The Next Now

Next Now

Though he swore to himself that he would never ever in a million years be caught dead doing it again, Clayton Jacobson wound up working late. Nearly four and a half hours past his quitting time, according to the clock, whose disinterested face stared down upon him from its lofty perch above the office door. Which made it two hundred and seventy minutes since his co-workers abandoned him without a second thought, retreating to the comfort of their homes, leaving him to pick up the slack.

Traitors, all of them.

Experts claimed that it was impossible to put a dollar value on a human life. But Clayton knew that to be a lie. He was aware exactly what his life was worth at current market value between the weekday hours of nine-to-six, or better yet, nine-to-ten thirty. He was a salaried employee that wasn’t eligible for overtime pay, so rounded up, his life was worth twenty-six dollars and fifty cents an hour. That boiled down to forty-four cents a second that he collected as he sat at his desk completely inundated with work and wasting his life away doing something that held his interest not in the least. Forty-four cents for each precious second of his life that he had exhausted and could never reclaim ever again. And as he inched ever closer to his own inevitable demise, he couldn’t help but think how cheaply he’d sold a portion of his life to a faceless entity that wouldn’t be able to recall his name in the fiscal quarter that followed his inevitable termination date.

Clayton Jacobson was a corporate cheap date.

As a reward for his continued loyalty, he had been given what was considered to be the reasonable and customary stock options package, which made him the proud owner of five thousand shares of complete and absolute boredom. Every day at approximately this very instant, he cracked his investment portfolio wide and contemplated his stock, and as always, he came to the realization that he was wealthier than he thought. He personally owned more boredom than he knew what to do with.

Cursing himself for being a corporate lackey, he rubbed his tired eyes, yawned, stretched, and began the protocol for closing up shop. It’s not like he could simply get up and leave. His position as office manager included the responsibility of backing up the entire day’s work onto the server, which would cost him another half hour, at least.

While the backup chugged away at its steady pace, Clayton impatiently packed his briefcase with files stacked in his Incoming tray under the guise of finishing the work at home. But he knew all too well that once he stepped foot into his apartment, he would ignore the work like an overdue bill or a random bit of junk mail. Physically taking work home was just a force of habit. It made him feel like he was making a dent, which was the lie he told himself every evening.

After all the computers and office equipment were shut down, he shrugged on his coat, locked the front door and tripled checked that it was secure. That was the one and only OCD that Clayton had. Is the door locked? Did I lock the door? were the questions he would ask himself every time he left the building. And he realized that this problem of his wasn’t founded in reality since never once in all his years had he not successfully locked a door upon leaving a place, but still, he found himself constantly returning to check locked doors. Tonight wasn’t a particularly bad night. He only went back and checked the door three times. His standing record was twenty-seven, which was probably due to the fact that he was not only exhausted that night but also on a heavy dose of cold medication.

Clayton Jacobson did not take sick days.

On his fourth time exiting the building, Clayton lost his footing and hit the concrete pavement like a baseball player sliding home. The briefcase slipped from his grasp during the fall and popped open, scattering files and papers all over the sidewalk. Embarrassed, he looked around quickly to see if anyone caught his fall. Not a soul in sight. Good. He slowly got to his feet, dusted himself off and looked at the spot in front of the building where he had tripped. He half expected to see a patch of ice, grease or something, but there was nothing there.

That’s odd, he thought as he began scooping the papers back into his briefcase. Although it was a cold night, it wasn’t particularly windy, which was a good thing, since Clayton hadn’t fancied the idea of chasing paper down the street.

As he fastened the last latch on his briefcase, Clayton rose to see his bus pull away from the bus stop. He chased after it, hoping that the stoplight at the corner would turn red, giving him the chance to catch up with the bus and plead his way aboard. Usually, the bus drivers were more lenient about picking up passengers outside designated areas after ten o’clock at night. Unfortunately, the stoplight and Clayton were not in accord as it allowed the bus to escape him.

At the bus stop Clayton didn’t even bother reading the schedule because he knew the next bus was a half hour away and it was far too cold to stand out on the street and wait and if he went back into the office, he would get caught up in work and miss the next bus and most likely fall asleep at his desk. Since there were no open coffee shops at this time of night, he resigned himself to walk home. He lived close enough to his job so that walking wasn’t out of the question, which was the only real perk that was associated with his employment. Twenty minutes by foot if he hustled, a half-hour if he took a more leisurely pace. Theoretically, he could have been home before the next bus arrived, so he hoofed it.

At the corner, his nemesis, the streetlight, turned red and he was forced to wait his turn against the traffic. A man sidled up to Clayton’s elbow so silently he could have been a shadow.

“Excuse me,” the man said and Clayton tried to suppress the urge to jump out of his skin. “May I have a moment of your time?”

