Tag Archives: fiction

I Feel the Need, the Need For the Careful Build of Momentum

Posted by Madd_Fictional on

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You’ve finally finished your latest piece of fiction. Congratulations! Once you’ve stuck a feather in your cap and given your back a big, hearty slap, you pass your gem along to a trusted reader… and the notes you get back are, “the story feels uneven/ seems melodramatic/ lacks momentum/ becomes anticlimactic” and you haven’t got the foggiest how that could be possible. You made sure your writing has all the basic components a story of this type should have, so where’s the problem?

The simple and direct answer to that would be pacing, my friend.

Proper pacing is one of the critical elements needed to keep your audience actively engaged and as a writer you must develop structural and word choice skills and use a variety of devices to control the speed and rhythm at which your plot unfolds.

Here are a few tips to start you on your journey:

1. The most obvious momentum control is length.

When writing a tense scene—filled with action, danger or crisis—you want your audience to experience feelings of speed and intensity. There’s no room for distractions here, just the meat of the nutshell, which is accomplished by keeping your descriptions and sentences concise, and if there’s any dialogue, have your characters spit it out at a rapid-fire tempo.

During the times when you need to establish a character, place or event in order to build a foundation for your story, longer scenes with more descriptive sentences, character thoughts, richer dialogue and transitions, come into play.

2. Give your audience a chance to catch their breath.

Let’s say one of your strengths is creating sharp, high-tension scenes. You trim the fat off sentences, annihilate unnecessary prepositional phrases, and swap out passive linking verbs for active ones like a pro. In fact, you’re so good at it that it becomes your default style of writing. That’s great. I’m pleased as punch for ya. Your audience—not to mention your characters—however, will need a breather between high conflict points, which means you must vary your pacing by providing a slower, more introspective scene. Balancing your story with intentional calm moments also ensures your electrifying scenes maintain their power.

3. The devil—and a slower pace—is in the details.

I’ve mentioned in other posts that you should always plant your feet firmly in the soil of your story, and if you can accomplish this, it pays off during scenes when something extremely dramatic is about to happen. This is where you take your time and describe everything in detail so that your audience feels the full impact.

4. Remember the advice, “show, don’t tell?” Well, it doesn’t always apply.

Yup, I know, it’s been drilled into your head countless times and I’ve even written about it (see: Skip The Tell And Bring On The Show) but there are always exceptions to the rules. Tedium is the primary cause for this rule break, as your intention is to keep your audience’s focused on the important and interesting matters. By telling rather than showing, you can skim over unimportant scenes that you don’t want to linger on.

5. Become a master manipulator (of word choice and sentence structure)

You don’t need me to tell you that words are the tools by which you control the worlds you create, and those same words—both singular and in groupings—are your first best means of managing your story’s pace. But the manipulation of the length of words, phrases and clauses to control the ebb and flow of sentence and paragraph structures, isn’t the only way deal with pace. You also have allies in cliffhangers and prolonged outcomes.

Now that I’ve mentioned cliffhanger, you’re no doubt thinking, “oh yeah, naturally…” because as an avid reader, you know first hand that you hate being left in the lurch and will quickly flip the page to discover what happens next. Your job as a writer will be to introduce that uncertainty in the form of an impending threat, an interruption in the action, unfinished business, or a dangling peril.

Prolonged outcomes, on first thought, might appear to require a slower pacing, but the reverse is actually true. When you prolong an event, the story speed increases because you’ve piqued your audience’s interest and they’re eager to discover how the events play out and pay off.

As with all my posts, this is simply rudimentary information, and you will come to notice that each story you write has its own unique pace. Some will speed along fast and furious, while others will make their way unhurriedly to the end. What’s important is that you’re not only aware of the message your story’s pace conveys to the audience, but are also in absolute control of it.

Sally forth–at the proper pace–and be writeful.

— Rhyan Scorpio-Rhys

Writing Style Is the Dress of Thoughts

Posted by Madd_Fictional on

Parsing prose. Syntactical structure. Conceptual framework. Your writing style is the voice you use to speak to your audience and is more than just diction and the words you choose, as it offers a glimpse at your true personality. It takes the literal and transforms it into a subjective expression that evokes an emotional response from the reader.

As to how you develop a writing style… you write. Write what comes natural to you. Write without worrying about acceptance or being published. Write without concentrating on influences. But you’ve heard me bang on about this already, so I invited a few friends to help get you into the proper frame of mind:

1. “A good style must, first of all, be clear. It must not be mean or above the dignity of the subject. It must be appropriate.” — Aristotle

2. “Don’t say you were a bit confused and sort of tired and a little depressed and somewhat annoyed. Be tired. Be confused. Be depressed. Be annoyed. Don’t hedge your prose with little timidities. Good writing is lean and confident.” — William Zinsser

3. “Carefully examined, a good–an interesting–style will be found to consist in a constant succession of tiny, unobservable surprises.” — Ford Maddox Ford

4. “A good style should show no sign of effort. What is written should seem a happy accident.” — W. Somerset Maugham

5. “A strict and succinct style is that, where you can take away nothing with­out loss, and that loss to be manifest.” — Ben Jonson

6. “The hardest thing about writing, in a sense, is not writing. I mean, the sentence is not intended to show you off, you know. It is not supposed to be “look at me!” “Look, no hands!” It’s supposed to be a pipeline between the reader and you. Once condition of the sentence is to write so well that no one notices that you’re writing.” — James Baldwin

7. “The greatest possible mint of style is to make the words absolutely disappear into the thought.” — Nathaniel Hawthorne

8. “When you say something, make sure you have said it. The chances of your having said it are only fair.” — E.B. White

9. “I am well aware that an addiction to silk underwear does not necessarily imply that one’s feet are dirty. Nonetheless, style, like sheer silk, too often hides eczema.” — Albert Camus

10. “It was from Handel that I learned that style consists in force of assertion. If you can say a thing with one stroke, unanswerably you have style; if not, you are at best a marchande de plaisir, a decorative litterateur, or a musical confectioner, or a painter of fans with cupids and coquettes. Handel had power.” — George Bernard Shaw

11. “Who cares what a man’s style is, so it is intelligible, as intelligible as his thought. Literally and really, the style is no more than the stylus, the pen he writes with; and it is not worth scraping and polishing, and gilding, unless it will write his thoughts the better for it. It is something for use, and not to look at.” — Henry David Thoreau

12. “People think that I can teach them style. What stuff it all is! Have something to say, and say it as clearly as you can. That is the only secret of style.” — Matthew Arnold

13. “Style is the dress of thoughts; and let them be ever so just, if your style is homely, coarse, and vulgar, they will appear to as much disadvantage.” — Philip Dormer Stanhope, Earl of Chesterfield

14. “A man’s style should be like his dress. It should be as unobtrusive and should attract as little attention as possible.” — C. E. M. Joad

15. “The style is the man himself.” — George-Louis Leclerc de Buffon

16. “The old saying of Buffon’s that style is the man himself is as near the truth as we can get–but then most men mistake grammar for style, as they mistake correct spelling for words or schooling for education.” — Samuel Butler

