Eulogy For Gurgi

OLYMPUS DIGITAL CAMERA

A man died today, a man whose name I never knew. We were given codenames, you see, and they became our identities. I was Eilonwy, named after the princess in my favorite book at the time, The Book of Three from The Chronicles of Prydain. And he was called Gurgi. I was a little girl when we met and the things I first remembered about him were that he always opened doors for me and he always carried a gun.

I never touched a door when Gurgi was around. He opened them when I approached and also as I exited. He spent a great deal of his time with me standing by doors or shooing me away from windows. I was too young to understand at the time that he was saving the life of a hot-tempered, stubborn and resolute little girl who happened to have royal blood coursing through her veins.

A fit man, ramrod straight back, dressed in a neatly pressed grey suit that he wore like a uniform, Gurgi was always polite even when I tested his patience demanding to play with his guns. He had so many of them. Mostly revolvers, with the occasional pump shotgun or automatic rifle. His belts were decorated with bullets and small pouches, compartments that held first aid kits, anti-venom and antidotes for most known poisons.

Gurgi would talk with me after the room had been secured and measures put into place so that my safety was insured. He told me of his many professions before finding employment with my father. A physician on his homeworld, he was unable to secure a medical license on Earth and forced to find work as an electrician, a skill taught to him by his father. A skill that introduced him to my father.

After being properly vetted, Gurgi was hired to rewire our home and during that time, the house came under attack and I was separated from my family. Men came to me, to hurt me, to abduct me, to possibly even kill me. Thankfully I never had the opportunity to discover which, as Gurgi happened upon the men who happened upon me and dispatched them. He took a gun off one of my attackers and shot them all until they no longer moved. A skill taught to him by his mother. A skill that impressed my mother.

On the rare occasion, he spoke about the life he left behind. His wife, whose name I sadly couldn’t remember, was famous in their colony for the roast she prepared for the Feast of Xoncha, a planetwide day of life appreciation. She roasted bamen but never relied on shop-bought, insisting instead on raising her own from pups that were well fed, cared for and loved just shy of becoming pets. Gurgi’s role in the process included rendering the bamen incapacitated, exsanguination, scalding and dehairing, evisceration and dividing the carcass in half longitudinally. The last one weighed five hundred and sixty kilos and was simply too large for his wife to handle alone.

I asked him if his wife served the bamen with its head.

“Of course!” Gurgi replied. “The tongue, cheeks, and ears were served as the appetizer with dipping sauces made from blood and innards.” I crinkled my nose and he burst into raucous laughter. It was the only time he both laughed and saddened when he reminisced about his life before me. It would be years before I understood that only love and nostalgia had the power to make you feel both happiness and sorrow at the same time.

He took breaks between the tellings to smoke. Out of necessity, not habit. In order to exist in our atmosphere, his lungs required an intake of a combination of elements that could only be found in the smoky by-product of a chemical reaction. He always made sure another man stood guard as he left the area to light his pipe, even though I told him I was quite capable of taking care of myself.

One recent evening when Gurgi stepped out into the garden to prolong his life, a number of people disguised as guards cut power to the house, slipped through father’s security systems and attempted to kidnap me. Gurgi hadn’t finished tamping down the compound in his pipe before he whirled to the sound of my muffled cries.

Glass exploded as two shots ripped through the sliding patio door and tore jagged wounds into two of the faux guards, one in the neck, the other in the eye. Gurgi crashed through the door in a shower of broken glass and before he could react, a baton from his blindside whipped down hard on his forearm and his gun went spinning across the floor.

He flung his arm back brutally as he spun, a wild swing — and a lucky one. His elbow smashed the nose of the attacker behind him who dropped like a stone. A heel to the Adam’s apple made sure the intruder stayed down.

Gurgi turned and locked eyes with the woman who held me by the throat and used me as a shield. He assessed but didn’t move. His stance was wide, his hands flexed.

My captor wrapped my hair around her hand, balled it into a fist, yanked my head back, and placed the muzzle of her pistol on my exposed neck. Gurgi dove, tackling us both to the ground. A shot went off before the gun skittered out of the woman’s grip.

The woman was agile, nimble. She spun away from Gurgi, and they both scrambled to their feet and faced each other, circling. The woman drew a knife from her belt and with cat-like reflexes leapt forward. The blade caught the light as it arced down and sliced into Gurgi’s arm.

I scurried to a corner of the room and grabbed a gun and aimed it in the direction of the two circling shapes in the dark, unable to get a clear shot and not wanting to shoot Gurgi by mistake.

“Run!” Gurgi yelled through a tight throat. He hadn’t smoked his compound so every breath he took now was slowly killing him. “Go!”

I hesitated, my heart pounding painfully, worried that I’d make the wrong choice. Too afraid to pull the trigger, and resisting the urge to turn and run.

The moment Gurgi shot me a sideward glance, the woman feinted to the side, then spun around, using her canted balance to put weight behind her thrust as she lunged. Gurgi grabbed her knife hand but the momentum of her pivot crashed her into him. They slammed into the wall with teeth-rattling violence, furiously grappling. The woman drove a knee into Gurgi’s midsection. He exhaled a grunt and nearly fainted.

