The Web and the Too Close Crescent Moon

Sadder than any person I’ve ever seen, Madam Ostelinda greets me with a weak handshake before taking the seat across the table and begins to remove the cloth from her crystal ball.

“That won’t be necessary, “ I say. “Your sign out front says you’re a dream interpreter as well, is that right?”

“I am,” says the fortune teller and I’m surprised at how much her accent doesn’t match her garish Roma garb, as if she can’t be bothered putting on the full routine anymore. In fact, her office or workspace or inner sanctum or whatever you call the place a woman in her line of work plies their craft seems a bit underdone, like a cheap curio shop that isn’t ready to open for business because it’s not fully stocked.

“I’d like to tell you about this dream I’ve been having.”

“Whenever you’re ready,” she says, repositioning the deep velvet cloth over the glass orb and locking eyes but still not properly seeing me.

“Okay, so, I’m looking up at this crescent moon in a night sky filled with stars and it’s too big, the moon, like I can almost reach out and touch it, except my arms won’t move. Then I realize I can’t move my entire body because I’m tangled up in some sort of giant spiderweb which for some reason is at the mouth of a cave. And before I can make sense of it, I hear a noise, a scrabbling or scratching sound that’s getting closer and it’s clear that something is approaching behind me and because I’m immobilized I can’t see it but I know beyond the shadow of a doubt that it’s the thing that made this web.

“I try calling out for help but my lips and my teeth have these hooks and hollows that have been locked together like a flesh and bone zipper. All seems lost when out of the corner of my eye I spot a pair of scissors stuck to the web near my right hand and if I can only reach it I can cut myself free…but try as I might my fingers just aren’t long enough and the creature is right behind me, and just when I sense it’s about to strike…I wake up.”

I study Madam Ostelinda’s face, who is clearly preoccupied with other matters, and I do not rush her interpretation so we sit in her shabby mystic lair in silence for a long moment until the time the impatience I attempt to tamp down forces a biological urge to clear my throat.

The faux gypsy returns from her woolgathering and asks, “How many times have you had this dream?”

“There have been at least eleven instances in the past two weeks,” I reply. “Any idea what it all means?”

It is now Madam Ostelinda’s turn to clear her throat as she leans forward on the table, lacing her fingers in an academic professorial manner, and explains, “Well, a crescent moon indicates cyclic changes, renewal, and possibly progressing smoothly toward a new life path. The web could either suggest that you’re being held back from fully expressing yourself or you feel trapped and don’t know what to do or where to go. The scissors could denote a need to become decisive and take control in the real world, or you need to cut things or people out of your life.”

“I suppose I can agree with some of that,” I nod. “Not to change the subject but you seemed a little distracted after I finished telling you my dream. What were you thinking about?”

“You noticed that, huh? My apologies. It just seemed familiar to me, that’s all, like I’ve heard something similar to it before.”

“From your daughter, perhaps?”

And there is the look I have been waiting for, the dawning recognition.

“Amy?” she says my name and I am triggered, losing my footing in the present and falling back through the calendar of my life to the days when my younger self delighted in having my mother’s undivided attention.

“Hi, Mom,” I say, smiling despite myself.

This woman, who looks nothing like I remembered; who looks nothing like me because I take after my father, struggles to find words and when she eventually does, all she can muster is, “How did you find me?”

“A private investigator. Dad told me it was a waste of money and time but sometimes I’m like a dog with a bone, a trait he says I get from you. It took the private eye a while to find you because you did one hell of a job changing your identity.”

And any satisfaction I thought I’d feel at finally confronting her is lost when ages-long regret strips away the gypsy mask to reveal the sad, small woman beneath.

“You must think I’m a horrible person,” she turns away as she says this as to hide the tears welling in her eyes.

“I did, for a long time,” I admit. “But now, all I want are answers.”

“You’re not going to understand.”

“Try me. And as for the scissors thing, I’m not trying to cut you out of my life,” I say and proceed to ask all the questions a parent who abandons their child dreads.

Text and Audio ©2019 & 2021 Rhyan Scorpio-Rhys

One Last Thing, Before I Go

Photo by Robert Lawton

They gather at my wake, my family and friends do, and I am surprised to find they are not alone. For in the crowd of mournful faces I spy the many acquaintances I have made along the way, long lost playmates from my childhood, as well as the beautiful women who I recognize immediately as the pretty girls I loved in my youth, each with children not much younger than we were when we courted.

Each of the assembled grievers tell a story, most of which I remember fondly and some I have forgotten with age, stories that make me laugh at how foolish I had been when I was at my most serious and some touching enough to make the eye water at the perceived kindnesses I bestowed upon others without even being aware.

And when the time for remembrances both affectionate and painful has past, my loved ones—and yes, even the acquaintances are loved now—raise a parting glass to wish me safe passage on my unearthly travels to where I do not know and as I feel myself being gently pulled away from this realm, I swim against the current of my final destiny and pass through each body gathered in this place to leave a personalized vivid memory in an effort to ensure I am not forgotten.

©2019 Rhyan Scorpio-Rhys

They Come At Night

They come at night during the Hour of the Wolf, that gap between night and dawn when most people perish, when the sleepless are haunted by their deepest fear, when nightmares become flesh, and when ghosts are at the zenith of their power.

When they were alive they were families and neighbors who came to each other’s aid and fought for peace and tragically lost the battle before that peace had been established.

