
Tears of Lake Blue





Gerald could place his hand on a stack of Bibles and swear that he truly loved his wife without fear of being struck by lightning because in truth he loved that woman within the depths of his heart.
The numerous affairs? They were merely physical attractions played through to their natural conclusions. He had no choice, really. What was a man to do with a wife who sadly looked so much better in his memory and in photographs than in person?




Milland had never been an indecisive man, always knowing exactly what he wanted and pursuing it without a moment’s hesitation or second guessing his actions. But now he found himself torn between the love in the eyes of his wife and the weapon in the hands of his mistress.

Unfamiliar with The Umbrella Academy? No worries, I can assist you with that. In October of 1989, forty-three women across the globe became pregnant and delivered babies in the course of one day. The billionaire industrialist, Sir Reginald Hargreeves, manages to adopt seven of these infants and creates The Umbrella Academy in order to train his adopted children to save the world. But teen years being what they are, the kids have a falling out and each goes their separate way and don’t reconnect until they’re in their thirties when they learn of Hargreeves’ passing. They reluctantly work together to solve a mystery surrounding their father’s death, which puts them on a collision course with a global apocalypse. All caught up? Good. Here’s the trailer for Season 2:
The end of Season 1 saw Vanya (Ellen Page) absolutely losing her ever-loving mind and inadvertently bringing about the apocalypse but Five (Aidan Gallagher) manages create a time portal for his family to escape before life as we know it is obliterated. But it was done in rush and the math on the portal wasn’t accurate enough to keep everyone together, so the Hargreeves siblings land in the same location in Dallas, Texas but scattered in time across the early 1960s.
Klaus (Robert Sheehan) and Ben (Justin H. Min) arrive at 1960 where Klaus accidentally becomes the leader of a cult; Allison (Emmy Raver-Lampman) arrives in 1961 where she lands a job in a beauty salon in the colored part of town and marries a civil rights activist; Luther (Tom Hopper) lands in 1962 and becomes an underground boxer for Jack Ruby; Diego (David Castañeda) lands in September 1963 and winds up in a psychiatric hospital; Vanya lands in October 1963 with no memory and becomes the nanny of a young boy who is on the spectrum; and lastly, Five (Aidan Gallagher) lands on November 25, 1963 in the middle of the Soviet Union invasion of America, and when I say middle I mean US and USSR soldiers are battling all around him. Before Five can get his bearings, his brothers and sisters arrive on the scene to aid the US troops but are unable to stop the nuclear missiles overhead from detonating on American shores.
Before the nukes land, however, Hazel (Cameron Britton) appears beside Five and delivers his version of the classic Arnie line, “If you want to live, come with me.” and he transports Five 10 days in the past and arms him with as much information as he can before he’s gunned down by the assassin trio known as The Swedes (Kris Holden-Ried, Jason Bryden, and Tom Sinclair). The Hargreeves siblings, believing they’re stranded in the past, decide to settle into their new lives which makes Five’s job all the more difficult when he has to pull them out of the comfort of their individual worlds to save the world and repair time. Oh, and their father is alive at the time and very much active in some shady goings-on.
I have to admit I wasn’t looking forward to this season because 1) although I liked the first season well enough, the plot’s big mystery felt belabored and stretched thin and I was beginning to lose interest during the midpoint; and 2) Netflix original content ongoing series usually suffers from sophomore slump. That is absolutely not the case here. Season 2 surpasses its predecessor by a country mile.
And while the season is better, it’s almost a little too familiar with the Hargreeves siblings starting out separated from one another, facing yet another global apocalypse, and being dragged into investigating yet another mystery surrounding their father, Sir Reginald Hargreeves. The saving grace is each character is placed in different settings and is allowed to grow outside of the confines of their dysfunctional family relationships. Not so much for Five, Luther, Klaus, or Vanya (who gets a personality reset thanks to a helpful bout of amnesia) but Diego, Allison and Ben are each given their moments in the spotlight, and through Diego, we’re introduced to the most intriguing character of the season, his girlfriend, Lila (Ritu Arya).
Okay, I’m not being totally fair to Klaus or Vanya because they both have moments where they deal with the hardships relating to differing sexual preferences especially when placing the well-being of others before themselves, just as Allison comes face to face with the reality of the lengths some people will go to express their dislike of the color of a person’s skin.
If I had my druthers, I would have liked to see more development in the season’s antagonists. While it’s sometimes fun to watch Kate Walsh chew up the scenery, her one-note characterization detours into tedium after a while. And The Swedes are nothing more than cardboard cutouts of Season 1’s Hazel and Cha-Cha, with every ounce of personality drained from them. I’m also not the biggest fan of the dance numbers and I realize I’m in the minority here, but if you’ve got the time for a dance number, then you’ve got the time to beef up your bad guys. Just saying. And more of Ritu Arya. She’s amazing.
So, would I recommend The Umbrella Academy Season 2? Yup. Much like the Hargreeves siblings, the series as a whole still has a lot of growing up to do but this season shows the promise of the better, faster, stronger show it can be if it abandons its rehashed story beats and explores bold, new, weightier territories (and by weightier I don’t mean another global damned apocalypse). If you’re looking for superhuman action, humor, jukebox moments and head-scratching time-travel antics, then you’re in the right place. Still not convinced? Why not check out Season 2’s opening scene (it doesn’t spoil anything, trust me):
Ciao til next now.

