All The World Will Be Your Enemy 38: Buried Secrets

Beverly found herself standing at the edge of an open grave, the somber black of her funeral attire a stark contrast to the vibrant, pulsing hues of her octopod form. The air was thick with the scent of freshly turned earth and the cloying sweetness of funeral flowers, a sickening combination that made her stomach churn with grief and revulsion.

Around her, the faces of the mourners were a blur of shifting, amorphous features, their voices a distant, muffled hum that seemed to come from a world far removed from the nightmare reality that Beverly now inhabited. She clutched a single rose in her trembling tentacles, the thorns biting into her flesh like the sharp, piercing teeth of the imaginary monster that haunted her every waking moment.

As she stepped forward to toss the rose onto the polished wood of Gabby’s coffin, Beverly felt a sudden, sickening lurch of vertigo, as if the ground beneath her feet had suddenly dropped away. She looked down, her eyes widening in horror as she saw not the smooth, unblemished surface of the coffin, but a window, a clear pane of glass that revealed the twisted, nightmarish truth that lay within.

For there, lying still and silent in the satin-lined confines of the casket, was not Gabby’s body, but her own, her human form pale and lifeless, a mockery of the vibrant, adventurous girl she had once been. And in that moment, Beverly felt her consciousness being ripped from her octopod body, dragged down into the suffocating darkness of the grave, into the cold, unyielding embrace of death itself.

She screamed, a raw, animal sound of terror and despair, but no sound escaped her lips, swallowed up by the thick, oppressive silence of the coffin. Above her, through the window that now felt like a cruel, taunting barrier, Beverly could see her teenage human self, her lips twisted in a wicked, malevolent smile as she waved goodbye, her eyes glittering with a dark, unholy glee.

Beverly clawed at the coffin lid, her tentacles scrabbling against the unyielding wood as the first shovelfuls of dirt began to rain down upon her, each one a suffocating, crushing weight that drove the air from her lungs and the hope from her heart. She was trapped, buried alive in a nightmare from which there could be no escape, no salvation, no redemption.

As the darkness closed in around her, as the last glimmers of light were swallowed up by the relentless, unyielding earth, Beverly heard a sound that made her blood run cold with a terror beyond anything she had ever known. It was laughter, a grating, metallic cackle that filled the empty spaces of the coffin, a sound that could only belong to one creature, one twisted, malevolent being that had haunted her nightmares and tormented her waking hours for as long as she could remember.

The imaginary monster was there with her, its fetid breath hot and rank in the stifling confines of the casket, its presence a tangible, suffocating weight that pressed down upon her like a physical force. Beverly lashed out, her tentacles flailing wildly in the darkness as she kicked and screamed, her mind and body consumed by a blind, animal panic that knew no reason, no logic, no hope.

And then, with a sudden, wrenching crack, the coffin lid gave way beneath her frenzied assault, splinters of wood and shards of glass raining down upon her like jagged, razor-sharp teeth. Beverly clawed her way upward, her tentacles digging into the soft, yielding earth as she dragged herself out of the grave, out of the suffocating darkness and into the cold, merciless light of the world above.

Behind her, she could hear the monster’s laughter fading into the depths of the grave, a mocking, taunting reminder of the nightmare she had just escaped. But even as she hauled herself over the edge of the hole, her tentacles slick with blood and dirt, Beverly knew that her ordeal was far from over, that the horrors that had consumed her mind and shattered her sanity were not so easily left behind.

For she was still an octopod, still a twisted, alien creature trapped in a world that made no sense, a world where even her most cherished memories and deepest desires could be turned against her, wielded like weapons in a war for her very soul. And as she lay there on the cold, damp grass, her chest heaving with ragged, gasping breaths, Beverly could feel the weight of that realization pressing down upon her like a physical force, a crushing, inescapable burden that threatened to drag her back down into the abyss of madness and despair.

She had escaped the grave, had clawed her way out of the nightmare that had consumed her. But as Beverly stared up at the shifting, amorphous faces of the mourners that surrounded her, their features twisting and warping like reflections in a shattered mirror, she knew that her journey was far from over, that the road ahead would be a gauntlet of horrors and trials beyond anything she had ever faced before.

