Eulogy For Gurgi

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A man died today, a man whose name I never knew. We were given codenames, you see, and they became our identities. I was Eilonwy, named after the princess in my favorite book at the time, The Book of Three from The Chronicles of Prydain. And he was called Gurgi. I was a little girl when we met and the things I first remembered about him were that he always opened doors for me and he always carried a gun.

I never touched a door when Gurgi was around. He opened them when I approached and also as I exited. He spent a great deal of his time with me standing by doors or shooing me away from windows. I was too young to understand at the time that he was saving the life of a hot-tempered, stubborn and resolute little girl who happened to have royal blood coursing through her veins.

A fit man, ramrod straight back, dressed in a neatly pressed grey suit that he wore like a uniform, Gurgi was always polite even when I tested his patience demanding to play with his guns. He had so many of them. Mostly revolvers, with the occasional pump shotgun or automatic rifle. His belts were decorated with bullets and small pouches, compartments that held first aid kits, anti-venom and antidotes for most known poisons.

Gurgi would talk with me after the room had been secured and measures put into place so that my safety was insured. He told me of his many professions before finding employment with my father. A physician on his homeworld, he was unable to secure a medical license on Earth and forced to find work as an electrician, a skill taught to him by his father. A skill that introduced him to my father.

After being properly vetted, Gurgi was hired to rewire our home and during that time, the house came under attack and I was separated from my family. Men came to me, to hurt me, to abduct me, to possibly even kill me. Thankfully I never had the opportunity to discover which, as Gurgi happened upon the men who happened upon me and dispatched them. He took a gun off one of my attackers and shot them all until they no longer moved. A skill taught to him by his mother. A skill that impressed my mother.

On the rare occasion, he spoke about the life he left behind. His wife, whose name I sadly couldn’t remember, was famous in their colony for the roast she prepared for the Feast of Xoncha, a planetwide day of life appreciation. She roasted bamen but never relied on shop-bought, insisting instead on raising her own from pups that were well fed, cared for and loved just shy of becoming pets. Gurgi’s role in the process included rendering the bamen incapacitated, exsanguination, scalding and dehairing, evisceration and dividing the carcass in half longitudinally. The last one weighed five hundred and sixty kilos and was simply too large for his wife to handle alone.

I asked him if his wife served the bamen with its head.

“Of course!” Gurgi replied. “The tongue, cheeks, and ears were served as the appetizer with dipping sauces made from blood and innards.” I crinkled my nose and he burst into raucous laughter. It was the only time he both laughed and saddened when he reminisced about his life before me. It would be years before I understood that only love and nostalgia had the power to make you feel both happiness and sorrow at the same time.

He took breaks between the tellings to smoke. Out of necessity, not habit. In order to exist in our atmosphere, his lungs required an intake of a combination of elements that could only be found in the smoky by-product of a chemical reaction. He always made sure another man stood guard as he left the area to light his pipe, even though I told him I was quite capable of taking care of myself.

One recent evening when Gurgi stepped out into the garden to prolong his life, a number of people disguised as guards cut power to the house, slipped through father’s security systems and attempted to kidnap me. Gurgi hadn’t finished tamping down the compound in his pipe before he whirled to the sound of my muffled cries.

Glass exploded as two shots ripped through the sliding patio door and tore jagged wounds into two of the faux guards, one in the neck, the other in the eye. Gurgi crashed through the door in a shower of broken glass and before he could react, a baton from his blindside whipped down hard on his forearm and his gun went spinning across the floor.

He flung his arm back brutally as he spun, a wild swing — and a lucky one. His elbow smashed the nose of the attacker behind him who dropped like a stone. A heel to the Adam’s apple made sure the intruder stayed down.

Gurgi turned and locked eyes with the woman who held me by the throat and used me as a shield. He assessed but didn’t move. His stance was wide, his hands flexed.

