Things Kept Precious

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My mother warned me to guard the things I held precious by keeping them hidden inside me. The only thing I held precious was her and I found it impossible to place her inside my body. I was too young to understand she was talking about love. Too young to save the best parts of my mother’s love in my heart. Too consumed by the hate caused by her leaving me on my own. Too young to accept that death comes to us all.

It was hard to hold onto her love. Hard because I watched her body decay and rot away to nothingness. I watched to see the precious things she kept inside her and where she managed to hide them so I could do the same. I never found them. I watched as I picked vermin from her flesh and fought away carrion from her decaying form, until the day she was unrecognizable to me.

In particular, I watched her heart. Who knew what was inside there but I knew it was fragile because my mother spoke many times about how it had been broken. She said, “Sometimes you have to break a heart to find out how strong it really is.”

But when her heart became visible, I couldn’t see any cracks. I watched it as it bruised like an apple and disintegrated away. Nothing inside it but emptiness. I was hoping to see love—even though I had no idea what love looked like—or at least be privy to some secret that would explain the world to me. I found none of those things.

Her heart was a chamber for maggots. That was what my mother kept precious. Little disgusting creatures that fed off her body. They were everywhere. Stripping my mother of her beauty.

It grew harder to remember her face. I tried to recall the last time I saw her eyes or her smile but that memory was too distant in the past, lost in the forest of forgetfulness.

Occasionally I dreamt of my mother, standing in a room somewhere I had never been but yet felt so familiar to me, her face was a storm. Clouds roiled where features should have been. When she spoke, her voice was a swarm of black bees the drained the life of anything it touched. The bees blotted out the room and ate a pet dog I only had in dreams and never in real life, before coming for me.

I would run from the house and through the trees, down a dirt path that led to a black pond of brackish water. The water called to me and I was torn for the water was frightening, but so too were the bees who devoured trees on their way to eat me.

No real choice at all, I dove into the pond and discovered the water was actually tar and I was being pulled in, just as other creatures foolish enough to make the same mistake, the same fear-based choice as I had.

My nose and mouth filled with hot thick liquid, bitter molasses that scorched my insides, and melted me like butter on the griddle.

I woke alone in the dark, choking for air, my chest weighted with the heaviness of fear. My breathing was a thick, wet noise like someone sloshing through mud — or tar! — and I no longer felt safe in this world, so I did the only thing I could think to do.

I crawled inside the remains of my mother’s body and wrapped her tight around me so that I could be the thing she kept precious.

Text and Audio ©2013 & 2021 Rhyan Scorpio-Rhys

Passage Through the Graveyard of Earthworms

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My monotony needed twisting yesterday, so I went for a stroll, sans iPod. You know, breathe in a bit of city fresh air, clear some cobwebs, that sort of deal.

There I was walking down the street, mind-sifting through character conversations and scene settings when I looked down at the pavement and realized that I was traipsing through what looked like the aftermath of the Great Worm War of 2021. The sidewalk was a battlefield littered with the corpses of thousands of earthworms that coated an entire city block.

Logically I knew how this could have happened. I knew they came to the surface either during the heavy rains–but it’s been dry weather for the past week–or to pair off and mate only to get caught on things that are hard for them to crawl across, like sidewalks and subsequently fry on the surface from sun rays–but that normally occurs during spring.

So, what then? Had there actually been a battle? Warring clans pitched against one another over territorial disputes? Factions in conflict over the claiming of a throne? Families locked in a deadly dispute over an unholy union?

Or was it a warning?

As I stood there, staring at their dried remains, curled into runic shapes, I wondered if they had been somehow gifted with a vision of the approaching apocalypse and had sacrificed themselves in an effort to warn us in the only language they knew. The last Germanic language spoken to them by man before the two species went their separate ways.

At that moment I felt like Indiana Jones in the passageway to the Grail chamber, trying to decipher the worm cadavers’ possible portents of doom, only without the aid of a diary or Sean Connery whispering something about, “Only the penitent man will pass.” or like John Nash without an ounce of the mental code breaking ability.

And I stood there. Longer than I’m comfortable admitting. Frustrated by the limits of my linguistics. Finally, I forced myself to move on, but not before making a promise:

No more outdoor strolls without my iPod.

Free Will

The column of light extended either way into infinity, so bright as to cut the mind’s eye to even contemplate. It was The Judgment of God, and Xaphan was trapped within it. Pinned in midair, wings spread to their fullest span, arms and legs akimbo like a celestial insect, the apostate angel watched helplessly as the Seven Angels Who Stand Before God hovered, circling him.