17. “When we see a natural style, we are astonished and delighted; for we expected to see an author, and we find a man.” — Blaise Pascal

18. “Style is the hallmark of a temperament stamped upon the material at hand.” — Andre Maurois

19. “The essence of a sound style is that it cannot be reduced to rules–that it is a living and breathing thing with something of the devilish in it–that it fits its proprietor tightly yet ever so loosely, as his skin fits him. It is, in fact, quite as seriously an integral part of him as that skin is. . . . In brief, a style is always the outward and visible symbol of a man, and cannot be anything else.” — H.L. Mencken

20. “You do not create a style. You work, and develop yourself; your style is an emanation from your own being.” — Katherine Anne Porter

21. “Style is the perfection of a point of view.” — Richard Eberhart

22. “Where there is no style, there is in effect no point of view. There is, essentially, no anger, no conviction, no self. Style is opinion, hung washing, the caliber of a bullet, teething beads.” — Alexander Theroux

23. “Style is that which indicates how the writer takes himself and what he is saying. It is the mind skating circles around itself as it moves forward.” — Robert Frost

24. “What’s important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It’s not what we say but how we say it that matters.” — Federico Fellini

25. “Proper words in proper places, make the true definition of style.” — Jonathan Swift

26. “The web, then, or the pattern, a web at once sensuous and logical, an elegant and pregnant texture: that is style.” — Robert Louis Stevenson

27. “The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.” — Raymond Chandler

28. “The style of an author should be the image of his mind, but the choice and command of language is the fruit of exercise.” — Edward Gibbon

29. “One arrives at style only with atrocious effort, with fanatical and devoted stubbornness.” — Gustave Flaubert

30. “To me style is just the outside of content, and content the inside of style, like the outside and the inside of the human body. Both go together, they can’t be separated.” — Jean-Luc Godard

31. “Thought and speech are inseparable from each other. Matter and expression are parts of one; style is a thinking out into language.” — Cardinal John Henry Newman

32. “In matters of grave importance, style, not sincerity, is the vital thing.” — Oscar Wilde

33. “Style, in its finest sense, is the last acquirement of the educated mind; it is also the most useful. It pervades the whole being.” — Alfred North Whitehead

34. “Style is not something applied. It is something that permeates. It is of the nature of that in which it is found, whether the poem, the manner of a god, the bearing of a man. It is not a dress.” — Wallace Stevens

35. “All my stories are webs of style and none seems at first blush to contain much kinetic matter. . . . For me ‘style’ is matter.” — Vladimir Nabokov

And if I may tack on a few extras pieces of advice: don’t forget to take risks, give voice to that quirkiness of thought that you possess, avoid clichés, if at all possible, be concise and precise, and develop a keen sense of word choice.

Oh, and be patient. Style is a thing that can’t be rushed and it might take a while for yours to become evident, but you’ll know when it finally arrives. Words will flow easier, you’ll feel more comfortable with the act of writing, and you’ll be able to recognize that identifiable cadence that belongs to only one person in the world… you.

Sally forth and be writeful… in style.

— Rhyan Scorpio-Rhys

Do Your Legwork… the Proper Way

Posted by Madd_Fictional on

Lately I seem to be coming across more and more authors who thumb their noses up at the thought of doing research, which makes me scratch my puzzler. Not only is it a fundamental part of the process, regardless of the type of fiction you write, it is also a chance to learn and grow as a person as well as a writer. The simple fact is, if research truly is the bane of your existence, then you’re not doing it right.

Yes, you are most likely creating an entire world from scratch, in your own image and the laws of reality obey whatever rules strike your fancy, but even the most fantastical setting must have a sturdy foundation. And that foundation must be built with bricks of solid facts in order for your story to have any sort of credence.

I personally enjoy the research stage almost as much as the construction stage, but I understand how daunting a task fact-finding can be, so I’ve jotted down a few of the steps I tend to use when I’m in that researching frame of mind:

1. Pinpoint the right questions. The assumption is that you either have a strong interest in or possess a rudimentary knowledge of the story you’re attempting to pen. And that’s all you need in the beginning when you’re plucking the idea from the ether and committing it to the page in the form of an outline. But as you rearrange the story sequentially and create scenes to flesh the idea out into proper story form, you should be asking yourself how you’re going to make the story mechanics work. If your story is a period piece, you should be knowledgeable of that era, if your main characters hold down specific jobs, you should be familiar with the basics of their occupations, if the story takes place in a different part of the world… you get the point. Your research begins when you write your outline because that’s where you’ll find the questions that need answering.

2. Locate your resources. You’re probably thinking this part’s a cinch as long as you’ve got internet access, and I can’t really argue the point. As I’ve stated in a previous post, the internet is the wise sage of our virtual village (see: Applying Life Lessons To Your Writing) but, as is true with a great deal of online content, the reliability of the source material found therein can be erroneous, so verify, verify, verify as best you can in order to avoid unnecessary embarrassment at a later date. Myself, I tend to be a bit old-fashioned in my approach to research and armed with my trusty dusty library card I visit ye olde public bibliotheca in search of books pertaining to the various subjects in my story. I only rely on the internet as a back-up resource if I come up empty at the library.

3. Make a treasure map for your gold. What good is that golden nugget bit of research that you’ve discovered if you can’t lay your hands on it when you need it? If you own the book, sure you can bookmark or dog-ear pages, underline or highlight passages–but only if you own the book, please, marking up someone else’s tome is utter book sacrilege. If the book isn’t yours to mar, you can create your own index system by jotting down the book title, page and paragraph numbers, and a few keywords on the passage’s content. Then when you’re done info-gathering, you can transfer the text to your computer (arranged by subject headings) or to a notepad if you prefer to write longhand.

4. Create a vision board. Sounds hokey, I know, but pictures have that magical ability to transport your fertile imagination to all the unfamiliar aspects within your story and adding a visual component to your research and writing can help to serve as inspiration for time periods, locales, era clothing, vehicles, weaponry, etc.

5. Walk around in your story like you own the place. Nothing worse than a writer who lacks the confidence to strut their stuff within the world they’ve created. Even if that world is rife with utter nonsense, your job is to sell that nonsense as truth. There’s a saying that used to be popular when I wore a younger man’s clothes, but I haven’t come across it in a dog’s age, “If you can’t blind them with brilliance, baffle them with bullshit.” Now, this doesn’t mean you should out-and-out lie to your audience, but if the moment arrives when research fails and you need to invent something in order to make your story work, you should endeavor to portray it with as much authenticity as possible.

All the rest of the time? You live up to the trust that your audience places in your hands by checking and double-checking your sources and making sure your facts are as accurate as they can be. Also, you need to keep in mind that despite your best efforts, you aren’t ever going to get the facts correct all the time, but that doesn’t give you a reason not to do your due diligence. And should you ever deliberately decide to ignore the facts, you should alert your audience either in the author’s notes or afterword.

One of a writer’s biggest attractions to the written art form can be best summed up as, ex nihilo omnia fiunt–from nothing, everything is created–but we owe a duty to our audience to make the lie of fiction as truthful as possible.