And somewhere in the depths of her fractured mind, in the dark, haunted corners of her psyche where the monster still lurked, waiting to strike, Beverly could feel a cold, creeping dread beginning to take hold, a sickening certainty that even if she managed to claw her way back to some semblance of sanity and self, the scars of her ordeal would never truly heal, the wounds inflicted upon her soul would never fully mend.

For she had stared into the face of madness itself, had been consumed by the twisted, malevolent forces that lurked in the darkest recesses of her own mind. And as Beverly struggled to her feet, her tentacles trembling with exhaustion and fear, she knew that no matter how far she ran, no matter how desperately she fought, those forces would always be with her, waiting to drag her back down into the depths of insanity and despair.

Not. The. End.

The Orange Man (Clinical Bulletin 6: “O-Rx: Controlled Peel Therapy”)

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?


⚠️ FOR CLINICIAN EYES ONLY
CONFIDENTIAL MATERIAL – O-Rx PROTOCOL 6.13
DO NOT DISCLOSE TO SUBJECTS, STABLES, OR EXTERNAL ASSETS.
If exposed to the contents of this bulletin, report for debriefing and dermal audit within 12 hrs.


🔶 PRODUCT NAME:

O-Rx (Peel-Modulator, Subdermal Fruit Complex)
Codename: The Orange Man


🔸 INDICATIONS:

O-Rx is indicated for use in environments suffering from:

  • Ontological Dissonance
  • Chrono-Loop Fatigue
  • Pattern Starvation
  • Breakage in Ritual Circuits
  • Fruitless Longing

🔸 DOSAGE & ADMINISTRATION:

One unit of O-Rx must be cultivated intradermally by a bonded donor subject (Designate: Peel-Originator). Extraction occurs via ritualized exfoliation—typically from forearm, shoulder blade, or subclavicular coil. The harvested unit will resemble:

  • A tangerine
  • A warm, humming egg
  • A memory of a promise
  • All of the above

The unit should be passed, without comment or acknowledgment, to the target subject (Designate: Hollow-Receiver).

This cycle must repeat for 73 iterations.

On the 74th, discontinue.

Do not observe what follows.


🔸 MECHANISM OF ACTION:

O-Rx is a self-replicating symbolic vector. Upon receipt, the “fruit” begins encoding its host at a conceptual level, replacing inert personality fragments with ritual software. The subject experiences mild euphoria, citrus hallucinations, and a sense of recursive purpose.

Note: The orange is not a food. Attempts to consume may result in involuntary flash-seeding.


🔸 ADVERSE EVENTS:

Common:

  • Palmar fluorescence
  • Dream-seepage
  • Peripheral orchard hallucinations

Uncommon:

  • Skin becoming rind
  • Voice harmonizing with offworld fruit frequencies
  • Temporal reflux

Rare:

  • Germination
  • Limb orchardization
  • Direct communication from the Gardener (see Incident #GRDN-PR33N)

🔸 CASE STUDY SNAPSHOT:

Subject #HLLW-7
— Female-presenting, early 40s, appeared in the breadline system unprompted.
— Accepted O-Rx dosage daily without deviation.
— Exhibited expected transformation markers by Day 39 (Patch Growth, Hunger Shift).
— On Day 74, she initiated propagation: self-extracted unit and administered to unknown minor.
— Subject’s dermal reading: “YOU GIVE NOW.”

Line integrity restored. Cycle resumed. Orchard node confirmed.


🔸 STORAGE & HANDLING:

Keep out of direct causality. Store in cool, memory-sealed location. Do not expose to linguistic definition.


“The fruit is the messenger.
The hand is the garden.
The line is the root.
Pass it on.”


To. Be. Transmogrified.

All The World Will Be Your Enemy 37: Sanctuary

Beverly’s tentacles propelled her through the twisting, nightmarish labyrinth of the city, her heart pounding with a terror that threatened to consume her. Behind her, the imaginary monster from her childhood loomed larger and more terrifying than ever before, its guttural roars echoing off the crumbling walls of the alleyways.