She struck him with her free hand, a backhanded fist to the temple and followed with another knee to his stomach. Gurgi’s legs crumpled beneath him. The woman pounced on top of Gurgi, straddling him. He blocked her fatal knife thrust, but the blade bore down directly over Gurgi’s throat.

The pair were locked in a death embrace, but the woman had the advantage. She pressed her body on the blade and Gurgi struggled beneath her. Slowly, inexorably, the blade inched down until the tip pierced his skin and drew blood.

With the last of his strength, Gurgi bucked and threw the woman off balance. I panicked and slid the gun to him. The woman recovered quickly and brought the knife down on him again. A shot rang out. The back of the woman’s head exploded outward. She blinked once in disbelief, tugged weakly on Gurgi, then dropped to the floor.

I ran to Gurgi, who shivered and convulsed, as he fought every instinct to draw a breath. I fumbled through the compartment on his belt where he kept his pipe. It was empty. The garden! I raced outside and scoured the grass until I found where he had dropped the pipe. When I returned with it, it was too late. He was dead.

He will be sorely missed—both by his family and by his many friends, like me, whom he helped and inspired. But as he rests from his life’s long labor, this great bodyguard and friend should know that he made this princess proud. The world was most definitely a better place because of a man I only knew as Gurgi.

©2011 Rhyan Scorpio-Rhys

About Eulogy For Gurgi: This started as a very vague idea ten years ago, after reading a novel in which the heroine was forced to undergo a transformation after the loss of her protector. I wondered what would make someone of royal blood want to become a bodyguard? It was such an unusual status/occupation that the idea stayed with me for years.

The idea simmered in my unconscious mind as I read piles of crime novels. It toyed with me as I watched the myriad twists on the crime procedural genre play out on television. It teased me mercilessly until I decided I wanted to take one of the twenty story snippets I had laying around and finish it. The princess bodyguard idea emerged from the pile and demanded a fairy tale happy ending suitable for a princess.

I wrote fast and ended up with a first draft with a gaping plot problem. It took me a month to figure out how to fix it. I was sitting in a meeting at work when the solution suddenly popped into my head. I scribbled the idea in the margin of my meeting notes and re-wrote the first chapter that night.

It will be a novel someday.

This is the teaser I wrote to get my juices flowing.

Songs As Stories: My Mind Is Not My Own Today

detail,face-e527aba1ae21f4eb9561ad18105b98b6_h

*Inspired by the song “Once In A Lifetime” by The Talking Heads

My mind is not my own today. Neither of my minds.

That reality continues to plague me as I make my way through both my workaday lives, and I mingle with people both strange and familiar. My minds are not my own today. I have to keep telling myself not to put too much stock in my conflicting thoughts as none of them truly belong to me.

But it wasn’t always this way. Once I had a singular life. A life I can no longer recall because I am not in control of my memories. Not since this morning, when I woke up living two separate lives simultaneously and asking myself, “How did I get here?”

In my left eye, I see the existence where I live in squalor in some poverty-stricken part of the world, and although I have many friends and am surrounded by people who care about me, I am alone and lonely. There is no one here for me. No one to share my life. But somehow I manage to remain happy. Or at least I am not unhappy. Which is more than most can claim.

In my right eye, I live the other side of the coin. My house is unbelievably vast and luxurious. My wife is statuesque and blindingly beautiful, and my car, my car is large enough for a small family to live within.

One would think as my wealth has no limit, it would be a freeing thing, correct? But I find that I can’t manage it properly, for this fortune comes with no instruction manual. Can you tell me how a beautiful wife, a gorgeous specimen of a woman that was supposedly tailored to suit my needs actually works? What of a house and car that I feel absolutely microbic in? It is all somehow wrong as if I am a three dimensional being living in a three and one-quarter dimension reality.

Then my doubts become corporeal and wrap their bony fingers around my ankle in a death grip and pull me under the rushing tide of all the moral debts I have incurred throughout my lifetime.

The tide is a repo service that removes all the things that I possess. The push-to-start conveyance is no longer my large automobile, the mansion is no longer my beautiful house and the amazon is no longer my beautiful wife. Unable to hold my breath for long, I gasp for air, each mouthful leaking my fortune along with my air.

The repossession waters dissolve my belongings, removing them from my existence, remnants of luxury items sink to the bottom of the ocean as waves push me away from opulence and wash me onto a fork in the road of a highway, the signposts of which points left for “Right” and right for “Wrong”. What do these signs mean? Which should I take? What have I done? What have I become? Am I right, or am I wrong?

And when I question my realities, a voice keeps repeating, a voice inside my head, a voice that is not my own, one phrase that is meant to calm me, to reassure me that everything is as it’s meant to be…

Same as it ever was.

Same as it ever was.

Same as it ever was.

Sally forth and be letting the days go byingly writeful.

– Rhyan Scorpio-Rhys

Creative Commons License

19 Habits of Happy Writers (you don’t really want to be miserable all your life, do you?)

https://maddfictional.com/wp-content/uploads/2013/08/b4784-happytypewriter.jpg

“Happiness is not something ready made. It comes from your own actions.” — Dalai Lama

As writers, it’ll come as no shock to any of you when I say my mood largely affects my writing. When I slide into the dark places, although I attempt to slog my way through the anguish and negativity that gets so thick sometimes as to suffocate me, my writing naturally suffers.