My captor wrapped my hair around her hand, balled it into a fist, yanked my head back, and placed the muzzle of her pistol on my exposed neck. Gurgi dove, tackling us both to the ground. A shot went off before the gun skittered out of the woman’s grip.

The woman was agile, nimble. She spun away from Gurgi, and they both scrambled to their feet and faced each other, circling. The woman drew a knife from her belt and with cat-like reflexes leapt forward. The blade caught the light as it arced down and sliced into Gurgi’s arm.

I scurried to a corner of the room and grabbed a gun and aimed it in the direction of the two circling shapes in the dark, unable to get a clear shot and not wanting to shoot Gurgi by mistake.

“Run!” Gurgi yelled through a tight throat. He hadn’t smoked his compound so every breath he took now was slowly killing him. “Go!”

I hesitated, my heart pounding painfully, worried that I’d make the wrong choice. Too afraid to pull the trigger, and resisting the urge to turn and run.

The moment Gurgi shot me a sideward glance, the woman feinted to the side, then spun around, using her canted balance to put weight behind her thrust as she lunged. Gurgi grabbed her knife hand but the momentum of her pivot crashed her into him. They slammed into the wall with teeth-rattling violence, furiously grappling. The woman drove a knee into Gurgi’s midsection. He exhaled a grunt and nearly fainted.

She struck him with her free hand, a backhanded fist to the temple and followed with another knee to his stomach. Gurgi’s legs crumpled beneath him. The woman pounced on top of Gurgi, straddling him. He blocked her fatal knife thrust, but the blade bore down directly over Gurgi’s throat.

The pair were locked in a death embrace, but the woman had the advantage. She pressed her body on the blade and Gurgi struggled beneath her. Slowly, inexorably, the blade inched down until the tip pierced his skin and drew blood.

With the last of his strength, Gurgi bucked and threw the woman off balance. I panicked and slid the gun to him. The woman recovered quickly and brought the knife down on him again. A shot rang out. The back of the woman’s head exploded outward. She blinked once in disbelief, tugged weakly on Gurgi, then dropped to the floor.

I ran to Gurgi, who shivered and convulsed, as he fought every instinct to draw a breath. I fumbled through the compartment on his belt where he kept his pipe. It was empty. The garden! I raced outside and scoured the grass until I found where he had dropped the pipe. When I returned with it, it was too late. He was dead.

He will be sorely missed—both by his family and by his many friends, like me, whom he helped and inspired. But as he rests from his life’s long labor, this great bodyguard and friend should know that he made this princess proud. The world was most definitely a better place because of a man I only knew as Gurgi.

Text and Audio ©2011 & 2021 Rhyan Scorpio-Rhys

About Eulogy For Gurgi: This started as a very vague idea ten years ago, after reading a novel in which the heroine was forced to undergo a transformation after the loss of her protector. I wondered what would make someone of royal blood want to become a bodyguard? It was such an unusual status/occupation that the idea stayed with me for years.

The idea simmered in my unconscious mind as I read piles of crime novels. It toyed with me as I watched the myriad twists on the crime procedural genre play out on television. It teased me mercilessly until I decided I wanted to take one of the twenty story snippets I had laying around and finish it. The princess bodyguard idea emerged from the pile and demanded a fairy tale happy ending suitable for a princess.

I wrote fast and ended up with a first draft with a gaping plot problem. It took me a month to figure out how to fix it. I was sitting in a meeting at work when the solution suddenly popped into my head. I scribbled the idea in the margin of my meeting notes and re-wrote the first chapter that night.

It will be a novel someday.

This is the teaser I wrote to get my juices flowing.

Prexing Elevator Chat (Please Read My Lonely Talk Pt 2)

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Looking for Part 1? Right here, my friend.

For most of my life on your world, I have made my living working in an elegance palace. Before you ask, my place of employment is really nothing more than a bordello. I do not know who invented the name elegance palace, but I must tell you, neither I nor any of the other employees working there find anything elegant about it.