“Sorry. I have someplace to be.” Clayton didn’t even meet the man’s gaze.

“Surely you have a moment to spare, in one of your pockets, perhaps?” the man’s manner was polite and seemed completely genuine.

“Is this about money?” Clayton shot him a glance.

“No.”

“Cigarettes? Because I don’t smoke.”

“Neither do I. Not for some time now.” A fact the man seemed to find rather amusing.

“Okay, so are you some kind of cop or something? Am I under arrest? Are you looking for sex? Are you initiating into a gang and need to cut a complete stranger? A serial killer cruising for a little late night murder?”

“No, no, no, no, and no.” the man smiled.

“Then what, for God’s sake?”

“As I said initially, a moment of your time.”

“For what?” Clayton spat.

“I think you dropped something.” The man said, pointing in the direction of the office building.

Clayton assumed it was a sheet of paper that he missed when he was scooping up his papers, but what he saw instead was— well, at first he thought it was a pile of garbage. But that wasn’t right. It was a body. Strewn on the sidewalk like a rag doll.

Convinced that his eyes were playing tricks on him, he walked slowly to the body that looked strangely familiar. Well, it ought to have looked familiar, it was wearing the exact same outfit Clayton had on, identical down to the shoes. Even the open briefcase was the same.

“Who is that?” Clayton asked.

“You know who it is.” The man was suddenly behind Clayton again, but this time he didn’t jump.

“How?”

“Heart attack.”

“But I didn’t feel anything.”

“Some people never do. Perhaps you were too preoccupied?”

“Oh come on, is this some kind of sick joke?” Clayton tasted the fear in his own voice. “I slipped and hit my head, didn’t I? And now I’m hallucinating, right? Or maybe I’m still upstairs in the office asleep at my desk, or better yet at home in bed having a bad dream?”

“No, no, no, no and no.”

“Then I’m–” he couldn’t bring himself to say the word.

“Well and truly dead, I am afraid.”

“And you are?”

“Your travel companion,” the man offered Clayton another smile.

“Oh, I get it! You’re going to point out all the wrong I’ve done and give me the chance to rectify it, that’s what this is, right?” Clayton hadn’t meant it to sound so sarcastic.

The man shook his head. “You have not done any wrong.”

“Then maybe there was something I was supposed to do, some potential I was supposed to live up to that I didn’t…”

“No, you lived your life accordingly.”

“So, this is it? No ceremony? No pomp and circumstance? Just heart attack, boom, I’m dead?”

The man seemed confused. “Would you prefer there be a penance? A punishment?”

“Not exactly, but something more than this.”

“Oh, but there is more. Your mind simply has not adjusted to your new reality just yet, which is perfectly normal in the beginning. You are clinging to the shadows of your old life, but all this will fade and you will begin to see anew, once you have accepted the fact that what is done cannot be undone.”

“So, what do I do now?” Clayton asked.

“Travel with me for a moment.” The man gestured at a car that Clayton could have sworn was not there before.

“You drive a car?”

“It is my conveyance. Your mind views it as a car, as that is what you are accustomed to,” the man said patiently. “For your comfort, you may wish to remove your coat.”

“But it’s freezing out here—” and as soon as Clayton heard the words, he felt foolish. “Oh, right.”

“Let me help you.” The man took Clayton’s briefcase, slid the overcoat off his shoulders, and let both items fall to the ground. As they landed, there was a deafening boom, which cracked the pavement and shattered the windows in the surrounding area. Or Clayton thought the windows shattered. When he looked up again, the windows were whole, as if nothing happened.

“I feel so much lighter now.” Clayton bounced on his toes like a little boy.

“You have just stripped yourself of your biggest encumbrances.”

“Which were?”

“Labor and haste.”

This answer made Clayton stop bouncing for some reason and he turned to look at his body crumpled on the sidewalk. “Can we do something about this?” he pointed at his former shell.

“Like what?” the man asked.

“I don’t know.” Clayton scratched his head. “Rearrange it? Move it inside the building maybe? Something more dignified than this. This isn’t how I want people to remember me.”

“Those who remember you will do so in their own manner. You cannot change that,” the man said as he opened the door for Clayton, who looked at his lifeless body one last time with a twinge of regret for not having lived a richer more fulfilling life, before he slipped into the passenger seat.

The man entered the driver’s side and took the wheel. And they drove, so slowly that it seemed to Clayton they were not moving at all, but instead, time moved around them. Not through them, Clayton noticed, around them. There was no time within this conveyance. One moment, the time the man asked of Clayton, was the same as eternity in here.

“Where are we headed?” Clayton asked.

“The next now.” The man answered and said no more. And he hadn’t needed to because somehow Clayton understood. For the first time in his life, or more accurately his death, he understood perfectly.