Sally forth and be researchful.

The Arrogance of Presumption

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“There is no excuse. If you want to write, write. This is your life, you are responsible for it. You will not live forever. Don’t wait. Make the time now.” ― Natalie Goldberg

On occasion, people stuck in a writing rut seek advice, which has become harder to dispense without sounding like a scribe’s bumper-sticker, especially since you can’t swing Schrödinger’s cat on the interwebz without hitting hundreds of inspirational tips and tidbits.

The simple, honest and truest bit of advice is to write. Write when you’re too tired to write. Write when writing hates your very existence. Write when words have moved out of your head in the wee hours of the night and left no forwarding address. Write when every word you put to paper is like pulling teeth. Write when your inner critic is telling you you’re a talentless shit. Write when the words refuse to make sense. Just write.

But no one wants to hear that because it isn’t a magical solution offered up by a Bagger Vance muse that makes all the tumblers in their befuddled minds line up and open the creative sluice gates.

Which leaves the long way around:

So, things aren’t going your way with your writing and you might be inclined to mope around the house and bask in self-pity for What Might Have Been, but there’s no reason to get down on yourself. Wipe your tears on your sleeves, buck up and realize today marks the start of a whole new ball game. All the old bets are off. You’re back at square one and it’s time to get a new bottom line. Take all your expectation and aspiration and lay them out like cards on a table. This is the first step towards putting the pedal to the metal. You’ve got to make no bones about what you truly wish to accomplish with your writing—–aside from the ludicrous notion of instant riches and fame—–and pull no punches with yourself on the hard work needed to make your dream a reality. And if I can toss in one more tired cliché, your ship doesn’t always come in… sometimes you have to swim out and meet it halfway.

As a writer it’s important to strike a balance between the creative and rational minds. The problem with the creative mind is that it’s equipped with the arrogance of presumption that it knows all there is to know and sometimes it becomes difficult to suspend tyranny long enough to receive messages from life, the universe, the inner muse, and—if you can stretch your fantasy muscles around the strange-but-true notion—your future self. Scoff all you like, but the part of you that exists on a higher plane of consciousness occasionally tries to contact you in order to provide panoramic views of the far horizon. The messages may be brief and strange, or they may appear in a matter-of-fact guise in the midst of your daily routine. Either way, if you turn a blind eye to the minute workings of the world all around you, you may be missing pithy pointers on how to shape your life’s mission to become a happy writer—–note that I didn’t say a successful writer, writing should first and foremost lead to happiness and fulfillment—–in the near and distant future.

A more metaphorical view on encountering obstacles in moving your writing forward is akin to walking in the deep dark forest and encountering a savvy old crone camouflaged as a wolf. Your fear, already swarming because of the unfamiliarity of your surroundings, kicks instantly into high gear, causing you to flee before you can see through the disguise. But now that you know the truth, go back and find the crone again. She has much to teach you about harvesting the treasure that comes from the deep recesses of the creative mind and taking aggressive measures to build up your confidence and mental wellness. Stop talking about and start manifesting the dream, and get as bawdy and funky as you dare.

Those last three paragraphs are a bit cringe-inducing, aren’t they? And they sound like a load of gibberishy nonsense. So, why not take the simple advice and…

Just write.

Sally forth and be writeful.

— Rhyan Scorpio-Rhys

The Folds of Love

Posted by Madd_Fictional on

When the delivery truck pulls up outside the shop, neither of us look out the window ’cause we know exactly who it is. 12:15 pm on the dot means Department of Tissue Waste Removal. Light load today. Driver only schleps in one body bag.

“You’re up, Mickey.” Jhonni nods my way. “Snag ‘n tag salvageables and dip the rest.”

Mickey. Only other person to ever call me that was my pops. I hated when he did it and I damn sure hate that my boss somehow exposed that raw nerve. He only does it to get a rise outta me, but I ain’t bitin’ so I let it slide this time. My mistake? Tellin’ baldilocks here I prefer bein’ called Michelle.

Snag ‘n tag means I gotta dissect the corpse for salvagables, which are any organs that ain’t completely shot to shit and dip whatever’s left over in the chemical vat for DNA repurposin’ — usually either cosmetic skin grafts, lifelike mannequins for movie stunts or some other bioengineerin’ bullshit I don’t really understand.

I sigh, chuck the rest of the deck onto my game of solitaire — cards weren’t cooperating, no how — and walk over to the body bag. I ain’t squeamish about dead bodies or puttin’ the blade to ’em, but I do have one hangup…

I hear myself mutterin’ before I have a chance to stop it, “Don’tbeadudedon’tbeadudedon’tbeadude…” and when I unzip the bag, guess what? A dude. So’s we’re clear, I gots no prob flaying a man, it’s just that chick thing that does me in. You gals know what I’m talking about.

Every man a woman meets, she sizes him up and decides if she’d throw him one. Sex, I mean. Young, old, fat, skinny, short, tall… alive or dead, you rate ’em. Would you do ’em, could you do ’em and under what circumstances? A dare? Boredom? For the story? Only me, I got this vivid imagination, see, and when I come across a mutilated dude, I see myself having sex with him. And no, I ain’t no nekkidphiliac, they’re very much alive in my scenarios, just all banged up, pardon the expression.

This one, Ethan Garner, by the toe tag, was tore up from the floor up. Anythin’ worth savin’ would be an innard and not one that’d bring high market value, either. Somethin’ nickel and dime like an appendix, spleen, or some shit.

The fluorescents buzz overhead and sweat breaks out on my forehead as I hear Ethan groan beneath me in my mind’s eye. Think of a dude I know, think of a dude I know. No good. Where’s my iPod? I need a distraction.

The cause of death is listed as Industrial Misadventure which meant poor old Ethan was mangled by machinery, probably one of them press and fold jobbers. His body looks like a bedsheet fresh out the package, tucked up all tight into a tidy square. How the hell am I going to get inside to harvest organs?

I put a little elbow grease into it, dig my fingers into a crease — an armpit, maybe? — and try to pry it apart. Bones creak and skin pulls apart from skin with the sound of moist velcro. I’m sweatin’ buckets now, cause in my head, Ethan is givin’ me the workout of a lifetime, only I can’t see his face so it’s like doing it with a Hot Pocket with a hard-on. Focus, Mickey! Focus! Damn, now that bastard’s got me doin’ it.

With the back of my blade, I scrape away the dried blood, which there’s plenty of, and I find a seam. That’s right, a goddammed seam! Now, I wasn’t exactly top of my class in Biology, but I’m kinda certain the human body don’t come equipped with seams. But I’m curious about this so I make my first cut along Ethan’s unnatural hem.

My fingers move into the cut and part skin. I tilt the swing arm lamp to get a better view and the light catches somethin’ that makes my stomach hitch. Whoever bagged this on scene fucked up big time, which I suppose is kinda-sorta understandable, given the unusual nature of the cause of death, but if I reported it, it’d probably cost that slob their job. The Office of Forensic Affairs forgives a ton of infractions, unfortunately, body count ain’t one of ’em. This was incorrectly listed as a single, when Ethan here, is wrapped around a whole other body.