The elegance palace is hidden in plain sight amongst neighboring office buildings, yet secreted behind its by-appointment-only financial institutional facade lies a towering empire of adult-themed enterprises. From boutiques to restaurants, bars, clubs and pleasure suites, if it is something even remotely related to sex, an office is listed for it in the directory. I call it prex melata, which in my native tongue translates loosely as ejaculation building.

The thing I hate most about the prex is that it only has one entrance and one elevator. Yes, you heard me correctly. One. Elevator. When my shift eventually ends, no matter how carefully I time it, I always manage to get trapped in the elevator with potential customers who know who I am because I am the only person on the planet who looks the way I do…

Alien.

The thing that does not belong. The piece that does not fit. I have no idea how you ply your trade, but put yourself in my missionary position for a moment and try to imagine that after an arduous day of ending the lives of concupiscent individuals through intercourse, that you now have to ride in a crowded box with clients who have just engaged in the sexual practice of their comfort level or financial ability, all of them eyeing you and imagining themselves to be the one who could probably beat the odds and survive.

I hate it. I hate the looks, I hate the arrogance, and I hate the sameness of it all. Eventually, they all will come to see me. Eventually, they all will die.

At least in the elevator there is hardly any conversation. I envy the employees who do not have to speak to the clients they service. I, on the other hand, am legally obligated to strike up conversations with everyone interested in sleeping with me. I am the only elegance employee that comes equipped with a Surgeon General warning. Sleeping with me will kill you. You must be made fully aware of that and sign legal documents to that effect.

Occasionally, though, I will encounter a client that asks, “Do you work here?”

My initial response leans toward the sarcastic, but I always answer, “Yes.

I’d like to visit you. What’s your name? What floor do you work on? Do you see clients outside of here?”

I want to tell him not to come. Tell him that I do not want to see him. That I do not talk to, let alone service, clients outside of the prex, especially those who have not paid to talk to me.

Some clients do that, the smart ones. They come in and lose their nerve and I do not blame them. They are still contractually obligated to pay for my time but I cut them a discounted rate. And while I do not enjoy talking to people who view me as a sexable piece of offworld flesh, I take pity on the ones who back out at the last minute.  It must be similar to talking yourself down off of a ledge.

If I do happen to get a talker on the elevator, I do not smile or make eye contact. I simply answer their questions as curtly as possible and walk away abruptly when the elevator doors open. This usually avoids them feeling comfortable enough to follow me onto the street. It is the thing that scares me the most about the job, honestly.

I have a friend who prefers to be identified by the gender-neutral pronouns they, their and them, well, they are more of a colleague, in the business we call them sexociates, and I do not know if it is a vibe they give off or what, but they attract more gawker stalkers than all the rest of us combined.

Gawker stalkers are the creepers who lurk around the prex exit and watch the girls as they leave the building. It’s gotten so bad that Tawni, my sexociate, not their actual name but I doubt even I know their real name, has a taxi on call that they run into every night as soon as the elevator doors open.

Gawker stalkers never do anything to the sexociates, to my knowledge, they just watch. But it is still creepy. I get chills thinking about the possibility of some strange creeper following me home. They should just commit and pay the fee and get to play a little bit rather than being a loser that skulks in the shadows and goes home alone, unsatisfied.

Surprisingly enough, I have not crossed social paths with too many prudish types. When most people find out what I do for a living, they seem so fascinated with the concept of bartering intercourse execution for currency. I almost regret letting people know because all our conversations after that point turns to them pumping me for kinky or weird-but-true stories.

And that is when my relationships begin to die.

I do not have any eccentric stories. My sex organ forces orgasm and death, and if that is not enough to interest you, then what else do we have to talk about? My life is boring, really. So boring that no one wants to hear about it.

How about you?

Will you please read my lonely talk?

To be continued…

Text and Audio ©2014 – 2021 Rhyan Scorpio-Rhys

Call Me Desla (Please Read My Lonely Talk Pt 1)

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Please, call me Desla.