This post stems from an article I read recently on a Swedish study that suggested writers have a higher risk than the general population of anxiety and bipolar disorders, schizophrenia, unipolar depression, and substance abuse. And if that wasn’t enough, we’re also about twice as likely to commit suicide.

I don’t know about you, but I’d like to head this off at the pass. So, below are a few suggestions to help you live a happier existence, broaden your horizons, create a positive environment in which to write, and hopefully bring energy and verve into your projects:

1. Appreciate Life

Be thankful that you beat the odds and woke up alive this morning, some folks weren’t as lucky as you. Develop a childlike sense of wonder towards life and focus on the beauty of things. Learn to make the most of each day, and stop taking things for granted. And definitely don’t sweat the small stuff. It’s small for a reason.

2. Choose Your Friends Wisely

Do your best to surround yourself with happy, positive people who share your values and goals. Friends that have the same ethics as you will encourage you to achieve your writing dreams. They help you to feel good about yourself and are good for a morale boost when needed.

3. Be Considerate

Accept and respect others for who they are as well as where they are in life. With a generous spirit, help when you’re able, without trying to change the person. As a rule, you should try to brighten the day of everyone you come into contact with. Especially the difficult ones.

4. Learn Continuously

Try new and daring things to spark interests, gain experience, and that you can bring back into your writing.

5. Develop Creative Problem Solving Skills

Stop wallowing in self-pity as soon as you face a challenge and instead get busy finding a solution. Don’t let set backs affect your mood, instead see each new obstacle you face as an opportunity to make a positive change. Learn to trust your gut instincts – it’s almost always right.

6. Laugh Lots

Stop taking yourself – or life for that matter — so damned seriously. You can find humor in just about any situation, so learn to laugh at yourself, because, let’s face it, nobody’s perfect. When appropriate, laugh and make light of the circumstances. (Naturally there are times that you should be serious as it would be improper to laugh. Try not to that person.)

7. Forgive!!!

Holding a grudge hurts no one but you. Forgive others for your own peace of mind. When you make a mistake, own up to it, learn from it, and forgive yourself.

8. Be Grateful

Develop an attitude of gratitude by learning to count your blessings; All of them, even the things that seem trivial. Be grateful for your home, your work and most importantly your family and friends.

9. Invest in Relationships

Always make sure your loved ones know you love them even in times of conflict. Nurture and grow your relationships with your family and friends by making the time to spend with them. Don’t break your promises to them. Be supportive.

10. Keep Your Word

Honesty is the best policy. Every action and decision you make should be based on honesty. Be honest with yourself and with your loved ones.

11. Meditate

Meditation gives your very active brain a rest. When it’s rested you will have more writing energy and function at a higher level. Whether it’s yoga, hypnosis, relaxation tapes, affirmations, visualization or just sitting in complete silence, find something you enjoy and make the time to practice daily.

12. Mind Your Own Business

Concentrate on creating your life the way you want it and take care of you and your family. Don’t get overly concerned with what other people are doing or saying. Don’t get caught up with gossip or name calling. Don’t judge. Everyone has a right to live their own life the way they want to – including you.

13. Be Optimistic

See the glass as half full. Find the positive side of any given situation. It’s there – even though it may be hard to find. Know that everything happens for a reason, even though you may never know what the reason is. Steer clear of negative thoughts. If a negative thought creeps in – replace it with a positive thought.

14. Love Unconditionally

Don’t put limitations on your love, even though you may not always like the actions of your loved ones – continue to love them.

15. Be Persistent

Never give up. Face each new challenge with the attitude that it’ll bring you one step closer to your goal. You’ill never fail, as long as you never give up. Focus on what you want, learn the required skills, make a plan to succeed and take action. As humans, we’re always happiest while pursuing something of value to us.

16. Be Proactive

Accept what can’t be changed. Happy writers don’t waste energy on circumstances beyond their control. Accept your limitations as a human being. Determine how you can take control by creating the outcome you desire – rather than waiting to respond.

17. Take Care of Yourself

Take care of your mind, body and health. Get regular medical check ups. Eat healthy and work out. Get plenty of rest. Drink lots of water. Exercise your mind by continually energizing it with interesting and exciting challenges.

18. Build Self Confidence

Don’t try to be someone you’re not (no one likes a phony). You know who you are on the inside so be confident with that, do the best you can manage and don’t second guess yourself.

19. Take Responsibility

Happy writers know and understand that they are 100% responsible for their life. They take responsibility for their moods, attitude, thoughts, feelings, actions and words. They are the first to admit when they’ve made a mistake.

And there you have it. Simple, common sense suggestions to help you take responsibility for your own happiness. I realize that some of these are easier said than done, but could it really hurt to try to work on developing at least a few of these habits as you own? Who knows, the more you incorporate the above habits into your daily lifestyle, the happier you could be.

Being gifted with creativity comes at a price, but it doesn’t have to be a terrible one.

Sally forth and be true to yourself writeful.