The second body’s a smaller one, a girl, judging by the tiny pink-painted fingernails, and in the middle of a splatter of brain matter is a child-sized tiara, pressed between them like a flower in a book. The sex visions with Ethan stop instantly and my stomach heaves as I try not to hurl.

My jumpsuit is dripping with sweat and it clings to my clammy body to the point it makes my skin crawl. And then my trusty dusty brain, with its wonderful imagination, kicks into overdrive and I play the story of their final moments.

Ethan works — worked — works in laundry services. It’s bring your daughter to work day. Maybe he’s a weekend dad that doesn’t get to spend enough quality time with his baby girl and he fights the court order and pushes for this until he’s able to negotiate terms.

So he brings her to his job and she insists on wearing the little princess halloween costume, the one with the tiara, and he can’t say no because she is his little princess. Things are going great and he tells her to be careful and stick close to him, but he gets distracted for a moment, maybe by his boss about special instructions on a rush job or somethin’.

The little girl tries to be good and listen to her daddy, but curiosity gets the better of her and she climbs on a piece of machinery she shouldn’t climbin’ and Ethan’s dad-alarm goes off and he spots her, losing her balance and he runs for her… runs and dives with no care for his own safety and he manages to grab hold of her but it’s too late and they both fall into the machine before his coworkers can hit the shut off switch.

So, Ethan does the only thing he knows to do… he wraps himself around the little girl and folds her in his love, as the machine does what it’s designed to do.

It probably ain’t even in the same neighborhood as the actual events, but even though my story is most likely bullshit, it’s still real to me. it’s what I choose to believe.

And it breaks my heart ’cause that’s how I wish it was with me and my pop, but after moms died, we can’t be in the same room for ten minutes without it breakin’ into some big production. I know he means well, but who the hell is he to give me instructions on how I should live my life? Holder the Fucked Up Beyond All Recognition Lifetime Achievement Award, is who.

I carefully harvest the tiara and clean body residue out of every nook and cranny. Then I place the plastic jewelry on a towel and carefully fold it into the best presentable package I can manage.

“Fuck’re you doing over there, Mickey?” Jhonni says over his shoulder.

And suddenly I can’t do this anymore, not just Ethan and this nameless little girl, but any of it. I peel the sopping wet jumpsuit off me and throw it at my boss. “Quitin’ is what I’m doin’.” Correction, my ex-boss.

I take the tiara package over to the phone and search the directory for Forensic Affairs. “And it’s Michelle, by the way, you fat piece of garbage. Call me outside my name again and somebody’ll be unzippin’ you from one of those bags.”

I expect a response, an argument, a something… but he just sits there and takes it quietly. Makes me think this isn’t the first time somethin’ like this has happened.

I dial the number. Do I feel sorry for the person about to lose their job? Sure, but fuck ’em. There’re more important matters at hand. There’s a family that needs reunitin’.

And maybe, just maybe, I’ll make another call after this one. It has been a while since I spoke to the old man, after all.

Sally forth and be folding them what you care for into your lovingly writeful.

– Rhyan Scorpio-Rhys

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Love’s Love Lost

Posted by Madd_Fictional on

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Once, in the gloomy and perpetually rainy City of Alphabet, there was born a girl who was said to be the living embodiment of love. From the doctor’s first slap, the girl giggled instead of crying and flushed the neighborhood of all its gray. Her smile was a bottomless thing, its roots branching up from her soul, and it beamed so brightly as to cause blindness if it caught you unawares. Her large jade eyes radiated an innocence so pure it momentarily took your breath away. Given her birthright, she was destined to have but one mate throughout her lifetime and that person would live a charmed life ever after.

Or so the story went.

An urban legend to most, Tyrone, son of William, believed the girl existed and based on the age of the story’s telling, she surely had to be an adult now. He also was convinced it was his mission to locate the girl and put an end to love, once and for all.

Tyrone worked fingers to the bone for years and all the wealth he amassed was spent on all the matchmakers who claimed to have an in with the living embodiment of love. Most were scammers, of course, the rest were simply delusional and bestowed the honor upon the wrong women. Only one woman was genuine. She knew the embodiment’s true identity and so deep was her jealousy that she gladly agreed to arrange a match if it meant obliterating the anomaly from the face of the planet.

When Tyrone met the matchmaker in a single occupancy room off Delancey Street, he thought of all the people he had ever encountered, this woman was the flipside of the living embodiment of love’s coin. Emaciated with a rat’s nest for hair, her features were packed together tightly as if God had pinched her face when she was born and left it to set that way.

“Your fee has been paid in full. Why have you not set up the introduction?” Tyrone asked.

“You are not ready.” the matchmaker spat the words like a cawing crow. “As long as you wear your true intentions like armor, she will dismiss you outright.”

“If I pretend, she will spot the ruse instantly. I am sure she has developed the ability to detect friendly facades. I will approach her as a man scorned, which is the truth, and win her over from there.”

“Interesting. And how do you mean to kill her?”

“Those were not my words. I mean to put an end to love.”

“The difference being?”

“I intend to woo her, make her love me, and when she is at her happiest moment, I will argue with her, break her heart with harsh words and hurtful actions. And I will not let her leave, and I will not stop, not until the shine dulls in her eyes and the smile becomes a rootless tree, and even then I will continue until she withdraws, from our relationship, from her happiness, from the world.”

“That will take years, if it ever happens at all.”

“It will. I am patient.” Tyrone said.

“But I doubt you are strong enough.”

“Then refund my money. I will find her on my own.”

The matchmaker leaned in closer and eyed Tyrone head to toe. His nose was full of her scent, decaying food left to stew in its own rancid juices.

“A deal is a deal.” she said. “So we are clear, I will make the introduction and my part will be done. Should you fail in your attempts, there will be no returning of the fee paid, understood?”

Tyrone nodded and she led the way out of the room on Delancey. Under the cloak of night, they dipped down into a subway station marked, Closed For Restoration. Past the turnstile and empty platform onto the train tracks. Tyrone masked his apprehension as he gave the third rail a wide berth and occasionally peered over his shoulder at the sound of distant train rumblings.

Between stations, they encountered a society of people, homeless and long abandoned by the surface world, who barred their path. Tyrone thought he would have to fight his way through, but the matchmaker had things well in hand. She mumbled something at the leader, a password perhaps, and pulled a tin of potted meat from her handbag and placed it in his hand. They carefully waded through a field of displaced people’s bedding and cooking stations until they finally reached the service passageway that led to a room not much larger than the one they just left.

In the room were two chairs that faced each other. The matchmaker sat in one and gestured for Tyrone to sit across from her.

“If this is some sort of trick…”

The matchmaker waived off the threat. “She will be here, I promise.”

“Why here?” Tyrone asked.

“There is an interesting story behind that.” The matchmaker cleared her throat and spat a gob of phlegm to the side. “It seems the gift of unconditional love that Arianna was born with — that is the name of the woman you seek, Arianna — the gift that flowed freely from her, the gift that touched everyone within her sphere of influence and filled them with ecstasy, proved too much to bear for most people.”