Not my actual name, mind you, but there is no real reason for you to know me by anything else. I was born—well, that is not important either, is it? All you need to know is that I am an alien—the extraterrestrial kind, not the immigrant kind—we can engage in intercourse for a fee, and you will most certainly not survive the experience.

Upon entering my boudoir you will undoubtedly notice the notches on the posts of my ornate bed. Your first inclination might be to assume these markings to be sexual conquests, and you would be severely mistaken. They are actually deaths. The number of grooves carved into the wooden headboard is one hundred and ninety-seven, at present, but the actual number is at least four times that. Only the deaths I regret have been engraved here. The rest received precisely what they came seeking and ultimately deserved.

A bit harsh, I realize, but how could you expect me to pity or mourn the passing of those who have tossed away so many possibilities, so many futures in search of la mort parfaite?

But I digress.

Due to the residency protocols of your Office of Planetside Security, the majority of my life was made an open book, yet there are certain things that remain hard for me to discuss. It is known that I was charged with treason back home for defending my personal beliefs—which remains my concern alone—and because my mate stood by my side during the trial, we were both exiled from my homeworld.

Set adrift in space, my people chose to let the universe decide our fate. If we were intercepted by a space vessel and taken aboard or found a world that would permit us to stay, then we were fortunate and were surely meant to live. If not, we would die on our craft when the life support and/or provisions ran out.

We traveled for what seemed like an eternity and never crossed paths with another vessel. Eventually, the ship malfunctioned and crash-landed on your planet. Only I survived, pulled from the twisted wreckage of my prison ship by a farmer who hid me away and chained me in his barn like an animal. He hosed me down and threw me scraps to keep me alive. What I did not know was that he was mustering the courage to have his way with me.

When I realized what he had in mind, I tried to warn him but I didn’t speak the language yet. I’m not sure even if I did that it would have made a difference. He forced himself on me and upon orgasm, promptly died.

My race can only mate with one partner in our entire lifetime. The first union sets into play a biological defense against infidelity by secreting a vaginal toxin that forces orgasm and subsequently death.

I was later discovered by one of the farmer’s neighbors, set free, and promptly handed over to Planetside Security. There I was taught the fundamentals of English and given an aptitude test to determine if there was a place on Earth for me. It was grueling and humiliating.  And when I was finally issued a caseworker, she sat with me and explained that the only opportunity available was in legalized prostitution. I was insulted and furious and baffled by the thinking behind this. Did they not understand that of all the professions they could have handed me that this was by far the worst possible choice? Then I stepped back to look at the bigger picture. The planet was overpopulated by indigenous humans and the influx of extraterrestrials and what better way to cull the population than to tempt the thrill seekers who wanted to risk death? To treat terminal patients who wanted sweet release?

So, I embraced my role in society and performed my duty and was dubbed the “Whorebinger of Death” and the “Grim Raper” by the press. And naturally, because humans are bizarre creatures, there were ladies who worked the same profession who envied me.

I have yet to warm to this planet and it does not resemble my homeworld in any way. My assimilation was slow to nonexistent and this was primarily my fault since I declined to undergo the genetic surgery offered to offworlders to make us appear more human. Though the human form is better suited for the physicality of this world and less cumbersome and my world has turned its back on me, I am still proud to be of my race.

The more time I spend here, the less confident I am about my appearance. On occasion, I have watched a television show or movie, or glanced at an advertisement, thinking the models to be a proper representation of the human race. I have since learned that there are those among you who feel your appearance does not measure up to the so-called perfect people placed on display. If you are one of these people who question their beauty, I ask you to consider this: at least you are of the same species.

I stand at the edge of acceptability, balancing on the fine line of grotesque fascination and physical revulsion simply because my eyes are not the same color or shape as humans, and my hair, what little I have in places considered odd by your lot, was actually tufts of fine fur.