— Rhyan Scorpio-Rhys

11 Things Every Writer Needs to Know (More About You and Less About the Writing)

“Write like you’ll live forever — fear is a bad editor. Write like you’ll croak today — death is the best editor. Fooling others is fun. Fooling yourself is a lethal mistake. Pick one — fame or delight.” ― Ron Dakron

  1. Writing is a steep, uphill battle but it’s fierce and it’s beautiful and you’ll regret walking away from it before you’ve seen it reach its potential.
  2. New people, experiences and opportunities to write about won’t stop coming into your life but you need to make space for them. Reexamine all your current relationships, obligations and habits and if you find value in them, hold onto them tighter. If their value escapes you, it’s time to let something go.
  3. Resolve to be awesome for the rest of your life, starting right now. Just because.
  4. Writing goals are not reserved for January 1st. Get in the habit of setting them monthly, hell, even weekly. Set them so that you’re moving forward and always trying to progress. Your writing can grow stagnant without them. Beware.
  5. Confidence is an attractive thing. Readers dig it. Non-readers dig it. We all dig it.
  6. Negative people chip away at your spirit. Flush the toxins and get yourself into a better writing head space.
  7. And if you slag off another writer because their abilities fail to impress or interest you, maybe you’re on the road to toxicity. Peer relationships are too valuable to muddy with what you perceive to be the shortcomings of other writers. If you can’t find enjoyment in someone’s writing, don’t read it. Plain and simple.
  8. You’re human and as such you’re going to waste many hours focusing on who you aren’t, or who you want to secretly be. But you won’t ever wake up and magically become that person. You’ve got to embrace what you bring to the table. If you don’t like what that is, have the courage to change it.
  9. Regret is a very real thing. It’s going to happen to you at some point. Don’t hold onto things forever but learn from them and let the past go. The past will be a dictator if you let it.
  10. Yes, when we write we create worlds, but the world doesn’t revolve around us. Turns out we’re just punctuations in a much larger story littered with periods and commas and dashes. How are you helping that story to be better? How are you being the best punctuation you can be?
  11. Tech advancement is coming at us fast and furious and it’s all too easy to let an emoticon laden text do the talking for you, too easy to click a Like or +1 button instead of engaging people in an actual dialogue. Never lose sight of the beauty of a conversation where you can watch a person’s face express actual emotions. Let a person know that they are worth your words. They are worth your presence. They are worth more than just letters on a screen. Face to face connections are fading faster everyday. Please don’t let the machines win.

Sally forth and be writeful.

— Rhyan Scorpio-Rhys

What Dreams May Come — Journaling Your Sleep Inspired Stories

“Even today I keep a Dream Journal. It’s whatever’s going on in my subconscious, or things from dreams or even interesting items that pop into my head. I have thousands of pages of notes which I hope someday will turn into stories, or movies.” — Clive Barker

I had the craziest dream last night—which is why you’re reading this—more lucid than any dream I can remember having for quite a while now. It was strangely reminiscent of World War Z—the Brad Pitt movie, not the far superior book—where I was trying to make my way to Washington, DC to avert a catastrophe brought about by the government shut down and hot on my trail was a dinosaur assassin. And not just any dinosaur assassin, THE dinosaur assassin. Only the best is hired to bring about the expedient demise of yours truly. Yeah, I know… it’s a dream, gimme a break here.

Anyhoo, when I woke up—before the dinosaur pulled the trigger—I did something I hadn’t done in a long time: I dusted off the old dream journal.

I’ve been dream journaling for a number of years, mainly to collect source material for future writings but I soon discovered that exploring my dreams in this fashion helped me connect with different dimensions of myself, mainly the way my subconscious communicated with my conscious mind through metaphor and emotion.

And I know at least one of you is going to come at me with, “Well, that’s great for you, but I can’t keep a dream journal because I don’t dream.

That is so not the case.

Everyone dreams—with the exception of those suffering from extreme psychological disorders—even the blind. A good thing, too, as studies show that dreams help prevent psychosis. The bad part is that upon waking, half of your dream evaporates from your memory within 5 minutes and 90% is gone by the 10-minute mark.

Is dream journaling for you? Well, I think it’s an interesting experiment that’ll cost you no more than a few minutes a day, a notebook and a pen. All you need to do is capture the dream when you wake up. Hell, you can even keep a voice recorder by your bed and dictate everything you recall. And if you have a hard time remembering it, one mnemonic trick is to go through the alphabet and assign a word for each letter. You’ll be surprised how many times this will actually jog your memory. And the more you do it, the stronger your intention, the stronger your connection becomes.

If you do decide to explore your dreams and nightmares in order to pull yourself out of a creative rut and get cracking on a brand new piece of writing, you would be in good company. The following famous books were inspired when the authors’ bodies were at rest and their minds were at play:

The Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson: This horror classic sprang into existence because of Stevenson’s graphic nightmares. In this case, a “fine bogey tale” tormenting him as he slept grew into one of the most famous and genuinely scary English-language novels ever penned — most especially considering its all-too-human antagonist and protagonist.

Frankenstein by Mary Shelley: After the death of her 12 day old daughter, the heartbroken Mary Wollstonecroft Godwin dreamt of her child coming back to life after being massaged near a fire. She wrote about it in the collaborative journal she kept with her husband-to-be, Percy Bysshe Shelley, which grew into one of the most iconic, influential horror novels of all time.

9788172235789

Jonathan Livingston Seagull by Richard Bach: This story initially sprung from Richard Bach’s daydreams of a drifting seabird. In fact, he could only finish the original draft following another series of subconscious visions.

Misery by Stephen King: While dozing off on a flight to London, King found inspiration in a chilling nightmare about a crazed woman killing and mutilating a favorite writer and binding a book in his skin.