“Are you telling me people fell too much in love?” Tyrone asked.

“To the point of delirium. It drove them mad. Imagine the feeling when you have loved someone or something in your life, more than anything else in the world, loved it so much that it hurt. Now multiply that by ten, a hundred, a thousand, a million, even. Never any hatred, or indifference, only a love for everything that increases exponentially the longer you remain in Arianna’s presence.”

“I never considered that.”

“Most do not.”

“So what happened?” Tyrone leaned forward in his seat.

“Nothing like a good story, eh?” The corners of the matchmaker’s mouth curled slightly. “Arianna’s parents, immune to her gift, fearing for their daughter’s safety as well as their own, moved in the small of the night to parts unknown, somewhere far removed from society at large, and remained in seclusion.”

The matchmaker stopped talking. Tyrone waited, thinking she paused for dramatic effect, but after nearly ten minutes of silence, asked, “Is that it?”

“All the true bits. The rest is apocrypha. I figured that would not interest you.”

Tyrone shrugged, his disinterest unconvincing, “Since we are here…”

“Well, the way I heard it, the family managed to get along fine. True they were isolated but they were also together and safe and Arianna’s constant state of happiness helped the situation be less stressful. Their lives remained uneventful… until the day their daughter reached puberty.

“On the twenty-second day of the seventh month of her fourteenth year, Arianna began growing distant, her once innocent eyes darkened and the luster faded from her smile. The gift, once thought to be good was slowly transforming from its former sham and ruse into the corrupt curse it truly was.”

Tyrone’s brow knotted. “So she is not actually a child of love?”

“Why would you think that? Arianna is the physical embodiment of love. At birth she was the love that was new and innocent and when she entered womanhood, she became the other side of love, the dark side none of us admit to feeling or acting upon.”

“Which ever side she represents when I make her mine, I will cause it to wilt away to nothingness.”

“Do you have an alternate plan?”

“A what?””Should she find out what you are attempting, is there a fallback?”

“The only way she would find out is if you tell her…”

“Oh, I will not have to tell her anything… you already have.”

It took Tyrone a few moments to piece together her meaning. “You are… ?”

The matchmaker spread her arms wide. “The genuine article.”

“But you are…”

“A hag? Not at all what you expected? It is the only bit the urban legend got wrong. I was born an ugly child, but people viewed me through the eyes of unconditional love, so my looks did not matter.”

“You tricked me!”

“How? Hello, Tyrone, I am Arianna, pleased to meet you. Consider yourself introduced. Now, live up to your word.” Arianna said as she moved from her chair and sat on Tyrone’s lap. “Woo me and put an end to love. I dare you.”

Tyrone wanted to push her off, but perhaps he hadn’t really wanted that at all. Up close, Arianna wasn’t that horrible to look at. Her mottled skin was actually clear and smooth. Her nose, once bent and crooked, appeared aquiline now. Her lips, full and delicious. Her build, athletic.

“Something the matter?” Arianna asked.

Tyrone’s heart beat in his throat. “What are you doing to me?”

“Giving you a taste. I can control the power now. Love, hate, passion, jealousy, to greater and lesser degrees.”

Tyrone tried to scowl but his face wouldn’t cooperate. “What are you going to do to me?”

“Offer you the opportunity to become my mate.” said Arianna. She climbed off his lap and drew her power back into herself, allowing Tyrone to see her in her true form again. “If legend is to be believed, a charmed life awaits you.”

“And if I decline?”

“Then you join the loveless.” Arianna gestured toward the door.

“You mean the people we passed… ?”

“Men and women, not much different than yourself, unable to deal with heartbreak or rejection. Selfish people who, being denied love, sought to prevent others from experiencing it.”

“Why do they mill about below ground so lost?” Tyrone asked.

“They were unable to fulfill their supposed heart’s desire of removing my influence from the world and refused my offer of companionship. Once you turn your back on love, what else is there?” Arianna drained the dark room entirely of love and let him ponder the notion as he sank deep into loneliness and wallowed in abandon and despair.

After an eternity of brooding silence, Tyrone spoke up, “I… accept your offer. I will become your mate.”

“And will you woo me, make me love you, and when I am at my happiest, will you break my heart and make me withdraw from the world?”

“That I will indeed, even if it takes the rest of my life.”

“Challenge accepted.” Arianna shook the man’s hand firmly.

Contract sealed, he put his plan into effect by telling the living embodiment of love his story. Of the woman he loved, that he did nothing to deserve but was blessed with nonetheless. Of their happiness together. Of the sharp knife of cruel fate that cut their time short. Of the anguish that swallowed him whole the instant her body was committed to the ground.

And when his tale was through, Tyrone, son of William, pulled her into his embrace and kissed her with every ounce of his intent and Arianna was forced to admit she felt a slight tingle. They battled for years in this game of hearts, each giving as good as they got, and if he actually succeeded putting an end to her, it was with kindness. Despite the competition that continued to their dying days, the couple wound up living happily ever after.

Oh, and they had one child, who was said to be the living embodiment of peace… but that’s a story for another day.

Sally forth an be careful that the love you kill isn’t your owningly writeful.

©2014 Rhyan Scorpio-Rhys

Creative Commons License

Joey Mac and the Pearlescent Unicorn Uniform Part 1

Posted by Madd_Fictional on

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His job made Joseph MacDonal II, Joey to his pals, the enemy of the world and a target for assassination. He was one of the few people on the planet trained and licensed to butcher unicorns and prepare their meat for consumption. This also put him at odds with PAUTU (People Against the Unethical Treatment of Unicorns) who accused him of unicorn genocide.

The thing that stuck in everyone’s craw, more than selling unicorn steaks, chops and burgers, was the butchery aspect, though that was the bit they all had gotten wrong. Yes, Joey was technically a unicorn butcher, but the proper definition was:

/ˈbo͝oCHər – NOUN
A person whose trade is cutting up and selling meat in a shop.

which he did. What most folks failed to understand, though it was a matter of public record, was that his license hadn’t included or even allowed the hunting or slaughtering of unicorns or any other animals. In fact, Joey never killed a thing in his life. Insects that crossed his path were the subject of a strict catch, relocate and release system.

At this very moment, Joey sat across from a field news reporter undergoing makeup in preparation for the live broadcast. He found her cute in a cable news presenter sort of way, and probably would have been more attracted to her if she hadn’t that I’ll make my bones off this story hungry look in her eyes.

She ignore him completely, even brushing off his initial “Hello” until the cameraman counted her down. When the station anchor threw to her, the field reporter beamed a smile so unnaturally white, it would have stood out in a blizzard.

“Thank you, Sylvia. I’m here with noted unicorn slaughterer, Joseph MacDonal…” the field reporter said, finally locking her predatory eyes on him.

“Actually, I’m a unicorn butcher…”

“Same difference, isn’t it?”

“Actually, there’s a big dif–‘

“What made you decide to embark on his horrible profession?” she interrupted.