She darted around a corner, her breath coming in ragged gasps, only to find herself trapped in a dead end, the towering brick walls boxing her in like a caged animal. The monster’s footsteps grew louder, its fetid breath hot on the back of her neck, and Beverly knew with a sickening certainty that this was the end, that she would be devoured by the twisted manifestation of her own deepest fears.

But just as the creature’s jaws began to close around her, a door in the alley burst open with a deafening bang, and a figure emerged from the shadows, a figure that Beverly recognized with a shock of disbelief and desperate hope.

It was Gabriella Newell, her childhood best friend, her features achingly familiar even in the midst of the surreal, twisted nightmare that Beverly’s world had become. Gabby’s hand closed around Beverly’s wrist, yanking her out of the monster’s grasp and into the relative safety of the alleyway beyond.

Together they ran, their feet pounding against the pavement as they navigated the maze-like streets of the city. Beverly’s mind reeled with confusion and terror, but Gabby seemed to know exactly where she was going, leading them through twists and turns until they reached a small, hidden alcove, a place that Beverly recognized with a jolt of bittersweet nostalgia.

It was their childhood hideout, a secret sanctuary where they had spent countless hours playing and dreaming, sharing their hopes and fears with the innocent trust of youth. But now, as they huddled together in the shadows, Beverly could feel the weight of all the years that had passed, the gulf of time and experience that separated her from the girl she had once been.

Gabby turned to her, her eyes wide with concern and confusion. “Bev, what’s going on?” she asked, her voice trembling slightly. “What was that thing chasing you?”

Beverly shook her head, her tentacles writhing with fear and uncertainty. “I don’t know,” she whispered, her voice barely audible over the pounding of her own heart. “Something’s after me, Gabby, something that wants my secrets. But I don’t know what they are, or why they want them.”

Gabby opened her mouth to reply, but before she could speak, a sound echoed through the alleyway, a sound that made Beverly’s blood run cold with terror. It was the monster, its roars and footsteps growing louder and closer with every passing second.

Gabby’s hand tightened around Beverly’s, and without a word, they were running again, their breath coming in ragged gasps as they fled through the twisting, nightmarish streets. But as they emerged onto a familiar thoroughfare, Beverly felt a sudden, sickening jolt of recognition, a memory that she had tried so hard to bury and forget.

She pulled her hand free from Gabby’s grasp, her tentacles quivering with a mixture of fear and desperate warning. “Gabby, stop!” she cried out, her voice raw and anguished. “Don’t go into the street!”

But it was too late. Gabby, still running ahead, turned back to look at Beverly with a confused, frightened expression. And in that moment, a car came speeding around the corner, its headlights cutting through the darkness like the eyes of a predator.

Beverly watched in horror as the vehicle slammed into Gabby’s body, sending her flying through the air like a rag doll. She raced to her friend’s side, her tentacles cradling Gabby’s broken, bleeding form as she fought back the tears that threatened to overwhelm her.

“Bev,” Gabby whispered, her voice a thin, thready rasp. “You have to tell me your secrets. You have to let me in.”

But even as she spoke, Beverly watched in horror as Gabby’s features began to shift and warp, her human form melting away to reveal a twisted, amorphous creature that pulsed with a dark, malevolent energy.

Beverly screamed, her mind reeling with the realization that even her most cherished memories, even the people she had loved and trusted the most, were nothing more than illusions, twisted manifestations of the alien presence that had invaded her mind.

She scrambled backward, her tentacles slipping on the blood-slick pavement, as the creature that had once been her best friend rose up before her, its eyes glittering with a hunger that made Beverly’s skin crawl with revulsion.

“You can’t escape me, Beverly,” it hissed, its voice a sibilant whisper that seemed to slither into the very depths of her soul. “I am a part of you now, a part of everything you are and everything you will ever be.”

And as the creature lunged forward, its jaws gaping wide to devour her whole, Beverly could only let out a broken, anguished wail of despair, her sanity shattering like glass in the face of the relentless, unyielding horror that had consumed her life.