Stuart Little by E.B. White: The tiny boy with the face and fur of a mouse sauntered into White’s subconscious in the 1920s, though he didn’t transition from notes to novel until over two decades later.

Twelve Stories and a Dream by H.G. Wells: The title says it all. “A Dream of Armageddon,” sprouted from a dream that speculated on the dangerous directions in which mankind’s technology could ultimately lead it.

“Kubla Khan” from Christabel by Samuel Taylor Coleridge: Coleridge, woke one morning after having a—-believed to be opium induced—-fantastic dream. He transcribed his vision in a dream in the form of the now famous poem. 54 lines in, he was interrupted by a Person from Porlock and when he returned to the poem, he couldn’t remember the rest of his dream and thus the poem was never completed.

H.P. Lovecraft’s Works: Lovecraft pulled much of his inspiration from the vivid nightmares he suffered most nights. A shock to anyone? In particular, the novels and short story featuring the Great Old Ones drew themselves from the more twisted corners of his subconscious.

Book of Dreams by Jack Kerouac: A book that does as it says on the tin. Kerouac kept and published a book comprised entirely of his dreams, spanning from 1952 to 1960 and starring characters from many of his other works.

The Twilight Series by Stephenie Meyer: In Meyer’s own words, the dream “was two people in kind of a little circular meadow with really bright sunlight, and one of them was a beautiful, sparkly boy and one was just a girl who was human and normal, and they were having this conversation. The boy was a vampire, which is so bizarre that I’d be dreaming about vampires, and he was trying to explain to her how much he cared about her and yet at the same time how much he wanted to kill her,”

Fantasia of the Unconscious by D.H. Lawrence: Lawrence so perfectly maps out dream experiences and explains their importance and inspiration in such great detail it edges out any other competing works.

The Apprenticeship of Big Toe P by Reiko Matsuura: Adapted from Matsuura’s most unusual dream, the novel tells the story of a woman who wakes up with a penis for a toe and explores gender identity and relations.

And before the Sandman returns to slip me another Mickey Finn, here are a few additional interesting factoids about dreams:

  • Your mind doesn’t create faces for the strangers in your dreams. Each one is an actual person you’ve encountered, even if only briefly. Your noggin is a mug book filled with hundreds of thousands of faces.
  • You don’t dream when you snore.
  • People who quit smoking have more vivid dreams.
  • While asleep, your body is virtually paralyzed.
  • The real world invades your dreams through sounds, scents, and bodily sensations.
  • Toddlers don’t dream about themselves until they’re at least 3 years old.
  • Children from 3 to 8 years old usually have more nightmares than adults.
  • You’re more likely to remember your dreams vividly if you’re awakened out of REM sleep.

Sally forth and be dream-storyingly writeful.

— Rhyan Scorpio-Rhys

A Writer Must Be Like God in the Universe

“The author, in his work, must be like God in the Universe, present everywhere and visible nowhere.” —- Gustave Flaubert

In your ordinary everyday existence, you’re merely a person, be it lawful, chaotic, neutral, friendly or antisocial. But when you write, you become something far greater than self. You ascend to the highest self possible and become the god of the universe(s) you create. You know all there is to know and have the ability to think anything into being, and being omniscient, you know full well the folly of making a personal appearance to your characters.

On occasion you may opt to visit your world in the form of a raisonneur or Author Avatar—-a fictionalized version of yourself who is called upon to comment on a given situation, deliver your verdict, and possibly break the Fourth Wall in a self-deprecating fashion, but should never influence the plot and should only be loosely tied to events.

Because you’re god of your universe(s), you also work in mysterious ways by playing the role of The Adversary. You are the force that opposes you. With regards to your characters, in this role you are duplicitous, traitorous, hindersome, curmudgeonly, vindictive, mutinous, licentious, and profane. How can that not sound exciting?

What are you waiting for? Sally forth and be god playingly writeful.

— Rhyan Scorpio-Rhys

PS. If you’re experiencing difficulty accessing your inner godhood, perhaps a quick pep talk from Alan Watts will help you on your path:

Speak Boldly of Your Intention to Write

“There’s a difference between interest and commitment. When you’re interested in doing something, you do it only when it’s convenient. When you’re committed to something, you accept no excuses – only results.”  —–Kenneth H. Blanchard

Commitment is what transforms an idea floating around in your head into reality. Putting pen to paper speaks boldly of your intentions and are the actions which speak louder than the words. It’s making the time when there is none. Coming through time after time after time, year after year after year. Commitment is the stuff character is made of; the power to shape ethereal things. It’s the daily triumph of integrity over skepticism.

So, how committed are you?

Sally forth and be writeful.

