate rejection

It’s coming whether you like it or not, so why not bake yourself a big ole Bundt cake, put the kettle on, and have yourself a little nosh when it arrives.

When writing, if you expect rejection, what it should do is make you up your game by challenging you to raise the yardstick, push the envelope and send your best work out into the world. And before you mistake my meaning, I’m not asking you to get down on your work and take the negative view that your writing isn’t good enough and never will be. I just want you to adjust your mental outlook. It’s like the saying goes, “Hope for the best, expect the worst.” It cuts down on the disappointment that may come later on.

Also, don’t let a verbal or written rejection kill your drive and lead you down the path of procrastination. Use it to become a better, stronger writer.

3. Stay focused

You can’t control your peers, society, or the world at large, so why not concentrate on your own thoughts, feelings, actions, and behaviors? Just because you’re not gifted with the inhuman ability to alter reality, doesn’t mean you’re powerless to alter your personal reality. By turning your focus inward, you acknowledge what you want and realize you have the power to set events in motion to achieve your goals.

How does this apply to rejection? You may be able to avoid the downward spiral of self-doubt by accepting there will always be cynics who are entitled to their opinions, be they informed or otherwise, and said opinions do not—and I repeat do not—have power over you. Instead of focusing on their negativity, turn your attention to what you can control, apply what you’ve learned from their comments, and move forward to produce more powerful work.

4. Spot the merit in rejection

I know I’ve taken an “it’s them, not you” approach in this post but honestly, not all rejection is unfounded. We’ve all produced work that exists on different levels. Some writings strike the right chord with the majority of your audience and others miss the mark by scant inches and even a country mile. This is when you let slip your inner critic and examine your work for uninspiring ideas, a poor approach, confusing views, unclear writing, passive voice, etc.

It also helps to learn to self-question, which is far and away different from self-doubt. Turning detective and analyzing why the editor in question didn’t accept the story, what were they looking for and what you could have done differently to meet their needs, may help you decipher learning points of which you were previously unaware.

A word of caution: Unless you have a personal connection with an editor or publisher, I would advise against contacting them directly to ask why your work was rejected. While you may see it as a means to improve your craft, your intent may be misconstrued. You never want to gain the reputation of being that writer. Or, perhaps you do. In that case, have at it. Who am I to tell you what to do?

5. Understand that rejection is growth

You’ve heard the saying, “One step forward, two steps back,” and you might believe receiving a rejection is taking those two soul-crushing backward steps, but you, my friend, are absolutely 100% incorrect. It’s the one step forward to understanding what people are looking for in the real world and how you can progress your writing to accomplish your objectives.

And if you have a piece of writing that has received more than a few rejections, instead of chucking it in the drawer of misfit tales, why not give it the once-over one more time, taking all the constructive comments into account while you do it. You just might find that you can spot and understand the weak points in your story’s structure and fortify them with the experience you’ve gained from learning how to cope with, deconstruct and master the lessons within the criticism you’ve received.

As I said from the start, you’re not the only person who’s dealt with rejection. Click this link to view some of the rejection letters received by bestselling authors. If they can handle it and press on, so can you.

Sally forth and be brush-your-shoulders-offingly writeful, my friend.

Tiny Stories: Early Birthday Present

Popular belief has it that the universe is comprised of atoms. In reality, the universe is actually made up of…

The day before her 18th birthday, Chloe carelessly stepped out of the shower and missed the bathmat by mere inches, her foot sliding instead across the wet tiled floor.

The last thing she remembered as her body flung backward, was the back of her head making contact with the corner of the porcelain sink.

When she came to she could somehow tell that she wasn’t where she was supposed to be. For one thing, the air tasted funny, still breathable but noticeably different. The other dead giveaway, in this reality her mother hadn’t died during childbirth, her father wasn’t a raging alcoholic, and she even had a kid sister, to boot.

But she still had a bad case of acne. Just her luck. Why would fate, the heartless bitch that it was, have even bothered to throw her a bone by trading her unasked-for sibling for a much-coveted life with clear skin?

Tiny Stories: Mary’s Lamb Love

Popular belief has it that the universe is comprised of atoms. In reality, the universe is actually made up of…

Mary had a little lamb.

For supper.

Every night.

The cravings began after she received the emergency wolf heart transplant.

For the record: I don’t choose the stories, the stories choose me. Please direct your hate mail accordingly.

Tiny Stories: Sister Pioneers

Popular belief has it that the universe is comprised of atoms. In reality, the universe is actually made up of…

Adelaide and Agatha Bechtel were born different from the rest of humanity but their parents did their level best to raise them with a sense of pride and dignity.

The twins were taught to ignore the stares of the ignorant masses, for evolution was on their side.

Soon the world would know the shocking truth and come to acknowledge and appreciate them as pioneers in the next stage of genetic advancement.

©2017 Rhyan Scorpio-Rhys

Tiny Stories: The Girl Who Dances

Popular belief has it that the universe is comprised of atoms. In reality, the universe is actually made up of…

Mother Nature’s nose bleeds as the climate changes and zoonotic illnesses are on the rise and the human virus that infects the planet pushes itself toward extinction over squabbles of skin tone, religion, and wealth and the only thing holding the fabric of the universe together is Umbra, whose name means shadow, which is where she dances.

She is a shy girl with the crooked smile and nervous laugh who keeps herself to herself and stands apart from the rest of the so-called real world, moving her body to a tune of ancient magicks that no one else can hear and loving the vision of what people can become if only they can get out of their own way.