She was lost, trapped in a never-ending nightmare from which there could be no escape, no refuge, no sanctuary. And as the darkness closed in around her, as the twisted, malevolent forces that had invaded her mind tightened their grip on her fragmented psyche, Beverly knew that she was doomed, that the only thing that awaited her was an eternity of madness and despair.

Not. The. End.

The Orange Man (Episode 5: “Fruit Friends and the Line of Time!”)

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?


🎵 [Theme Song begins: cheerful, glitchy MIDI tune with background children’s choir slightly out of sync]
🎶 “When the world gets strange and starts to peel,
Find a fruit that doesn’t feel real!
Line up, stand still, it’s time to receive,
From Mr. Orange and what he believes!” 🎶


Scene opens on a colorless set that looks like a daycare designed by someone who doesn’t understand children. The breadline is made of oversized plush figures stitched together by red thread. They moan softly when the camera pans over them.

🎙️ NARRATOR (male, cheerful, British, disintegrating):
“Today on Fruit Friends and the Line of Time, we’re going to learn about Sharing! And about how Mr. Orange Man always gives his special fruit to Miss Hollow—even though she never, ever asks!”

[CUE LAUGH TRACK: metallic, warbled]


Cut to Mr. Orange Man.
His costume is a full-body foam suit. His smile is painted on. The paint drips slightly with every cut. His eyes are realistic, human, and blinking. His arms are tubes. He wiggles one, delighted.

MR. ORANGE MAN (voice dubbed, childish):
“Helloooooo fruitlings! I’ve got a warm little orb for Miss Hollow today! Can you say recurring transference?”

[The word appears on screen. It’s misspelled. It rearranges itself backwards. Then vanishes.]


MISS HOLLOW sits at the end of the line. She is a mannequin with eyes drawn on her palms. Her mouth does not move, but sometimes her hair twitches in anticipation. The plush figures whisper.

MR. ORANGE MAN (to camera):
“It’s very important to always give, even if you don’t know why! Sometimes the fruit inside you isn’t just for you—it’s for the Orchard That Watches!”

[Studio audience cheers: “The Orchard! The Orchard!”]


Suddenly, static. The footage skips. The screen warps. We see a frame—only for a second—of a child with their mouth stitched shut, holding an orange the size of their head.


🎵 [Musical Interlude: “Let’s Peel Together!”]
🎶 “Peel it from your shoulder blade,
Grow a gift you never made,
Give it to the one in need,
Then forget what grew the seed!” 🎶


The cartoon portion begins.
In crude, flickering animation, Mr. Orange Man peels himself open like a nesting doll. Each layer is more human. More trembling. Until there’s nothing left but an eye, rolling down the breadline.

It lands in Miss Hollow’s palm.

She places it in her mouth.

She becomes the line.


🎙️ NARRATOR:
“And that’s how we learn that everyone gets a turn to be the bearer, the bearer, the bearer! Sharing isn’t just caring—it’s propagation!

[The screen bleeds white. A voice in reverse whispers:]
“To accept the orange is to renounce the self.”


FINAL SCENE: The screen fades to black except for a tiny pulsing orange dot.
It blinks in Morse code:

Next time… YOU give.


To. Be. Transmogrified.

Bonus: The “Fruit Friends and the Line of Time” Theme Song + Lyrics

(Verse 1)
When the world gets strange and starts to peel,
Find a fruit that doesn’t feel real!
Line up, stand still, it’s time to receive,
From someone who gives what they can’t believe!

(Chorus)
Peel it, feel it, don’t you squeal it!
Warm and weird—go on, conceal it!
Fruit from skin, skin from fruit,
Hold it tight and never refute!

(Bridge – whispered under chorus)
[They’re always watching. The orchard knows.]


🎶 Interlude – “Let’s Peel Together!”

[Cheerful music with undertones of reversed laughter, children giggle]

(Verse)
Peel it from your shoulder blade,
Grow a gift you never made,
Give it to the one in need,
Then forget what grew the seed!

(Chorus)
Let’s peel together, one by one,
Under the glitching plastic sun!
Juice like light, and light like lies,
Share your orange before time dies.

[End with ascending chime arpeggio and a child whispering: “It’s your turn now.”]