I also need to be aware of my nails and keep them within an acceptable length to where they were not considered claws. The same with my smile. Apparently, when I bare my teeth it triggers a fight or flight response in most people.

To be continued…

Text and Audio ©2014 – 2021 Rhyan Scorpio-Rhys

Polymer Doll Isabeau Graphic Novel

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I’m on a serious nostalgia trip at the moment, looking back on past projects (because, let’s face it, the past should not be forgotten) and this graphic novel was actually created as a birthday gift for my girlfriend at the time and printed on newsprint, meaning to resemble a modern day penny dreadful.

Synopsis: Set in a future one step ahead and to the left of our own, Polymer Doll Isabeau tells the story of the mysterious and amnestic Izzy, the sole survivor of the Theologos Catastrophe that wiped out the entire population of Brooklyn, New York, four years ago. An accident caused by Rowe Scientific. As events build to similar disaster, Izzy, with the help of her friends, reporter Sydney Dorset and Agent Morgan Barksdale, races to discover her true connect with the Polymer Doll Project, the military android application believed to be the cause of the Brooklyn tragedy.

©1997 – 2020 Rhyan Scorpio-Rhys

The Revenue Man Graphic Novel

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78 Page, Black and White Graphic Novel by Rhyan Scorpio-Rhys

In the year 2046, tax rates have reached a record high of 96%.  These rates have incensed what is left of the working class.  Citizens, in order to survive with some semblance of dignity, have devised ways to withhold income from the taxation offices, adopting a “the tax office can’t tax what they don’t know about” attitude.  The Rowe Scientific Tax Administration Inspection Bureau has made it their business to be in the position to know EVERYTHING.

Since humans have proven time and time again to be selfish, money-grubbing little creatures, Rowe designed a new type of tax man, one that was incorruptible and flawless, to oversee and enforce the stringent tax laws.  Thus were born…THE REVENUE MEN.  When one of these super auditors malfunctions and begins its deadly pursuit on an innocent taxpayer.  Trapped in a skyscraper, and armed with nothing but the knowledge that he is innocent, Eddie Pacheco must match wits with an insane automaton, ever staying one step ahead, if he wants to stay alive.

I Watched: Horse Girl

How do you draw a definitive line between dream life and waking life when characters and events begin bleeding into both? That’s the question explored in the Netflix fim, Horse Girl, directed by Jeff Baena, written by Baena and Alison Brie, which follows a socially isolated arts and crafts store employee who finds herself more content in the company of horses and supernatural crime shows than people. Have a gander at the trailer:

Sarah (Alison Brie) is that oddly shaped piece that doesn’t quite fit in the societal puzzle, friendly yet friendless–with the possible exception of her boss, Joan (Molly Shannon)–her shy, introverted ways leads her to live a quiet life. Aside from working at a crafts store, she visits the grave of her suicided mother and frequents the horse stable where Willow, the horse she rode in her childhood is boarded, which annoys the stable owners to no end.

On her birthday, when roommate Nikki (Debby Ryan) finds Sarah home alone, she invites her boyfriend’s roommate, Darren (John Reynolds) over for a double date. The four drink and smoke weed and despite Darren talking about his ex all night, he and Sarah hit it off. When the party’s over, Sarah has a bizarre dream in which she is lying in an antiseptically white room with a man and woman and she wakes up face down in the living room on a mound of throw pillows and there are large scratch marks running across the wall that she can’t account for. Shortly after, a series of bizarre incidents begin to befall Sarah and that’s where this recap ends because I don’t want to spoil the rest of the movie for you.

So, would I recommend Horse Girl? It’s a yes for me but it’s one of those divisive films and it depends on how you view it, as a psychological drama about the effects of hereditary mental illness or a slow burn science fiction fever dream. Like a previous film I reviewed, Relic, the filmmakers seem intent on leaving the decision of whether Sarah is suffering mental problems or the victim of extraterrestrial forces beyond her ability to comprehend, entirely up to your interpretation.