Text and Audio ©2013 & 2021 Rhyan Scorpio-Rhys

About The Next Now: One night I was working on a short story that I’ve been toying with for the better part of a year. I was knee-deep in the rising action stage, typing away—and even happy with most of it—when it happened: The Click.

It’s a magical moment. Your pupils dilate. Your breathing slows. The fog in your head clears. Time slows to a crawl. And for one shining moment, everything is perfect. Every sinewy thread of plot comes together. It may be a mess, but it’s all there. It can be fixed and made whole—we have the technology.

And then the world speeds back up and it’s a race against the clock to type out as much as you can before the perfect purring of a well-oiled machine becomes a sputter and you lose something—or worse—the machine takes a great big dump.

That’s this one right here. A simple story about a wage slave that dies, unappreciated. No fanfare, no glorious reward for living his life correctly and doing no harm. A simple leave your things behind and move on to the next phase of your existence, or the next now.

The Missing Piece

The Universe expanded just wide enough to allow worlds to form. And those worlds were meant to spawn beings. And those beings were meant to learn the ways of the Apparatus Universi in order to keep the universe running, for The Universe was not a living thing, as most intelligent races postulated.

The Universe was a machine constructed by the Vetus Mundi Tinkerers, a race of cosmic free-thinkers and craftsbeings who, though long-lived, were not immortal, and eventually succumbed to the end fate that awaits us all, while waiting for their successors to arrive to remove the heavy burden from their weary shoulders and carry on in their stead.

But the changing of the guard never occurred. Somewhere down the line, the sacred knowledge meant to be handed down the generations until the various races sufficiently evolved to the point when they were ready to transition into tinkerers, had been mistold, mangled and eventually forgotten.

Now The Universe was winding down, beginning to fail because a piece was missing. Some small, yet vital part had somehow come loose during millennia of daily operation and was set adrift on the spaceways, with no one to find it, no one who even knew what to look for.

Text and Audio ©2021 Rhyan Scorpio-Rhys

Mark Twain’s 9 Tips for Living an Extraordinary Life

1. Approve of yourself. “A man cannot be comfortable without his own approval.”

2. Your limitations may just be in your mind. “Age is an issue of mind over matter. If you don’t mind, it doesn’t matter.”

3. Lighten up and have some fun. “Humor is mankind’s greatest blessing.”

4. Let go of anger. “Anger is an acid that can do more harm to the vessel in which it is stored than to anything on which it is poured.”

5. Release yourself from entitlement. “Don’t go around saying the world owes you a living. The world owes you nothing. It was here first.”

6. If you’re taking a different path, prepare for reactions. “A person with a new idea is a crank until the idea succeeds.”

7. Keep your focus steadily on what you want. “Drag your thoughts away from your troubles… by the ears, by the heels, or any other way you can manage it.”

8. Don’t focus so much on making yourself feel good. “The best way to cheer yourself up is to try to cheer somebody else up.”

9. Do what you want to do. “Twenty years from now you will be more disappointed by the things that you didn’t do than by the ones you did so. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover.”

10 Observations On Writing From John Boyne

  1. I want to write stories that matter, that have a real point to them. I’m not interested in vampires.
  2. When I started out I thought that a life as a writer would be simply about staying at home, writing books, publishing them and moving on to the next one. But writers also have to be performers these days. I spend a large portion of my year either on book tours or attending international literary festivals and audiences demand that, if they’re giving up an hour to hear you speak, you give them a good show. And this is a skill that a writer only develops over time. There’s such a dichotomy between the two worlds: the first is so private and solitary, a life lived in the mind, the second so public and theatrical. Fortunately, I rather enjoy both.
  3. I read everything that interests me – contemporary novels, biographies, histories, classics. Like most writers and avid readers, I have a pile of books beside me as I type this that I want to read.
  4. My two greatest influences are Charles Dickens and John Irving, writers separated by more than a century.
  5. When I was a student on the creative writing course at the University of East Anglia in ‘94/’95, I was taught by the novelist Malcolm Bradbury. He told us that we should write every single day, 365 days a year, even Christmas Day. That whatever we were working on would only get finished by writing, writing, writing. I followed this advice and it is quite rare that I spend a day without committing at least a few paragraphs to page.
  6. The idea that you can’t explore contemporary themes in a historical setting is ludicrous. Do I want to write a novel set today? Only if I have the right story to tell. The times don’t matter at all – it’s always the story, the story, the story.
  7. Children’s fiction is a place of incredible passion – among writers, publishers, librarians and teachers – and the standard of writing is higher than it has ever been.
  8. It’s not easy making a living as a writer and for many years I worked at a Waterstones in Dublin. It was a good environment for an aspiring writer, with lots of events and authors appearing.
  9. The truth is that I can’t remember a moment when I didn’t want to be a writer. From childhood, I loved books, I loved stories and I loved writing my own.
  10. I think a lack of self-consciousness is important. Feeling that one can try different styles, different types of writing without everything having to be perfect. As a young writer, there is no chance that everything you write will be published so it’s worth experimenting.