***

The economy had been in the toilet since before God talked to Moses and Joey hadn’t worked in forever. And even though he was one of the fortunate ones who managed to do what analysts suggested and set aside six months worth of salary in a high yield account before he was made redundant at the meat packing plant, now going on his tenth year, all that money was little more than a distant memory.

A Christian in name more than practice, it had been years since the soles of his shoes touched the floor of a church and that time was his best friend’s wedding, a wife twice removed. To say Joey was out of practice with the proper act of prayer, would have been an understatement. His first attempt came off as more of a bitch session, with him blaming his parents for his rotten upbringing and lambasting society for its prejudice of gingers, which, he reckoned, was the chief reason for his being kept down by the man. Surprisingly, he saw no results.

His second attempt at prayer was akin to a letter to Santa, in which he listed all the positive things he’d ever done in life and expected a little compensation for his good behavior. Again, results were not forthcoming.

Third time was the charm, however, when he realized that he should have admitted his sin, expressed thanks for the things he had and humbly requested the one thing he needed most: a job.

He put no expectation on the prayer and went about his normal daily existence, when, a week later, he received a phone call. Seemed that a friend of a friend knew a guy who knew a guy who had roommate who was related to woman who owned her own business and was looking for someone in his line of work.

Joey arrived at the interview, resume in hand, and launched into his well-rehearsed spiel, when the business woman waived him off and ushered him into a small kitchen area.

“Show me what you can do.” she gestured at section of animal carcass, a shank, by the look of it, that rested atop a butcher block countertop.

Joey inspected the meat before touching a utensil. Not beef, nor pork, nor lamb, the texture was something he had never encountered before. A grain like beef, yet soft to the touch like flan, and it shimmered without a light source, as if it were bioluminescent.  “What is this?” he asked.

“Are you interested in the job or not? I don’t have all day.” she drummed her fingers on her crossed arms.

Joey sighed, selected a knife from the butcher block and approached the slab of meat much in the same manner a sculptor would a block of marble, envisioning the cuts before blade touched flesh. With no idea what type of animal he was dealing with, there was no way of telling how this woman expected it to be prepared, so he simply followed his instincts and let the meat talk to him. And in a way, it did.

Every time the stainless steel edge portioned the strange meat, Joey thought he heard a high-pitched tone, like the sound of a moistened finger running along the rim of a crystal goblet. A sound that broke his heart. But in the aftermath, when the tone was just about to become inaudible, he heard a voice inside his head. It said two words:

forgive you

and he felt a permission granted. This had not relieved the wave of guilt that flooded over him but it gave him the desire to do something with his own life worthy of this unknown animal’s sacrifice.

When he was done, the business woman nodded her approval, “Every bit the professional you claimed to be.” And it was a professional job. Every cut was perfect, none too generous, nor too small, and there were absolutely no scraps. He utilized every last bit of the meat.

“I’m curious, what type of meat is this?”

“Unicorn.” she said very mater of factly.

“Uni-excuse me?”

“You heard me.”

“I don’t get the gag.” Joey inwardly chastised himself on his tone. If his dumb mouth cost him the job, he’d…

“I’m quite serious.” the woman took him by the upper arm in a grip tighter than he was comfortable with and led him through a maze of stairwells and corridors, down, down, so far down beneath street level that he expected to see passage markers scratched into the walls by Arne Saknussemm.

Their destination was a room designed to look like a field, complete with grass, trees and rocks. Had he been blindfolded and dropped here, Joey would have sworn he was outside. The room was so vast, he couldn’t see the far wall. The only telltale sign this was in fact an indoor facility were the track-lights that provided sunlight, positioned incredibly high overhead, but even they were mostly obscured by the clouds of the room’s self-contained weather system. But as fascinating as all this was, by far the most mindblowing thing were the unicorns grazing in the field.

“They’re real?” Joey asked.

The woman couldn’t suppress her chuckle, “Our organization, as advanced as it is, isn’t able to manufacture live unicorns.”

“But how is this possible?” Joey took a cautious step into the room and felt the spongy grass beneath his shoe. He moved slowly as not to spook a unicorn no more than ten feet away. The unicorn paid him no mind.

“Some trapper with an overabundance of dumb luck caught the last pair in existence by accident. Fortunately for him, and us, they were a stallion and mare. We made him a very wealthy man in order to breed them in captivity.”

“For food?” there went his tone again, but this time he didn’t care.

The woman shrugged. “There’s nothing else we can do with them. You can’t ride them. Young, old, virginal, virtuous… it doesn’t matter. They simply won’t allow it. Utilize the horn for its magical properties? It’s only magical for the unicorn, there’s no transference of power. Grinding down the horn and ingesting the powder for immortality? Turns out the human body is unable to digest the powder.”

“Then why not let them go?”

“Not until we recoup our investment. And we can’t risk one of our competitors getting hold of them as creating a revenue source we haven’t managed to think up ourselves… yet.”

“This is going to sound strange,” Joey said. “But I don’t know if I can do this.”

To be continued…

©2014 Rhyan Scorpio-Rhys

Creative Commons License

No Future In Arguing

Posted by Madd_Fictional on

Because of the argument with her mother, Lakshmi wasn’t able to sleep. It happened ten days ago to this very minute and her hatred for her mother hadn’t abated one iota. Truth to tell, she wasn’t able to remember who started the argument or what the initial disagreement was about, but, as with most feuds, it opened a doorway for all the other things, the niggling bits of minutia to spill out and words were exchanged and feelings were hurt on both sides.

Ten days of freezing her mother out. Ten days of refusing to eat or talk or even be in the same room as her mother. Ten nights of lying awake in bed, staring at the headlights of passing cars that trailed rectangles across her ceiling. Lakshmi knew every inch of the ceiling and walls of her room like the back of her hands… which was why she was shocked when her eyes fell upon the crack.

It was beside the mirror that sat atop her chest of drawers, a horizontal crack no longer than a foot in length that looked like a demonic smile. Lakshmi stared at the crack, long and hard, wondering how she had missed something so obvious before… when it blinked. All right, so maybe blinked wasn’t the proper word, but she could have sworn she saw a light flicker from within the crack.

Probably just the wiring, she thought as she pushed a chair against the wall beneath the crack. At night Lakshmi heard mice scurrying between the walls. One of them must have nibbled on a wire and exposed it. She’d have to remember to tell her father in the morning. She was sure it had to be a fire hazard.

Lakshmi stood on the chair and inspected the crack, running her index finger along its jagged yet smooth edge. It was surprisingly cold to the touch and she thought she felt a slight suction… then the flicker again.

This time she was sure she hadn’t imagined it. Lakshmi leaned forward and stared into the crack and was surprised to see something within it. She saw…

Herself.

It was like watching a movie. She watched herself being herself, doing the things she normally did, but not in any day she ever remembered. The images began at a normal pace then sped up to such a degree where to anyone else they would have appeared to be nothing but a blur but Lakshmi was able to follow along because she was somehow connected to them. They were her personal images, of her life and she was living them, retaining the information contained within them.