“What is my crime, then?” Xaphan asked. “Daring to ask if the design of these heavens we were made to build originated from God, or the vainglorious Viceroy of Heaven?”

Lucifer Morningstar’s countenance, normally bright and a thing of beauty, soured at Xaphan’s words, becoming a dark and heavily shadowed thing, despite the ever-present light.

“Tread careful, creature, for I know your name be jealousy,” Lucifer said through pursed lips. “Though you wear the guise of my brother, still will I smite you.”

“What right have you to question our brother?” asked Gabri-el, Ruler of the Cherubim, and the Governor of Eden.

The corners of Xaphan’s mouth curled slightly. “Free will grants me that right. Is that not our entitlement? I have made no secret that I believe this to be Lucifer’s heaven and not God’s own, and I intended to prove my theory.”

“By attempting to set Heaven ablaze?” Lucifer asked.

“Attempting? Did it not burn?” Xaphan replied.

“I cannot understand why he would harbor hatred toward the Celestial Choir,” said Micha-el, leader of the Celestial Armies, Angel of Destruction and Vengeance in the name of God.

“Hatred? Xaphan stated that he was only exercising his free will. Do we all not have that option?” said Rapha-el, Guardian of the Tree of Life in Eden, and Chief Ruling Prince of Second Heaven.

“Xaphan’s heart is filled with pride, not hatred,” said Uri-el, Angel Who Watches Over Thunder and Terror, and the Cherub who stands at the Gate of Eden with a fiery sword.

“Be that as it may, Uri-el, his free will was honored when he chose not to assist in the construction of the heavens,” said Ragu-el, Angel of Earth, and keeper of the Trumpet of Ice and Snow.

“Precisely,” said Remi-el, Angel of True Divine Visions. “He had no right to set asunder the fruits of our labor. Xaphan could have exercised his free will in any number of non-destructive forms, such as leaving the celebration, if it offended him so.”

“Perhaps, but did we do our brother a disservice by not opening his opinions to debate?” said Razi-el, Giver of Divine Mysteries.

“And what of God’s will, Razi-el? Lucifer was appointed viceroy by the Almighty! Should Xaphan’s will supercede Morningstar’s own?” Gabri-el looked from face to angelic face.

“Free will is a gift we should not accept lightly,” Micha-el nodded.

“Agreed. There must be rules set in place to govern the use of our free will.”

“And a punishment to be meted out should one of us fail to adhere to the guidelines? I do not agree,” Rapha-el said.

“If we do not make an example of Xaphan, then what keeps the rest of the Choir from repeating his mistake?” Ragu-el asked.

“Mistake?” said Uri-el. “Xaphan made a conscious choice and acted on it! He is our equal in all things! Who are we to judge him?”

“I must agree,” Remi-el added. “Who are we to judge? We are the Shadowside of God. Only God should hold judgment upon the Mal’akh.”

“A good point, which leads to an interesting question: Why has God remained silent and allowed these things to happen?” Razi-el asked.

“Enough!” Lucifer’s tone was a knife. “True, the voice of God has grown silent within me. That is why I have called you together. To decide the fate of Xaphan. The only vote not cast here will be mine. As God is hushed, so too shall I be. Your options are to either: Pardon Xaphan, Strip him of his celestial nature, Imprison him, or End his existence. Cast your ballots.”

Gabri-el was the first to break silence. “Our pardon, Lucifer. Not bearing the mantle of viceroy allows us to forget its burden. Since pardoning Xaphan is out of the question, and the other sentences are too ghastly to imagine, I vote for imprisonment.”

Rapha-el, Uri-el, Ragu-el, Remi-el and Razi-el concurred with the imprisonment vote.

Lucifer turned to Micha-el, “What say you, Micha?”

“I choose none of the options you present, brother. Though I agree an example must be set, I opt to wait until God has spoken,” Micha-el said as he flew away from the table. “Until such time, I will not be party to such gatherings.”

Gabri-el turned to follow. “Micha! Wait–!”

Lucifer, suddenly at Gabri-el’s side, placed a hand on her shoulder, stopping her. “Let him be. Our brother is exercising his free will.”

“Xaphan, you are sentenced to imprisonment on Raquia, the Second Heaven, until the Word of God dictates otherwise. As part of your sentence, you are commanded to construct your own prison by hand in the same manner by which the heaven you destroyed was built.”

Xaphan considered his punishment a long moment before he spoke “What is the definition of Free? Is it having no obligations? And the definition of Will? A disposition to act according to principles? Then does not Free Will mean the freedom to make choices without obligation or divine intervention?”

The Seven could not find fault in his logic.

The column of light melted off Xaphan.