William Randolph Hearst On Writing

  1. You must keep your mind on the objective, not the obstacle.
  2. Don’t be afraid to make a mistake, your readers might like it.
  3. All work and no play may make Jim a dull boy, but no work and all play makes Jim all kinds of a jackass.
  4. News is something somebody doesn’t want printed; all else is advertising.
  5. Try to be conspicuously accurate in everything, pictures as well as text. Truth is not only stranger than fiction, it is more interesting.
  6. It is a good thing that women are so easily manipulated. Otherwise, most of us wouldn’t be here.
  7. Putting out a newspaper without promotion is like winking at a girl in the dark — well intentioned, but ineffective
  8. You can crush a man with journalism.

Gustave Flaubert on Writing

Gustave Flaubert was an influential French writer who is counted among the greatest novelists in Western literature. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his art and style. The celebrated short story writer Maupassant was a protégé of Flaubert.

  1. The author, in his work, must be like God in the Universe, present everywhere and visible nowhere.
  2. Be regular and orderly in your life, so that you may be violent and original in your work.
  3. To be stupid, selfish, and have good health are three requirements for happiness, though if stupidity is lacking, all is lost.
  4. There is no truth. There is only perception.
  5. Travel makes one modest. You see what a tiny place you occupy in the world.
  6. Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. No, read in order to live.
  7. Everything one invents is true, you may be perfectly sure of that. Poetry is as precise as geometry.
  8. Judge the goodness of a book by the energy of the punches it has given you. I believe the greatest characteristic of genius, is, above all, force.
  9. Writing is a dog’s life, but the only life worth living.
  10. Stupidity is something unshakable; nothing attacks it without breaking itself against it; it is of the nature of granite, hard and resistant.
  11. One can be the master of what one does, but never of what one feels.
  12. One arrives at style only with atrocious effort, with fanatical and devoted stubbornness.
  13. You must write for yourself, above all. That is your only hope of creating something beautiful.
  14. One never tires of what is well written, style is life! It is the very blood of thought!
  15. The one way of tolerating existence is to lose oneself in literature as in a perpetual orgy.

The Best Writing Advice Professional Authors Received

  1.  Alice Kahn: The best writing advice I’ve ever heard: Don’t write like you went to college.
  2. Andrei Codrescu: Best advice I ever got was from the Romanian poet Nichita Stanescu, who told me in Bucharest, before I emigrated: ‘Learn English. French is dead.’
  3. Christopher Buckley: The best advice on writing I’ve ever received was from William Zinsser: ‘Be grateful for every word you can cut.’
  4. Cynthia Ozick: The best advice on writing I’ve ever received is: Write with authority.
  5. David Guterson: The best advice on writing I’ve ever received is to take it seriously, because to do it well is all-consuming.
  6. George Plimpton: I think the best advice on writing I’ve received was from John Steinbeck, who suggested that one way to get around writer’s block (which I was suffering hideously at the time) was to pretend to be writing to an aunt, or a girlfriend. I did this, writing to an actress friend I knew, Jean Seberg. The editors of Harpers forgot to take off the salutation and that’s how the article begins in the magazine: Dear Jean….
  7. James Atlas: The best advice on writing I’ve ever received was from Dwight Macdonald: ‘Everything about the same subject in the same place.’
  8. Margaret Carlson: Best writing advice I’ve ever received: Sell everything three times.
  9. Nick Tosches: The best advice on writing I’ve ever received was given to me, like so much else, by Hubert Selby, Jr.: to learn and to know that writing is not an act of the self, except perhaps as exorcism; that, in writing what is worth being written, one serves, as vessel and voice, a power greater than vessel and voice.
  10. Patsy Garlan: The best advice on writing I’ve ever received is: Don’t answer the phone.
  11. Peter Mayle: Best advice on writing I’ve ever received: Finish.
  12. Richard Ford: The best advice on writing I’ve ever received: ‘Don’t have children.’ I gave it to myself.
  13. Robert Lipsyte: The best advice on writing I’ve ever received was, ‘Rewrite it!’ A lot of editors said that. They were all right. Writing is really rewriting—making the story better, clearer, truer.
  14. Russell Banks: The best advice on writing I’ve ever received was probably something Ted Solotaroff told me years ago when he was my editor. Going over a manuscript line by line again and again he kept reminding me, ‘Remember, this is your book, not my book. You’re the one who’s going to have to live with it the rest of your life. I might publish 30 or 40 books this year, you’re only going to publish one, and probably the only one you’re going to publish in two or three years.’
  15. Whitney Balliett: The best advice on writing I’ve ever received is, ‘Knock ‘em dead with that lead sentence.’