— Rhyan Scorpio-Rhys

A Healthy Dose of Realism About Writing

  1. Arrogant new aspiring writers usually don’t have decent stories
  2. Shy, unsure aspiring writers anxious to get feedback are more likely to have a decent story
  3. Aspiring writers unable to write decent descriptive prose haven’t found their voice yet
  4. Most new aspiring writer stories have no second act
  5. Most new aspiring writers are under the delusion their idea is more original than it is
  6. Many new aspiring writers, regardless of age, haven’t read the classics, especially within their preferred genre
  7. Because an aspiring writer is an avid reader does not mean they’re a good writer
  8. Fanboys don’t necessarily make good writers; they’re inspired but imitative
  9. Most new aspiring writers with novel manuscripts over 110,000 words don’t have a handle on their story
  10. Many new aspiring writers read too many how-to books and get totally confused
  11. New aspiring writers hate to kill their darlings and their pages are over-populated with them
  12. Experienced writers hate to kill their darlings but do it before asked
  13. First time aspiring writers usually tell biographical stories
  14. Gory, ultra-violent horror is most often written by young men under the age of 25
  15. Dull romantic dramas are most often written by women over the age of 45
  16. Unfunny romcoms are most often written by young men under the age of 25
  17. Action stories are almost always written by men of any age
  18. First time aspiring writers think their first novel is brilliant
  19. Experienced writers will never show you their first story – ever
  20. Experienced female writers write well in any genre
  21. Inexperienced female writers often write about love
  22. Good characters never have bad dialogue
  23. Structure is confusing for the first three stories – then something clicks
  24. Whether a writer is shy or charismatic has no bearing on the quality of writing
  25. No new writer is realistic about breaking into the business
  26. The location or gender of the writer has no bearing on the quality of the writing
  27. Age does not define an ability to come up with fresh ideas (most fresh ideas are in fact not fresh at all)
  28. Older writers most often write true or historical stories
  29. Young male writers often imitate their favorite authors
  30. Female writers are quite capable of writing great action but rarely do
  31. Divorcees often write about romance or revenge
  32. Most writers haven’t built up a good arsenal of stories; all their eggs are in one basket
  33. New writers think getting an agent is easy and will happen within a year or so
  34. Newly agented writers think their career will automatically take off in a huge way
  35. Experienced writers know they’ll go through many agents over time
  36. Newer writers don’t test their premises or write outlines properly
  37. Writers who regard themselves as writer-savants refuse to write what’s commercial – and may very well succeed after years of failure
  38. Writers who regard themselves as auteurs refuse to embrace that this is a sales job – and melt into a pool of bitter disillusionment and hate publishing houses thereafter
  39. Wealthy writers try to buy their way into the business using the most expensive software and consultants and gurus and melt into a bitter pool of outrage
  40. Writers with disposable incomes obsessively attend conferences more than they actually write
  41. Writers who’ve been disappointed over and over hate consultants or anything designed to help them succeed and nurse outraged, red-hot victim complexes
  42. First stories generally aren’t good
  43. Second stories generally aren’t good
  44. Third stories generally aren’t as bad as the first two
  45. Writers with successful other careers feel entitled to success in getting published
  46. A writer’s determination to keep trying is in direct proportion to their talent
  47. Entitlement is in inverse proportion to talent
  48. Talent is delightful and easy to spot from the first sentence
  49. A bad story is a bad story from the first sentence

There are, of course, exceptions to every rule and this list is merely an observation. You may agree with most, some or none of it at all. If you’re able to turn a Holmesian eye upon yourself and spot a few less than stellar things that relate to you on this list, that’s the first step in making a change for the better.

Sally forth and be writeful.

— Rhyan Scorpio-Rhys

  • Boastful, cock-sure writers usually don’t have very good scripts
  • Shy, unsure writers anxious to get notes are more likely to have a good script
  • Writers who can’t write good action lines have no “voice” yet
  • Most beginning writers have no second act
  • Most beginning writers think their idea is more original than it is
  • Many writers, regardless of age, have not seen the classics
  • Because a writer is a cinefile does not mean he or she is a good writer
  • Fanboys do not necessarily make good writers; they are inspired but imitative
  • Most writers with 133 page scripts do not have a handle on their story
  • Many writers read too many how-to books and get totally confused
  • Newer writers hate to kill their darlings and their pages are crowded with them
  • Experienced writers hate to kill their darlings but do it before asked
  • Clumsy, over-written action lines are the most accurate predictor of a bad script
  • First time writers usually tell biographical stories
  • Gory, ultra-violent horror is most often written by young men under the age of 25
  • Dull romantic dramas are most often written by women over the age of 45
  • Unfunny romcoms are most often written by young men under the age of 25
  • Action scripts are almost always written by men of any age
  • First time writers think their first script is brilliant
  • Experienced writers will never show you their first script – ever
  • Writers who use camera directions secretly want to direct
  • Experienced female writers write well in any genre
  • Inexperienced female writers often write about love
  • Good characters never have bad dialogue
  • Bad dialogue is never accompanied by good characters
  • Structure is confusing for the first three scripts – then something clicks
  • Writers who can’t articulate a quick logline have sprawling, confusing scripts
  • Whether a writers is shy or charismatic has no bearing on the quality of writing
  • Good writers never include pictures, maps or music with their script
  • No new writer is realistic about breaking in to the business
  • The location or gender of the writer has no bearing on the quality of the writing
  • Age does not define an ability to come up with fresh ideas
  • Most fresh ideas are in fact not fresh at all
  • It takes a long time to understand “the same but different”
  • Older writers most often write true or historical scripts
  • Young male writers often imitate their favorite movies
  • Female writers do not write American Pie or Harold and Kumar knock-offs
  • Female writers are quite capable of writing great action but rarely do
  • Divorcees often write about romance or revenge
  • Most writers have not built up a good arsenal of scripts; all eggs are in one basket
  • New writers think getting a rep is easy and will happen within a year or so
  • Newly repped writers think their career will automatically take off in a huge way
  • Experienced writers know they will go through many reps over time
  • Younger writers often do not think send thank you notes when they get a read
  • Older writers think Hollywood is more polite than it is
  • Newer writers do not test their premises or write outlines properly
  • Writers who regard themselves as writer-savants refuse to write what’s commercial – and may very well succeed after years of failure
  • Writers who regard themselves as auteurs refuse to embrace that this is a sales job – and melt into a pool of bitter disillusionment and hate Hollywood thereafter
  • Wealthy writers try to buy their way into the business using the most expensive software and consultants and melt into a bitter pool of outrage
  • Writers with disposable incomes obsessively attend conferences and pitch fests more than they actually write
  • Writers who cannot execute a script mechanically generally don’t have a good story
  • Writers who have been disappointed over and over hate consultants or anything designed to help them succeed and nurse outraged, red-hot victim complexes
  • First scripts suck
  • Second scripts suck
  • Third script suck a little less
  • Writers with successful other careers feel entitled to success in Hollywood
  • A writer’s determination to keep trying is in direct proportion to their talent
  • Entitlement is in inverse proportion to talent
  • Young writers think that Hollywood is only for the young
  • Older writers think that Hollywood is only for the young
  • Experienced writers know that Hollywood needs good stories and that a good story and being good in a room trumps age any day
  • Talent is delightful and easy to spot on page one
  • A bad script is a bad script from page one