“Thank you, but I decline.” he said politely and flew off.

Text and Audio ©2014 – 2021 Rhyan Scorpio-Rhys

I Put This Moment Here

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“If only there could be an invention that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again.” ― Daphne du Maurier, Rebecca

I have a memory like a sieve.  My recollections of the past come to me in flashes and snippets and I have to be mindful not to fall into one of the many great blank holes when traipsing around in half-forgotten yesterdays. Part of it is the result of a built-in self-defense mechanism, tamping down the harmful events that one never quite survives intact. The rest? Just plain negligence. I am a poor caretaker of retrospection.

And for a while, I wasn’t bothered by it. Then I reached a point in life when memories—–of love and pain and the whole damned thing—-became important because I found myself wanting to catalog my journey before I reached the end of the race (it’s always closer than you expect and they say you never see the finish line with your name on it).

But now, when I recount the tales of the various and sundry someones who impacted my life before blowing away like a leaf in the wind, someones whose names I used to be able to recite by rote, those names have now taken up permanent residence on the tip of my tongue but never so close as to venture past my lips.

I find that in order to remember a past event, I have to place it in a location that’s visible so that I don’t misplace it along with my keys and smartphone. I have chosen this place as the soil in which to plant my evaporating memories before they’re gone forever.

I put this moment here:

Of the girl that I fancied in the first grade whose name might have been Cheryl or Shirley but for some reason I remember it as “Squirrel,” whom I wrote about when the teacher asked the class to write about something we loved. And that selfsame teacher thinking it was so adorable that she took me to Squirrel’s class and made me read it aloud to her. You’re never too young to discover embarrassment.

I put this moment here:

Of the German woman who made me my first brown bag lunch for school that consisted of a healthy liverwurst sandwich which I enjoyed the taste of but stopped eating altogether after being teased at school by the other kids for eating dog food. It hurt her feelings and I wish I had a stronger conviction to continue eating the lunches she prepared with love.

I put this moment here:

Of the asexual woman I worked with at a car rental agency who looked like a young Peggy Lipton and lived in New Jersey. I remember riding the Path train to her house and we would regularly break dawn discussing her passion, serial killers. She didn’t own a television and instead had an impressive collection of serial killer and unsolved murder case books. I found her fascinating and in hindsight I suppose I’m lucky that I never went missing.

I put this moment here:

Of the woman I worked with at a banking institution, who I spent a bizarre New Year’s Eve with as we dropped tabs of acid that didn’t work and searched Manhattan for the perfect place to ring in the new year and ended up laying on the grass of Central Park making resolutions and wishing on stars for a better year to come.

Sometimes when my mind is idle, I struggle to recall the names of people and events trapped within synaptic pathways that withered from non-use, names and events I feel I should remember because of the emotions that linger despite the fact the memories have faded and recognition has faltered.

I lament the loss of these remembrances because they’re all a part of me and I’m afraid to learn the answer to what of myself will remain when all the memories have faded away.

Gather ye memories while ye may. You’ll miss them when they’re gone.

Text and audio ©2013 – 2021 Rhyan Scorpio-Rhys

The One Sentence You Should Get Used to When First Starting Out

You’ve done your research, worked your mental fingers to the bone, and devoted all your time, energy and attention to detail into nailing the anatomy, structure and formatting of your very first short story/novel/poetry piece/article/screenplay, before sending it out for mass consumption.

And you wait, and wait, and wait, and wait for a response. When it finally arrives, your eyes will skim over the body of the letter and lock in on one sentence:

“After reviewing your work, we’ve decided that it isn’t a good fit for us and we’re going to have to pass.”

Don’t let that sentence shake you. Very rarely is a writer’s first written work good enough to be marketable. It takes experience to craft a truly sellable piece, experience you’ll earn by pressing on. This written piece leads to a second and a third and eventually you’ll find an editor, publisher or what have you that believes in your potential.

Write until you get it right.

Sally forth and be writeful.

— Rhyan Scorpio-Rhys

The Three Simple Facts Of Writing

 

Today’s entry is a shortie because I’m busy wrestling with a wordy bastard of a story that refuses to be tamed but I’m in a particularly stubborn mood, so challenge met!

That said, I offer you my three simple facts of writing:

  1. If you do not write the story you truly want to write, it will never be read. You can’t have the unwashed masses confirm your greatness when you haven’t given them anything to be in awe of.
  2. If you don’t submit your work—–for review, publication, employment, or whatever—–the answer will always be no. The cruelest rejection you can ever receive is from yourself, the toughest critic you’ll ever know. If you never show your work, you never give an editor, publisher, prodco, or whatever, the chance to say yes (exercise caution, of course, and protect your writing before letting it fly out into the world).
  3. If you don’t write, you’ll never be a writer. Plain and simple. Also, many, many, many years from now, when you’re lying on your deathbed, do you really want a box of regret—–filled with all the unwritten stories of your life—–hanging over your head like the sword of Damocles? I think not.