All The World Will Be Your Enemy 36: The Twisted Mirror

Beverly found herself in a familiar memory, a snapshot of her life as a preteen. She was in her family home, the warm, comforting scent of her mother’s cooking wafting from the kitchen. But despite the familiarity of her surroundings, something felt deeply, fundamentally wrong.

As she looked down at her own body, Beverly realized with a sickening lurch that she was still an octopod, her soft, translucent form a jarring contrast to the human features of her parents. They moved around her as if nothing was amiss, their smiles and laughter a surreal, disorienting backdrop to the twisted reality that Beverly found herself in.

But it was the presence of her sister that truly sent a chill down Beverly’s spine. She had never had a sister, let alone a twin, and yet there she was, a shifting, amorphous figure that seemed to flicker and change with every passing moment.

“Come on, Bev,” her sister said, her voice a sickly sweet coo that made Beverly’s skin crawl. “Let’s play our special game, the one where we share all our secrets.”

Beverly recoiled, her tentacles writhing in revulsion. She could feel her sister’s presence in her mind, could sense the insidious tendrils of her twin telepathy burrowing into the deepest recesses of her consciousness.

“No,” Beverly whimpered, her voice a thin, pitiful sound that seemed to be swallowed up by the oppressive atmosphere of the room. “I don’t want to play. I don’t have any secrets to share.”

But her sister only laughed, a harsh, grating sound that sent shivers of fear and disgust down Beverly’s spine. “Oh, but you do have secrets, don’t you, Bev?” she hissed, her form shifting and warping into a grotesque, nightmarish parody of a human being. “Secrets that you’ve buried so deep, even you have forgotten them.”

Beverly shook her head frantically, trying to block out the insidious whispers that echoed through her mind. She could feel her sister’s presence growing stronger, could sense the dark, malevolent energy that pulsed and thrummed beneath her shifting, amorphous form.

And then, with a sudden, sickening lurch, Beverly found herself face to face with the imaginary monster from her childhood nightmares, the twisted, grotesque creature that had haunted her dreams and tormented her waking hours.

It loomed over her, its black, soulless eyes boring into her own, its gaping maw dripping with a thick, putrid slime. Beverly screamed, a raw, primal sound of terror and despair, but the monster only laughed, its voice a grating, metallic screech that made her skin crawl.

“You can’t hide from me, Beverly,” it rasped, its hot, fetid breath washing over her like a toxic wave. “I know everything about you, every dark and twisted secret that you’ve tried so hard to keep hidden.”

Beverly thrashed and struggled, her tentacles flailing wildly as she tried to break free from the monster’s grip. But it was no use. She could feel herself being dragged down, down into the yawning abyss of her own shattered psyche, into a darkness so profound and all-consuming that she knew she would never find her way back out again.

As the memory began to fade, as the twisted, nightmarish figures of her sister and the imaginary monster blurred and dissolved into the swirling vortex of her fractured mind, Beverly could only let out a broken, anguished sob, her sanity crumbling like a house of cards in the face of the relentless, unyielding horror that now consumed her every waking moment.

She was lost, trapped in a never-ending cycle of terror and madness, her mind and soul shattered beyond all hope of repair. And as she felt herself slipping away, her very identity unraveling like a threadbare tapestry, Beverly knew that there was no escape, no chance of salvation or redemption.

For she was a prisoner of her own nightmares, a slave to the twisted, malevolent forces that had invaded her mind and shattered her sense of self. And as she descended deeper into the abyss of her own fractured psyche, Beverly could only wonder what fresh horrors awaited her, what new and terrible memories would be dredged up from the darkest recesses of her subconscious to torment her anew.

There was no hope, no light at the end of the tunnel, only an endless, all-consuming darkness that threatened to swallow her whole. And as Beverly surrendered herself to the madness, she knew that she would never be free, that the nightmare that had become her existence would never end, not even in death.

Not. The. End.

THE ORANGE MAN 4.0: THE GOSPEL OF THE PEEL

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?