– See more at: http://www.justeffing.com/tag/being-realistic-about-your-writing/#sthash.EAgP2PBB.dpuf

  • Boastful, cock-sure writers usually don’t have very good scripts
  • Shy, unsure writers anxious to get notes are more likely to have a good script
  • Writers who can’t write good action lines have no “voice” yet
  • Most beginning writers have no second act
  • Most beginning writers think their idea is more original than it is
  • Many writers, regardless of age, have not seen the classics
  • Because a writer is a cinefile does not mean he or she is a good writer
  • Fanboys do not necessarily make good writers; they are inspired but imitative
  • Most writers with 133 page scripts do not have a handle on their story
  • Many writers read too many how-to books and get totally confused
  • Newer writers hate to kill their darlings and their pages are crowded with them
  • Experienced writers hate to kill their darlings but do it before asked
  • Clumsy, over-written action lines are the most accurate predictor of a bad script
  • First time writers usually tell biographical stories
  • Gory, ultra-violent horror is most often written by young men under the age of 25
  • Dull romantic dramas are most often written by women over the age of 45
  • Unfunny romcoms are most often written by young men under the age of 25
  • Action scripts are almost always written by men of any age
  • First time writers think their first script is brilliant
  • Experienced writers will never show you their first script – ever
  • Writers who use camera directions secretly want to direct
  • Experienced female writers write well in any genre
  • Inexperienced female writers often write about love
  • Good characters never have bad dialogue
  • Bad dialogue is never accompanied by good characters
  • Structure is confusing for the first three scripts – then something clicks
  • Writers who can’t articulate a quick logline have sprawling, confusing scripts
  • Whether a writers is shy or charismatic has no bearing on the quality of writing
  • Good writers never include pictures, maps or music with their script
  • No new writer is realistic about breaking in to the business
  • The location or gender of the writer has no bearing on the quality of the writing
  • Age does not define an ability to come up with fresh ideas
  • Most fresh ideas are in fact not fresh at all
  • It takes a long time to understand “the same but different”
  • Older writers most often write true or historical scripts
  • Young male writers often imitate their favorite movies
  • Female writers do not write American Pie or Harold and Kumar knock-offs
  • Female writers are quite capable of writing great action but rarely do
  • Divorcees often write about romance or revenge
  • Most writers have not built up a good arsenal of scripts; all eggs are in one basket
  • New writers think getting a rep is easy and will happen within a year or so
  • Newly repped writers think their career will automatically take off in a huge way
  • Experienced writers know they will go through many reps over time
  • Younger writers often do not think send thank you notes when they get a read
  • Older writers think Hollywood is more polite than it is
  • Newer writers do not test their premises or write outlines properly
  • Writers who regard themselves as writer-savants refuse to write what’s commercial – and may very well succeed after years of failure
  • Writers who regard themselves as auteurs refuse to embrace that this is a sales job – and melt into a pool of bitter disillusionment and hate Hollywood thereafter
  • Wealthy writers try to buy their way into the business using the most expensive software and consultants and melt into a bitter pool of outrage
  • Writers with disposable incomes obsessively attend conferences and pitch fests more than they actually write
  • Writers who cannot execute a script mechanically generally don’t have a good story
  • Writers who have been disappointed over and over hate consultants or anything designed to help them succeed and nurse outraged, red-hot victim complexes
  • First scripts suck
  • Second scripts suck
  • Third script suck a little less
  • Writers with successful other careers feel entitled to success in Hollywood
  • A writer’s determination to keep trying is in direct proportion to their talent
  • Entitlement is in inverse proportion to talent
  • Young writers think that Hollywood is only for the young
  • Older writers think that Hollywood is only for the young
  • Experienced writers know that Hollywood needs good stories and that a good story and being good in a room trumps age any day
  • Talent is delightful and easy to spot on page one
  • A bad script is a bad script from page one