Her eyes glued to the crack, Lakshmi watched the rest of her life, the entirety of her existence, literally flash before her:

  • Her relationship with her mother falls apart in a series of little spats over the next few years which leads to the big fight when she turns seventeen that causes irreparable damage. That will be the final time the two will ever speak to one another.
  • Her father grows miserable with all the constant fighting, which wears on his soul until he can’t take it anymore. Lakshmi cries uncontrollably the day he finally leaves their home for another woman. She begins smoking to handle the stress.
  • Her dream career of becoming a geophysicist vanishes that day she quits college for a job that allows her to move out of the family home and away from her mother for good.
  • She works so many menial jobs, none of which manages to hold her attention for very long, and slowly saps all the dreams and creativity she holds in reserve. With each successive job, the sheen in her eyes dulls a bit more.
  • As with the job situation, so, too, her love life. Her many attempts at love fail for the same reasons time and time again. Somehow, she becomes relationship poison and seeks out the same.
  • Eventually, her worries and frustrations in finding a mate causes her to settle for a man beneath her standards, a man who adds nothing to her life, a man who also works dead end job after dead end job with no hope of career advancement.
  • Then comes the struggle to save money for secondhand furniture and a used car, and as rents increase, their apartments over the years become smaller and rattier.
  • She cries alone in the bathroom with a pregnancy test showing a positive result.
  • The birth of her daughter, Enid, is agonizing and when it’s done and the baby is placed in her arms, she knows she should feel something, tries to feel love, but the emotions just won’t come.
  • Not long after, she’s pregnant again with a premature boy this time, Jack, and makes the effort to spread the already nonexistent love even thinner.
  • Jack is born sickly and remains that way. Medical bills mount that they’re unable to pay, and her husband comes home later and later complaining of overtime that is never reflected in his paycheck.
  • Fed up, her husband leaves in much the same way that her father did, for another woman, and she now is forced to get a second job to make ends meet.
  • Her already distant relationship with her daughter grows volatile when Enid turns to drugs after running with a group of delinquents.
  • Jack’s condition worsens and neither her husband nor Enid are present at the hospital as he dies.
  • She develops a cough that turns into a hacking fit that turns into lung cancer that kills her a day before her sixty-sixth birthday. And like her son, she, too, dies alone.

Lakshmi thought the images would stop there, but was sadly mistaken. She was actually able to see beyond her own death, where Enid, holding a one-year Narcotics Anonymous recovery coin, arrives at her hospital room moments too late. Too late to apologize, too late to make amends, too late to say “I love you.” And the pain of this sends her running back to a den to score, where a fatal hot dose takes her life.

***

A noise, the sound of wood and plaster breaking in reverse, pulled Lakshmi away from the visions of her future and back into the room with such a quickness that she staggered back, fell off the chair, and hit the hardwood floor with a heavy thud.

A concerned woman’s voice called from outside the room and down the hall. Her mother. The woman she hated mere moments ago and wished all the nastiness a seven-year-old girl’s mind could muster… but now, there was something else. Something she couldn’t quite remember. The images of her future started jumbling inside her head to the point they made no sense and turned into so much mental vapor.

Something about her father and her husband leaving? Something about a baby… a girl, or maybe a boy, sick and dying? And a fight, a big fight…

Lakshmi scrambled to her feet and raced out of the door and down the hall as memories evaporated from her mind. There was something she had to do, something before these feelings vanished and she went back to being angry.

Lakshmi burst into her parents’ room, where her father, just about to fall into a deep sleep, jumped at the girl’s sudden arrival.

Her mother, on the other hand, was fastening her dressing gown and about to investigate the sound from her daughter’s room, when her daughter rushed up, arms flung wide and embraced her.

“I’m sorry! I’m so sorry!” Lakshmi sobbed, as the memories of her future disappeared completely.

Her father watched in confusion. Her mother shrugged at him, smiled and stroked her daughter’s hair, cooing that everything will be all right. Everything will be just fine now.

***

In Lakshmi’s room, the crack in the wall, once the length of a wooden school ruler, began to shrink, as the wall knitted itself whole again.

Text and Audio ©2013 Rhyan Scorpio-Rhys

The Anniversary Meal

Posted by Madd_Fictional on

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As Amantha carefully diced the spleen, she caught herself. Lost in the preparation of the meal, she absently sang a song under her breath. Normally, this wouldn’t have been a problem but she was doing it in her native tongue, a dead language that might have revealed her true identity, had anyone heard it. Not that they’d have been able to pinpoint what she was exactly, but they would have sussed she wasn’t what she appeared to be.

She bit the inside of her cheek as she marinated the kidneys, the pain and the coppery tang of blood in her mouth served as a reminder to be more cautious. The head that had been severed and chilled on ice overnight to preserve its freshness, was placed in the stewpot to dissolve in a broth that smelled faintly of sulfur. She would have to remember to do the same with the hands and feet and all the other body parts that couldn’t be disguised as normal cuts of meat.

Anal to a fault, Amantha arranged all the innards neatly on the countertop and went to work on deboning the torso and limbs, the bones of which would join the head in the liquifying broth. She knew she had plenty of time to get rid of the evidence, but she also wanted time to get dressed and made up before Onathan arrived. It was their one year anniversary and she wanted the meal to go without a hitch because suspected he was going to propose tonight.

“He’s going to propose tonight,” she let slip aloud as she slit open the intestines to clean them. If only she had studied the language better, none of this food preparation would have been necessary.

Onathan’s mother was an important figure in his life, more a best friend than a parent, and he wanted to include her in the anniversary celebration, which Amantha had no problem with because she enjoyed the old woman’s company, she just wished he had phrased his wish differently.

His exact words were, “Do you mind if we had Mom over for dinner? It’s a special night that I want to share with her. Since Dad died, she’s been alone in that house and it’s not good for her.”

“Of course I don’t mind,” Amantha answered, playing the question over and over in her mind. “If you’re sure that’s what you want.”

“You’re amazing. I can’t believe how understanding you are.” Onathan pulled her into him and gave her the biggest kiss. Surely, she had gotten it right this time. The kiss made her confident that her first interpretation was accurate.

Amantha called Onathan’s mother over late last night, after he had gone to bed and she came without question or hesitation. Either she was the most selfless person on the planet or she truly was lonely in that big house all by herself. This would be a good thing.

No stranger to the procedure, Amantha treated her hopefully soon-to-be late mother-in-law to refreshments laced with a two-part toxin. The first substance was mixed into the pâte sucrée and would have passed through her system harmlessly, had it not bonded with the chemical placed in the sherry. Death was instantaneous and painless.

The phone rang not a few seconds later. It was her mother. When Amantha relayed the news and what Onathan asked and what she had done, there was silence on the other end of the line.

A chill ran down Amantha’s spine. Before her mother said a word, she knew she had gotten it wrong once again. English was such a bastard of a tricky language.

“These humans, they’re not like us, Ammie.” her mother said. “Relatives do not sacrifice themselves for celebration feasts nor do they feel pride in eating kin.”