Now, they step each pre-dawn from the void of the hereafter to remind us of how far we still must travel.

Tiny Stories: The Meddler

Popular belief has it that the universe is comprised of atoms. In reality, the universe is actually made up of…

“Faith, my dear, I can assure you that there is not a misogynistic bone in my body. I fully agree that some women are born to lead, just as others are born to follow.”

“And in which category do I fit?”

“I cannot imagine you following a soul.”

“Both perceptive and wise, but you failed to notice one important fact.”

“And what might that be?”

“I am not a woman at all.”

“Don’t be absurd. My eyesight might not be as sharp as in my younger years, but I can see plain as day that you are most certainly a woman.”

“The form is feminine, but I am in fact a Fatum.”

“A what?”

“A sort of supernatural being, born to meddle in the affairs of humankind.”

Some women were born to lead, others to follow, but Faith discovered she wasn’t a woman at all. She was, in fact, a Fatum, a supernatural being born to magically meddle in the affairs of humankind and she was about to accomplish that on a global scale by marrying the leader of the free world.

Wanna Succeed as a Writer? Buddy Up to Failure, it’s the Best Friendship You’ll Ever Make

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Far better is it to dare mighty things, to win glorious triumphs, even though checkered by failure… than to rank with those poor spirits who neither enjoy nor suffer much, because they live in a gray twilight that knows not victory nor defeat. —- Theodore Roosevelt

The act of bollocksing it up, getting it all wrong and falling flat on your literary face is the worst, most evil thing that can be thrust upon the fragile ego of a creative person. No writer ever wants to be standing hip-deep in a congealing bucket of epically proportioned failure. Not only does it cling to you, branding you with the scarlet letter of incompetence, but the fumes from it seep into your pores and attack your confidence, enthusiasm and self esteem.

And even worse than failing? Atychiphobia:

From the Greek phóbos, meaning “fear” or “morbid fear” and atyches meaning “unfortunate” atychiphobia is the abnormal, unwarranted, and persistent fear of failure, often leading to a constricted lifestyle, and is particularly devastating for its effects on a person’s willingness to attempt certain activities.

But “fear of” is getting kicked to the curb in this post because—if you haven’t sussed it from the title—I’m actually advocating for failure, which in my insolent opinion, gets a bad rap.

When you first begin to write for an audience, or writing in a genre that’s new to you, or in a different format, etc., your first attempts will most likely not be optimal. No two ways about it. No getting around it. Why? Because your life isn’t a movie, wunderkind wasn’t conveniently inserted into your backstory, and greatness isn’t DNA-encodable at this point in time, it still has to be strived for.

You. Will. Fail. Fail to connect with your audience. Fail to notice logic issues in your plot easily spotted by a reader. Fail to end a story properly (if you even complete it at all). Fail in your use of words to convey the intended images. Fail to make a sale. Fail to impress your literary heroes. Fail to please everyone (always), the majority (on occasion), and anyone (trust me, it happens).

The only surefire way to avoid writing failure is to either never commit your ideas to paper–let them swirl around in the magical kingdom of your imagination, living their Peter Pan existence, as you vegetate in front of the TV–or never put your writing out into the world. If either of these sound like a viable solution, good on you and go for it. I’m not here to judge.

If, however, you’re not satisfied with letting ideas fester in your gray matter as you wait for the opportunity to unleash your genius in that perfect moment that never ever seems to swing around your way, you’ll need to look disappointment square in the eye and accept the fact that the outcome of your writing endeavors will not always line up with your expectations.

And though I’m not here to judge, should you actually consider never committing your ideas to paper, one possible adverse effect is that idea can metamorphosize into a bloated squatter that takes up an unnecessary amount of mind space, thereby blocking the arrival of new ideas. If it were me, I’d serve it an eviction notice and make way for a new tenant. But that’s just me. Still no judgements.

Once you’ve wrapped your noggin around the simple truth that you will fail and have given up feeling hopeless, weak, and belittling both yourself and your talents, you’re finally ready to accept the fact that failure plays a very important, incredibly positive role in your writing life. In fact it offers you a chance to grow and learn.

The first step in learning how failure breeds success is to let yourself fail a few times. Experience it in it’s totality. When you discover that it does not, in fact, destroy you, feel free to brush yourself off and climb back on the horse. All successful writers have experienced failure (and a great deal of the time the success/fail ratio favors the negative) but what made them successful is they weren’t afraid to fail and if they did, they just learned from their mistakes and moved on.  They didn’t allow themselves to be defeated by rejection, hurt or disappointment.

There will be those of you who poo-poo (yeah, I said poo-poo, deal with it) the notion of getting accustomed to failure because you personally know someone whose first ever novel made the bestsellers list, whose first draft screenplay became a Hollywood blockbuster, whose tweets became a TV series, blah-blah-blech. There’s a professional name for that phenomenon. It’s called a miracle. Right place, right time, all the planets fall into alignment. This is great when/if it happens, but you shouldn’t factor it into your overall game plan. It’s akin to being dirt poor and signing the deed on a mansion just because you’re sure you’re gonna win the lottery.

Well, writing calls, so I must be off–I’m sure I’ll speak more on this topic in the future–but before I go, let me leave you with a list to help you on your way to palling up with failure:

  1. Read.
  2. Write.
  3. Fail.
  4. Learn.
  5. Repeat.

It’s as simple, and as difficult, as that.

Sally forth and be writeful.