Micro-Fiction Corner: I Date Synopses

The dating app had been updated so many times that nobody remembered what it originally promised, but the newest version came with a feature nobody had asked for and everybody eventually used, a small icon beside each profile that let you preview a person’s entire romantic future with them, generated instantly, three paragraphs long, formatted like the back cover of a paperback. It read like marketing copy for a life. A whirlwind romance complicated by family secrets. A slow-burn love story tested by distance and ambition. Most profiles produced something serviceable, competent, the kind of description that made you swipe right out of mild curiosity rather than any real conviction.

She’d been swiping for months by the time she noticed what was actually happening to her, that she’d stopped being able to enjoy a synopsis that read as merely fine. A nice enough paragraph about companionship and shared hobbies left her cold in a way it wouldn’t have a year earlier. She wanted twists. She wanted a synopsis with weight to it, tragedy and redemption and a sentence near the end that made her chest tighten, and the app, learning her preferences the way these things always learned, began serving her exactly that, more elaborate summaries with every swipe, each one promising a love story too dense and complicated to be lived casually.

What she didn’t notice, not for a long while, was that the actual dates had gotten stranger to match, men and women showing up with the specific gravity of characters rather than people, delivering lines that felt written rather than said, entire evenings structured like chapters building toward something. She told herself this was simply what compatibility felt like now, finally, after years of forgettable small talk. She didn’t ask why the fourth date always seemed to end on a cliffhanger, or why breaking things off with anyone had started to feel less like a decision and more like closing a book that wasn’t finished with her yet.

©2013 Rhyan Scorpio-Rhys


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Comments

5 responses to “Micro-Fiction Corner: I Date Synopses”

  1. Kira Lyn Blue Avatar

    It might be a bit of a cheat to hire someone to write your synopsis, but I’ve considered doing it for all the reasons you mentioned. It’s just so difficult to boil everything down when the entire story is important to you. Another writer with an objective perspective might be able to do better.

    Then again, it’s probably actually a good exercise in writing to force yourself to summarize. One problem I can see with hiring someone is that the synopsis would not be in your writing voice and it might throw readers off once they get into the book.

    1. rhyscorhys Avatar

      With certain screenplay contests, you sometimes receive a synopsis included with your feedback. I’ve never found those to be 100% accurate. And you’ve raised an excellent point about the writing lacking your unique voice. You also wouldn’t necessarily want to receive a synopsis written by someone who has a distinctive flair that’s not present in your writing style.

      I’m not knocking those who provide synopsis services, though, or ghostwriters for that matter. If you can earn a livable wage from putting pen to paper, by all means. Needs must when the devil drives.

  2. irscriptwriter Avatar

    I’ve always loathed the concept of a synopsis, because if my story should be a 3-5 page short story, then I wouldn’t have made an entire screenplay out of it. In other words, I write in the medium (screenplays) that best serves my stories. If my goal was a short story, then I would’ve written that to begin with.

    1. rhyscorhys Avatar

      Preaching to the choir, my friend.

  3. luvztawrite Avatar
    luvztawrite

    As a writer, your normal instinct is to expand and flesh out stories. Condensing is for editors. Just sayin’.

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