“But what am I going to do, Mother?” the rising panic made her body quake.

“Are you sure she’s dead?”

Amantha prodded the old woman’s arm with her shoe. “No doubt about it. I followed your recipe to the letter.”

“Looks like you have no choice but to tell him the truth.”

“The truth? I can’t do that! Hi, honey, remember your mother? I killed her by mistake last night, sorry. He’ll never marry me now!”

“Then play ignorant.” her mother suggested. “Human females do it all the time.”

“And what about the body?”

“It isn’t a body anymore, it’s evidence. If you intend to live a lie, you’ll have to get rid of it.”

“I can’t move the body, somebody will see me!”

“Who said anything about moving the body?” her mother said nothing further, waiting patiently for her daughter to catch on.

“You mean cook her?”

“You were going to do it anyway.”

“I–I can’t. That would be wrong.”

Turned out she could. After hours of playing out scenarios in her head, she decided she couldn’t live without Onathan and he wouldn’t want to live with her if he found out the truth.

The difficult part was hiding the body until Onathan left for work in the morning. Amantha thought she had tipped her hand when she rushed him through breakfast and out the door. One of his mother’s earrings was on the kitchen floor, right beside his shoe! It was so close that if she made any move to retrieve it, he would have noticed.

But all that was behind her now, as she opened the refrigerator to get the older woman’s eyeballs to mash into a jelly topping for the dessert. But they weren’t there. She searched everywhere she hid body parts, everywhere they could have rolled but there were no eyeballs! She distinctly remembered plucking them out of their sockets last night.

How could she have misplaced them? Amantha knew she had to find them before Onathan came home in two hours. She threw herself into overdrive and tore the house apart, all the while cursing herself for not being more careful. The last thing she wanted was to have Onathan accidentally stumble upon one of the elusive orbs. He might not recognize it as one of his mother’s, but at the end of the day, it was a human eye and while she didn’t completely understand human culture, she was sure finding random eyeballs in your house wasn’t a common practice.

Amantha finally found them, yes, in the refrigerator. They somehow managed to roll off the saucer and landed in the crisper. She breathed a sigh of relief… until she looked at the clock; Onathan was going to be home in less than an hour, and she not only hadn’t finished dinner yet, but now the house was a complete mess.

She prepared the dessert in record time then hopped on the massive chore of tidying up the house. Just as she put the finishing touches on her makeup, the doorbell rang.

Amantha sat on pins and needles the entire dinner. What if he recognized his mother’s taste? A silly concern but it plagued her nonetheless.

Onathan seemed nervous as well, his eye constantly checking the wall clock or shooting over his shoulder to the front door. It didn’t stop him from enjoying the meal and he ate everything placed before him. At the end of the meal. he accidentally knocked his fork on the floor. Amantha was about to comment on how clumsy he was, when he came up on one knee with a ring in his hand. “I was going to wait until mother arrived, but I feel now’s the perfect time, after the perfect meal.”

And that was all it took. The dam of emotions she tried to suppress all evening burst wide open and Amantha began to cry uncontrollably.

“D-did I do something wrong?” Onathan said, confused. “I thought you wanted this?”

“No, no, I do want this,” she said, her breath hitching. “Just not this way.”

“I don’t understand.”

“It’s not you, you’re fine. Really, really fine. It’s me. I have something to tell you…”

Sally forth and be truthful to your better half should you accidently murder themingly writeful.

©2014 Rhyan Scorpio-Rhys

Creative Commons License

The Math of the Moment

Posted by Madd_Fictional on

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There were two things that Evan knew:

  1. Mathematics
  2. He lived the wrong kind of life

The first he had known nearly all his life, from age four, if a proud mother’s braggadocio was to be believed. The second he only recently discovered, when he first laid eyes on The Woman. As was his nature, Evan quickly tabulated the absolute value in his head to assess his chances with her. The figures hadn’t added up.

The Woman, obviously accustomed to being the object of men’s stares, avoided eye contact with every XY chromosome in the room as she stood in the doorway and scanned the tables for a place to sit. There were so many free spaces, Evan hadn’t given the possibility of her settling next to him a second thought… until she did just that.

Suddenly the nearness of her had Evan checking the computations of his existence and wondering how he came to live a life so cruel as to deny him the reality of waking up beside The Woman every single morning. The closer she stepped, the more he realize just how lacking he was. The more he examined himself, the further away he pushed the percentages of the two of them spending the rest of their lives together.

But even though he knew down to his square root that nothing could ever have existed between them, he couldn’t let the thought of her go. He wracked his brain trying to suss out what needed to be done to correct their blaring parities.

What charismatic calculus would he have had to perform in order to make the possibility of a relationship between them a reality? What was he lacking that could have been excavated from the untapped depths of his soul in this limited time they cohabitated at this table, these minutes that were passing far too quickly. that would have given her pause? What prime number would have made her consider the impossible? Convinced her to go against every single internal voice and take a chance on a fractioned man well past his sell-by date? A man who needed her greater than she would ever have needed him?

Instead of coming up with solutions to solve the theorum, he vaporlocked. He went to the place where he should have found inspiration and courage and instead stood staring down at a dry well.

If this were a movie, a romantic comedy following a by-the-numbers formula, this would have been their meet cute moment, where though she had no time for him, Evan would somehow have found the nerve to punch above his weight class, as he swung for the fences, until he stumbled upon that one right sentence, quite by accident, that would have opened the door of their budding relationship just a crack.

But this wasn’t a movie in which Evan had access to some writer, a prince of prose, to whip up a witty bit of icebreaking banter, which meant he sat there quiet as a church mouse as the woman of his dreams failed to acknowledge his presence as she sipped her small yet overpriced mall beverage and worked her delicate thumbs across her smartphone keypad.

Perhaps he had approached it wrong. His shyness and lack of confidence in this situation was the problem, but all problems had a solution, so if he somehow broke down the math of the moment, he could not only solve the equation but restructure the formula to his benefit.

And so he began with

The Problem

He was absolutely enchanted by this stranger, who, when she left this table, wouldn’t have known him from Adam due to his insecurities. And while the thought of either tricking or forcing her to have affection for him against her will was a repulsive notion, he wanted to at least put forth the concept of a relationship between them.

The Equation

The left-hand side of the equation needed to describe the geometry of the manifestation of what a man considered love and the lengths he would go through to achieve it. The right-hand side needed to reflect the concomitant swirling curvature of a woman’s nurture and passion weighed against the romanticized notions of love.

Evan pulled a tattered notebook from his backpack and wrote the equation. Front and back on all the blank pages. On the backs of pages containing non-related items. In the margins. On every napkin he laid his hands on. and finally on the table itself.

He wrote and wrote until his brain collapsed under the sheer weight of computations, then he wrote some more. He continued to write until he finally discovered…

The Solution

Evan straightened his back, turned to The Woman, cleared his throat and said in voice squeakier than he would have liked, “Excuse me, Miss. Hello, my name is Evan.”

Sally forth and be mathing your way into the perfect relationshipingly writeful.

©2014 Rhyan Scorpio-Rhys

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