– See more at: http://www.justeffing.com/tag/being-realistic-about-your-writing/#sthash.EAgP2PBB.dpuf

24 Truths About Being a Writer

Danbo’s Sadness ©2011 Error-23

“The great thing about being a writer is that you have a long, perhaps frighteningly long time in which to do your work.” —- Julia Leigh

  1. Your writing will mature (mature should not be mistaken for get better).
  2. You will receive a rejection letter once in your life (it will actually be more than once, much more, but I wanted to break the news to you gently).
  3. You will be asked to write outside your genre/comfort zone and the criticism you receive from it will cause you to doubt your talent.
  4. You will eventually write something that you will regret.
  5. You will be envious of a hot new fad writer whose name you won’t remember in 20 years.
  6. Your friends will think one of your characters was modeled on them and will reevaluate your friendship based on how the character is treated in the story.
  7. The content of your writing will isolate you once in a while.
  8. Your opinions of writers whose work you dislike will change once you get to know them.
  9. You’re going to run into someone who absolutely despises your work.
  10. You’re going to regret letting an editor pressure you into chopping down what you consider to be a perfect story.
  11. You’re going to read one book in a genre that holds no interest for you that you actually enjoy.
  12. Some people are going to think you’re a talentless hack, and other people are going to think you’re a genius. Either take both camps or neither one seriously.
  13. You’re never going to finish all your stories. Despite your best efforts.
  14. Someone’s opinion of your work will tear out your soul and you’re going to need a hug from your mom, significant other, or a really good friend.
  15. You’re going to bullshit your way through at least one writing assignment and pray that you sound like you know what you’re talking about.
  16. You’re going to get lost in the middle of a story you’re writing and meander through the plot until you find your direction again.
  17. You’re going to reenact a scene from your story all alone in your room when no one else is around.
  18. You’re going to write the most raw and unapologetic story ever that will make you cringe in five years.
  19. You’re never going to stop looking for yourself.
  20. You’re a writer, so stop trying so hard to be famous, expecting success to happen so quickly (or at all), and getting down on yourself so often.
  21. You’re going to be ashamed to tell people you’re a writer. Break that habit and walk with your head held high.
  22. You’re going to talk shit about other writers. Quit it. Yes, Stevie King, I’m looking at you. Put your pea shooter away.
  23. You’re going to become a hermit. Take a walk outside.
  24. You’re going to fall in love with your stories, characters, ideas, and speculative elements and one day you might really figure out how to love yourself the same way.

Sally forth and be writeful.

— Rhyan Scorpio-Rhys

Setting Your Mind the Write Way

Empty-frame

“Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that bitch.” — Lili St. Crow

The simple definition of what constitutes being a writer is:

A writer writes.

While I find this answer simple, honest and direct, it is not wholly true. You can, in fact, be a frustrated writer, a person who has writing on their minds but hasn’t yet made the time to commit their words to the page. That’s okay because it’s never too late to start. While I can’t speak to why you personally need to write, I can offer my opinion of why you should write.

It’s life changing.

Writing helps you reflect on your life and the changes you’re making. It clarifies your thinking. Doing it regularly makes you better at it. Crafting words for an audience helps you think from a reader’s perspective. Writing daily stimulates the brain into coming up with new ideas regularly and helps you work on your problem-solving skills.

The only thing standing between the thought of writing and the act of writing — is you. You need to plant your butt in the chair and put yourself into the proper frame of mind to write. It’s as easy as following these simple suggestions:

  1. Open yourself up to the wonder that surrounds you. Reconnect with that childlike curiosity. Be present and engaged in your life and the world.
  2. Understand that criticism isn’t your enemy. Accept it as it comes, learn from it and grow.
  3. Be passionate. About people. About life. About yourself.
  4. Stop hiding from fear. Face it, experience it, overcome it, then write about it.
  5. Stop trying to be normal. There’s no such creature.
  6. There isn’t a reason not to write. Don’t make excuses. Don’t accept them either.
  7. Pack your bags and move out of your comfort zone.
  8. Learn to approach writing with an attitude of gratitude. It’s a pleasure to write, not a chore.
  9. That person who stares back at you in the mirror? That’s not who you are, it’s who you used to be. Make a habit out of shocking yourself by taking risks.
  10. Fall in love with reading and the act of writing. Whenever you push the pen on paper, do it like you’re on your first date.
  11. New experiences create new story ideas. Expose yourself to as many as possible.
  12. You have a darkness inside you. We all do. Step boldly into the dark corners and explore the traits and characteristics you tamp down in an effort to fit into society. There’s juicy material just waiting to be excavated.
  13. Recognize when it’s time to take a breather. Stepping away and occupying your mind with something else allows you to return with a fresh perspective. Don’t stay away too long, though.
  14. Creatio ex interitus. From destruction comes creation. Make a habit of destroying something when you write, then build something new from the debris.
  15. Take no experience for granted, not even the mundane ones.
  16. Stop envying what other people have or what they’re doing with their lives. Concentrate on being you and be happy with yourself. Seriously.
  17. No retreat, no surrender. If I may be so bold as to quote Ed Harris from James Cameron’s The Abyss, “You never backed away from anything in your life! Now fight!” Never Give up, no matter what.

Sally forth and be writeful.

— Rhyan Scorpio-Rhys