Sally forth and be writeful.

— Rhyan Scorpio-Rhys

Of Our Hue Filmworks: The Maconheiro Preview Clips

If what they say is true, that idle hands are the devil’s playground, then the same must be true about idle ideas in the mind of a filmmaker. This project came about as a result of idle chit chat with a group of friends as we were pounding down sacks full of White Castle murder burgers in a two-tone ’67 Chevy Impala after a night of heavy partying. Never come up with a nonsensical premise and dare me to turn it into a movie. Never.

The Tale of The Maconheiro:

Preview clip starring Steph Van Vlack, Pedro Rezende, Charlotte Grant, Julia Giolzetti, and Rhyan Scorpio-Rhys. Written & Directed by Rhyan Scorpio-Rhys. Copyright 2008-2016 Of Our Hue Filmworks. All Rights Reserved.

Deborah and Verity meeting:

Preview clip starring Monica Hammond and Charlotte Grant. Written & Directed by Rhyan Scorpio-Rhys. Copyright 2008-2016 Of Our Hue Filmworks. All Rights Reserved.

Steve’s crib:

Preview clip starring Monica Hammond, Daniel Petsche, Elizabeth Sawyer and Chris Van Kirk. Written & Directed by Rhyan Scorpio-Rhys. Copyright 2008-2016 Of Our Hue Filmworks. All Rights Reserved.

Of Our Hue Filmworks: The Submission (in four parts)

This marks my very first serious attempt at writing and directing a short film based on a feature-length screenplay I wrote about diversity within the comic book industry named, “Spotting Black.” It’s a little clunky and long-winded, but it’s mine, a project completed and one less item on my bucket list.

Part 1 – The Sitdown – In this segment, it’s the start of the Tri-State Comic Convention and publisher Mark Brown enters his hotel room to find the most unusual submission he’s ever received.:

Part 2 – The Rejection – After Daryl receives a less than enthusiastic response to his submission and previously published work… things get heated:

Part 3 – Harsh Realities – Tired of all the rhetoric, Mark is determined to school Daryl about the realities regarding the comic book industry as it relates to people of color:

Part 4 – The Admission – it’s all been said and done and there’s nothing left but for Daryl to come clean about his unorthodox submission:

Starring Lamont Copeland, Buddy Woodson, and Reena Dutt. Written & Directed by Rhyan Scorpio-Rhys. Copyright 2001-2020 Of Our Hue Filmworks. All Rights Reserved.

Polymer Doll Isabeau Graphic Novel

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I’m on a serious nostalgia trip at the moment, looking back on past projects (because, let’s face it, the past should not be forgotten) and this graphic novel was actually created as a birthday gift for my girlfriend at the time and printed on newsprint, meaning to resemble a modern day penny dreadful.

Synopsis: Set in a future one step ahead and to the left of our own, Polymer Doll Isabeau tells the story of the mysterious and amnestic Izzy, the sole survivor of the Theologos Catastrophe that wiped out the entire population of Brooklyn, New York, four years ago. An accident caused by Rowe Scientific. As events build to similar disaster, Izzy, with the help of her friends, reporter Sydney Dorset and Agent Morgan Barksdale, races to discover her true connect with the Polymer Doll Project, the military android application believed to be the cause of the Brooklyn tragedy.

©1997 – 2020 Rhyan Scorpio-Rhys

Genaissance: A Parable Scribed By The Shadowside Of God

Genaissance

Inspiration comes from the oddest places sometimes and the idea for this graphic novel series came from watching the cheesy Christopher Walken movie, “The Prophecy” which sparked an interest in reading the apocrypha and pseudepigrapha which resulted in me creating “Genaissance: A Parable Scribed by the Shadowside of God”:

Synopsis: The time? One of innocence. The place? A land that no longer exists; the Earth Pre-Flood. It is here that a gentle soul named Enoch, on the 365th year of his life, is lifted up into the Seven Heavens and brought before the unbearable face of God. Elected to be the Scribe of God, Enoch encounters the Archangel Micha-el, who begins relating a fantastic parable. Through Enoch’s mindseye we witness the evolution of God, the creation of Earth, the formation of Heaven, the birth of Lucifer Morningstar, and much, much more.

©1999 – 2020 Rhyan Scorpio-Rhys