Whichever way you personally lean, the one thing you will probably agree on is Alison Brie’s powerful and convincing performance as a troubled woman who slips on a patch of sanity and falls head first into the instability of a dream-life/waking-life reality that’s been tilted on its axis.

It’s currently on Netflix (apparently it’s been there a while) and it’s certainly, in my not-so-humble opinion, worth the watch. Besides, city and state reopenings have been a mixed bag, so you’re better off playing it safe by maxing and relaxing in your home, and there are far, far worse things you could be doing with 104 minutes of your self-isolated life. Treat yourself, why don’t you?

Ciao til next now.

I Watched: The Vast of Night

The Vast of Night, written by Andrew Patterson (under the pseudonym of James Montague) and Craig W. Sanger, directed by Andrew Patterson and starring Sierra McCormick and Jake Horowitz, isn’t a movie, not exactly. It’s a tv show inside a movie that runs parallel to real-life events starring the local townsfolk as actors playing themselves, though I doubt they realize it. Got it? Good. Moving on.

The television show being broadcast is Paradox Theater (an homage to The Twilight Zone with a dead-on vocal impression of Rod Serling) and the episode airing is titled, you guessed it, The Vast of Night which takes place in the small town of Cayuga, New Mexico sometime during the 1950s on the night of a high school basketball game. It’s a big event with nearly the whole town in attendance except for those who have to work and among these unlucky few are two teenagers, disc jockey Everett, the Mr. Fixit cock of the walk in his high school circle who carries himself with just enough swagger to be a likeable jerk; and his switchboard operator friend, Fay, a curious science nerd with a deep interest in technology who also wants to become a radio broadcaster.

At work, Fay listens to Everett’s radio show, which gets interrupted by a strange audio signal which is also coming through over the phone lines as she begins fielding calls from the town locals about something strange happening in the sky. Fay calls Everett at the station, lets him listen to the mysterious noise which he, in turn, broadcasts on the air and asks his listeners for information about the signal.

You’re going to hate me for this but I’m not interested in dishing out spoilers so that’s all I’m going to tell you about this film (you can basically get what I’ve mentioned from the trailer). I will say that if you’re looking for some CGI effects-laden alien invasion action extravaganza, this ain’t the film for you. The story is laid out like a breadcrumb trail that leads you to one answer after another in order to solve the big mystery of what’s going down in Cayuga and it’s in no rush to deliver those answers to you.

And before you wave this off to go and rewatch Independence Day for the thousandth time, let me assure you that if you’re a science fiction cinephile, this film is worth your time. The small town feels like a genuine small town, the townies come across as authentic, the atmosphere makes you feel like you’ve slipped on a patch of time and landed back in the 50s, and the acting is top-notch all around. Plus, there’s an innocence present that’s sadly missing from the movies released in the past few years, which is kind of refreshing, actually.

So, would I recommend The Vast of Night? You betcha! And, if the producers got it in their minds to do an X-Files-style tv series featuring Everett and Fay exploring all the mysterious, extraterrestrial and supernatural goings-on that occur in Cayuga during the 50s, I’d be first in line to watch it!

Til next now, “Bacon, bacon, nine-forty.” Watch the film, you’ll understand.

My Name Be Entropy

I was never what anyone would have called creative by any stretch of the imagination but my parents, my loving mother and father taught me how to appreciate creativity when I encountered it especially when we gazed up at the night sky.

They schooled me on using my imagination, on connecting the dots to form pictures and manipulating those images in my mind to construct the most beautiful art imaginable. I was alive with a raw energy that I could not brush onto canvas or mold in clay. Nor was I able to express in song, speech or written word the joy I felt standing with those whom I loved most dearly beneath a canopy of loveliness brought to life by divine hands.

But that was then.

Now I serenaded the twilight every night, luring stars close enough to be plucked from the sky, one by one, and I saved their beauty in my clutch bag for the day my mother and father, who grew bored with me and succumbed to wanderlust, decided to finally return home.