Pray the day never comes when she stops dancing.

©2020 Rhyan Scorpio-Rhys

Tiny Stories: They Come At Night

Popular belief has it that the universe is comprised of atoms. In reality, the universe is actually made up of…

They come at night during the Hour of the Wolf, that gap between night and dawn when most people perish, when the sleepless are haunted by their deepest fear, when nightmares become flesh, and when ghosts are at the zenith of their power.

When they were alive they were families and neighbors who came to each other’s aid and fought for peace and tragically lost the battle before that peace had been established.

Now, these tortured souls step each pre-dawn from the void of the hereafter to remind us of how far we still must travel.

©2020 Rhyan Scorpio-Rhys

More Words Than You Need – Some Darlings Ain’t Long For This World

“So the writer who breeds more words than he needs, is making a chore for the reader who reads.” ― Dr. Seuss

No better moment exists than when you first get hit with that brand spanking new premise for a story. There will be those of you who disagree, citing the signing of a contract and being handed a check for your work as a better moment, but I beg to differ. When a story first bursts to life in your mind, you are in the superposition of optimism. The story will be great, the best thing you’ve ever written and will be well-received by the washed and unwashed masses alike. No reality lurking about to place limitations on your spectacular vision at this point.

So, you do your prep work—outlining, research, character development, etc.—and pound out your first draft. And you’re happy with yourself. Real happy. Your first instinct is to share it with the world, but before you slap your baby in the mail or post it online, I need to break some bad news to you. Your story isn’t perfect. Not only is it filled with mistakes but it’s a tad overweight.

Since you most likely don’t have access to an editor at this stage in your writing career, the onus is on you to sharpen the edge of your blue-pencil blade to fix typos and cull clumsy or ambiguous phrasing.

If you’ve ever handed a story to someone to read, a story you were sure was error-free, you quickly learned that spotting mistakes in your own writing is difficult. The problem with self-editing is your mind glosses over errors because it knows what you meant to write and sometimes reads that instead of what you actually wrote. Fortunately, self-editing is a skill you can learn to hone in order to eliminate mistakes and improve the quality of your writing:

1. Don’t edit on the fly

I know this is a hard thing to do, but when you’re writing why not concentrate on getting your idea down on paper first? Sure, if you spot a typo it’s okay to correct it or to approach a sentence from a different angle in order to keep flow going, but when you begin deleting sections of your work or get caught in the dreaded rewrite loop—reworking the same paragraph over and over again—you’re placing road blocks between you and the forward progression of your story.

One solution to help break you out of this bad habit may be to try a distraction-free writing program like OmmWriter, Write or Die, Freedom, Grandview, and Don’t Look Back.

2. Set it and forget it

Once you’ve finished your latest magnum opus, stuff it in a drawer and go about your business before you even think about attempting to edit it. Concentrate instead on one of the many things you had to put aside in order to make time to write. What you’re doing here is stepping out from among the trees so you can see the entire forest.

You’ll find when you eventually return to your work, you’re approaching it with a new set of eyes that are better equipped to spot things you’ve missed, things that don’t work as well as you initially thought they did, inconsistencies, etc.

3. Big picture editing before sentence micromanagement

I know, I know, you’re eager to jump in and fine tooth comb your work sentence by sentence, and good on you for being that keen, but before you get into the detail work, I need you to consider examining your content and overall structure. Is there important information missing from the piece? Or a section that’s either irrelevant or seems out of place? How about scenes in desperate need of drastic revision?

Focus on the major issues before you begin tweaking words and sentences.

4. Put your work on a diet

You’ve over-written the piece. Uh-uh, don’t argue. You’re a writer who’s in love with the notion of stringing words together to convey ideas that plant images your audience’s mind, which means you over-write. Don’t be ashamed, most writers use more words than are absolutely necessary.

It’s time to get your piece into fighting shape by cutting its body mass index by ten percent. It’s easier to drop this excess poundage than you think, by simply losing mediocre phrases, unnecessary adjectives, and repeated points.

5. Don’t rely solely on spell-check

A spell-checking program can be your friend, but we all know from experience that it isn’t foolproof. The human eye is still the best tool for catching those sneaky homophone imposter stand-ins (to, too, two; it’s, its; yaw, yore, your, you’re; there, their, they’re), the ever-elusive missing words, auto-correct mishaps, etc.

6. Be backwards in your reading

Mistakes love sliding past you because they realize how tough it is proofing your own work. One of the ways to flip the script and catch them at their diabolical game is to start at the very end of your story and read it backwards. Sounds silly, but it works.

7. Push your darlings out of the nest

One of the awful things about being a writer is that you’re never one hundred percent completely satisfied with your work. But no matter how determined you are to touch the face of perfection, the hard fact is your writing will never be flawless. Accept it. You’re just going to have to settle for the best you can humanly manage. You’ll know when you’ve reached that point when you begin making slight adjustments, then reverting it back to its original form.

It’s time to stop, kiss your darlings on the forehead and push them out of the nest and let them fly into the world.

***

Actually, there are a plethora of editing tips that you can utilize before you get to this stage and instead of listing them all, I’ve decided to post the links below and allow you to browse them at your leisure and cherry pick the ones that work best for you.

30 Quick Editing Tips Every Content Creator Needs to Know

10 Tips For Effective Editing

Editing Tips for Effective Writing

21 Proofreading and Editing Tips for Writers

And just for kicks I decided to link a list of homophones. Ya never know, might come in handy:

A List of English homophones

Sally forth and be writeful.