“I love short stories because I believe they are the way we live. They are what our friends tell us, in their pain and joy, their passion and rage, their yearning and their cry against injustice.” ― Andre Dubus
I began writing when I was young.
Well, back then I drew pictures and wrote little stories beneath them in a prehistoric blog-like fashion. The first story I remember writing was about God. Couldn’t have been more than five years old at the time and I’m sure it wasn’t much of a story. The only reason I remember it is because I was severely punished for it. Not the story so much as the crayon drawing of God accompanying it. Just a bearded man sitting on a chair in the clouds. To this day I have no idea why it sparked so much anger.
In school, I devoured comic books and my storytelling reflected this as I scribbled comic panels in my composition notebooks and sometimes my textbooks if I ran out of paper. I only shifted gears to prose after Frank Herbert absolutely blew my mind with the first book in his Dune series that I read in the sixth grade to impress a girl named Jeanette Baker.
It was her favorite book.
Ultimately, she wasn’t all that impressed by either me or my ability to read feudal interstellar societal science fiction, but Paul Atreides, The Bene Gesserit, The Fremen, and The Spice Melange left a lasting impression on me.
Unavoidable circumstances after college pulled me away from writing for longer than I’m happy to admit, but today marks the completion of my one hundred and seventy-fifth short story since I was lured back into writing after reading a copy of Harlan Ellison’s short story collection, Strange Wine, in a public library tucked away in Portsmouth Virginia.
Another mind-altering experience, as Harlan introduced me to the world of speculative fiction.
This milestone doesn’t include my detours into graphic novel self-publishing or article writing and short/feature-length screenwriting. Nor does it include the many and various unfinished stories that inhabit my Story Box Full of Regret. Many were picked up by a number of magazines, vanity press, and now-defunct publications during the halcyon days of snail mail querying and submissions, some of which are posted on this site, two are viewable at MasticadoresIndia, and only thirteen have been forever filed away in the fad drawer due to severely outdated themes.
Of the remaining one hundred and sixty-nine stories, only six are so cringe-inducingly bad that I refuse to revise them. They serve as a reminder of just how awful my writing can be when I’m off my game and a yardstick as to how far I’ve come since my far-too-late-in-life return to the medium.
The one hundred fifty-two on the rung above are mostly inspired by actual events, ripped from the pages of my journal—when I used to keep a journal—and fictionalized into speculative and science fiction, horror, and modern-day twisted fairy tale pieces. This was when I followed that old chestnut piece of writing advice, Write what you know. These stories know the terrain well enough since they’ve been around the block a time or two. All they need is a bit of a touch-up, light revision at the most, before they make their rounds again. I’m confident they’ll find a home somewhere.
The final eleven are hatchlings, newbie stories that are a tad more introspective and feature solid speculative elements. I’m a proud Papa so I must admit that these tales are my best, though if I had my druthers I would have planted their roots more firmly in the soil of either horror or science fiction instead of having them languish somewhere in the bleed of the two genres.
Of these, four are out for approval which leaves seven that I’m in the midst of revising before they join their brothers and sisters in the cold cruel world. The aim naturally is to send them all out so that can quit bugging me about wanting to be read. They can be so annoying that way.
MADD FICTIONAL 