How do you draw a definitive line between dream life and waking life when characters and events begin bleeding into both? That’s the question explored in the Netflix fim, Horse Girl, directed by Jeff Baena, written by Baena and Alison Brie, which follows a socially isolated arts and crafts store employee who finds herself more content in the company of horses and supernatural crime shows than people. Have a gander at the trailer:
Sarah (Alison Brie) is that oddly shaped piece that doesn’t quite fit in the societal puzzle, friendly yet friendless–with the possible exception of her boss, Joan (Molly Shannon)–her shy, introverted ways leads her to live a quiet life. Aside from working at a crafts store, she visits the grave of her suicided mother and frequents the horse stable where Willow, the horse she rode in her childhood is boarded, which annoys the stable owners to no end.
On her birthday, when roommate Nikki (Debby Ryan) finds Sarah home alone, she invites her boyfriend’s roommate, Darren (John Reynolds) over for a double date. The four drink and smoke weed and despite Darren talking about his ex all night, he and Sarah hit it off. When the party’s over, Sarah has a bizarre dream in which she is lying in an antiseptically white room with a man and woman and she wakes up face down in the living room on a mound of throw pillows and there are large scratch marks running across the wall that she can’t account for. Shortly after, a series of bizarre incidents begin to befall Sarah and that’s where this recap ends because I don’t want to spoil the rest of the movie for you.
So, would I recommend Horse Girl? It’s a yes for me but it’s one of those divisive films and it depends on how you view it, as a psychological drama about the effects of hereditary mental illness or a slow burn science fiction fever dream. Like a previous film I reviewed, Relic, the filmmakers seem intent on leaving the decision of whether Sarah is suffering mental problems or the victim of extraterrestrial forces beyond her ability to comprehend, entirely up to your interpretation.
Whichever way you personally lean, the one thing you will probably agree on is Alison Brie’s powerful and convincing performance as a troubled woman who slips on a patch of sanity and falls head first into the instability of a dream-life/waking-life reality that’s been tilted on its axis.
It’s currently on Netflix (apparently it’s been there a while) and it’s certainly, in my not-so-humble opinion, worth the watch. Besides, city and state reopenings have been a mixed bag, so you’re better off playing it safe by maxing and relaxing in your home, and there are far, far worse things you could be doing with 104 minutes of your self-isolated life. Treat yourself, why don’t you?
Ciao til next now.