“Why do you continue doing this thing, Enny?” my neighbor, the Spinster Wainwright, once asked in a tone that was more condemnation than curiosity.

“Because my mother once told me that stars used to inspire wishes,” I replied. “And I will continue to do this thing until my wish has been granted.”

To this, the old woman had no response. She simply stood at my side, watching the night sky grow darker as one by one the stars were plucked from the heavens and placed into my purse, causing galaxies to shudder.

Eventually, our star, our sun would join the others and this lonely existence would be eaten by the dark motes that share my name.

©2019 Rhyan Scorpio-Rhys

We Call It Love

They darken our doorstep, these weak men of authority do, issuing proclamations and threats in hopes of frightening us into submission. How poorly they know myself or my wife.

Were they more observant, able to peer beneath the surface of our supposed marital hatred, if one of these men, made strong only because of their sheer number, were truly bold enough to gaze into my betrothed’s eyes or even mine, they would perchance see into our souls and spot a chemistry that is more than mere butterflies churning in our bellies for our butterflies are bloodthirsty ravens forcing us into an entanglement, a battle for conquest, a contest of champions in which there can only be one victor but when the coupling is concluded, both emerge victorious.

But no, instead they bring their rules and laws, trying to persuade us into accepting that our way of thinking is not right, telling us our mating ritual will eventually end in disaster and in order to safeguard both my wife and myself, we must not only separate from one another but be sent into exile and walk the earth until we see the errors of our ways and are prepared to repent for our sins.

They think our ways foolish and perhaps I am the fool for thinking we could live among these strangers and benefit from sharing our respective cultures, acknowledging our common traits and if not embracing then at least accepting the rituals which divide us.

I state that no one will ever dictate how we live our lives for we are happy and even if their armed horde by some miracle manages to separate me from my wife, they will never succeed in tearing us apart because our hearts are knotted in the unbreakable bond of life union.

I explain that our marriage is built upon a foundation of fighting, for warrior blood courses through our veins and sometimes fighting is right. Necessary. Each dawn, as sunshine glints off our slashing blades in springtime, there exists between us a strange, violent harmony that we call love. But they are not one with understanding in this matter.

So, as they draw their weapons in an attempt to separate us, my wife smiles at me and we brace for battle, accepting their challenge.

©2019 Rhyan Scorpio-Rhys

Picture Yourself Being A Better You!

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You know you’ve done it often enough. Hell, we all have. Who among us hasn’t daydreamed about living a better life? Being the boss of your dream job? Attracting the perfect mate? Living in the lap of luxury? Driving a flash car and mowing down the people you despise?

There’s no sin in dreaming, but why stop there? Why not get exactly what you want and start living the lifestyle that is your birthright? It’s all possible… if you’re willing to put your money where your fantasy is.

Stop and take a careful look at the rich and famous. Ever wonder how they got that way? Luck? Sure, maybe for a few, but most of the people you live your dull and dreary life envying have been trained to live better than you! They’ve learned the secret skills that opened the doors to paradise, so what are you going to do about it? Let them get away with it? Let them continuously throw their success in your face? You’re a bigger fool than most people think you are if you choose to continue living life in the loser lane after hearing about this great offer!

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Make your exes regret dumping you for the sad sack you used to be! Become the envy of your family as you throw your success in their faces just before you buy their houses out from under them and evict them onto the streets. Boss POTUS around! The sky’s the limit!

Disclaimer: Our organization accepts absolutely no liability for damages, injuries or death resulting from the improper usage of any of the secret techniques taught in any of our courses. As individual results will vary based on your level of commitment, we operate on a strict NO REFUND policy. In other words, succeed or fail, it’s all on you and none on us. Don’t come crying or bitching to us because you lack the intestinal fortitude to better yourself even when the secrets are gift-wrapped and handed to you on a platter. Should we live your life for you, too?

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©2014 Rhyan Scorpio-Rhys