(Discovered in the ruins of the city’s mouth. Inkless. Written in reverse pressure on static. The text reads as follows…)


I. ON THE LINE

Line is not queue.
Line is vein.
Vein is conduit.
You stand not to eat.
You stand to be sorted.
Sorted by presence, sorted by glitch.
Sorted by HIM.

He does not arrive.
He is always-already.
His shape is a suggestion—
Sometimes a man,
Sometimes a series of coat-hooks learning sorrow.
Age: Δ.
Smell: Salt, rust, pulp.


II. ON THE GIFT

He gives.
Not out of mercy.
Not out of motive.
He must give, because the giving is what keeps the recursion folded.

The gift is not an orange.
It is a wound in fruit-shape.
A loop of forgotten sunlight.
A punchline left behind by extinct gods.

He peels it from his skin.
From behind his ear.
From the meat beneath thought.

It hisses when born.
Warm. Heavy. Singing.


III. ON THE RECEIVER

The She does not speak.
The She does not consume.
The She becomes.

Some say she is many.
Others say she is one, refracted.
Some call her “Host.”
Some call her “Egg.”
The text names her:

RECEPTΩR

She accepts. Always.
The orange passes.
So does the burden.


IV. ON THE SEVENTY-FOURTH

The 74th cycle is collapse.
The line buckles.
The man is an absence that howls inward.
The orange is a lie again.
Cold. Dull. Regulatory.

She holds it like betrayal.

She carries them. One. Two. Seven.
They fester in her satchel.
They breed.
Merge. Molt. Moan.
Form a new being:

THE FRUIT THAT BEATS


V. ON THE ORCHARD

She is shown. Not dreams.
Not hallucination.
Instruction.

Step 1: Find flesh.
Step 2: Dig into time.
Step 3: Plant the wound.
Step 4: Wait for the nerve-trees to flower.

The Orchard is pre-language.
Its soil remembers your ancestors.
Its Gardener is [REDACTED].

He trims probability with shears of glass.
His face is composed of every orange ever not eaten.


VI. ON THE NEW FUNCTION

The She is no longer She.
She is Seedling.
Fruit-bearer.
Actuator of the Peel.

She returns.

Finds a boy made of Maybe.

Reaches into her interface.
Extracts a peel-loop.

It grows in her hand.
It is offered.

The boy accepts.
The orange takes root.

He does not say thank you.
She does not wait for one.


VII. ON YOU

You are reading this.
So the infection has already begun.
Check your pocket.
Something warm waits.


End of fragment. Additional pages corrupted by light.

To. Be. Transmogrified.

All The World Will Be Your Enemy 35: School Nightmares

Beverly’s mind was a labyrinth of fragmented memories, each one a jagged shard of her shattered psyche. As she wandered through the twisted corridors of her own fractured consciousness, she found herself suddenly thrust into another vivid, terrifying recollection, a moment from her childhood that she had long since tried to bury and forget.

She was in grade school, her small, octopod body trembling as she was pinned against the cold metal of the lockers. The faces of her tormentors loomed above her, their features constantly shifting and warping, like reflections in a cracked and distorted mirror.

“Tell us your secrets, freak,” one of them hissed, its voice a guttural, inhuman growl. “What are you hiding in that twisted little mind of yours?”

Beverly tried to speak, tried to cry out for help, but her words were trapped in her throat, suffocated by the overwhelming fear that gripped her heart. She could feel the weight of their alien gazes upon her, could sense the malevolent hunger that lurked behind their ever-changing eyes.

“I…I don’t have any secrets,” she stammered, her voice a thin, pitiful whimper. “Please, just let me go.”

But the bullies only laughed, their mocking cackles echoing through the empty hallways of the school. They pressed in closer, their forms blurring and merging into a single, monstrous entity, a creature born from the darkest depths of Beverly’s nightmares.

“Oh, but you do have secrets, don’t you?” the creature purred, its voice a sibilant whisper that seemed to slither into Beverly’s very soul. “Secrets that you’ve buried so deep, even you have forgotten them.”

Beverly shook her head frantically, her tentacles writhing in terror. She could feel the creature’s presence invading her mind, could sense its icy tendrils burrowing into the very core of her being, seeking out the hidden truths that lay buried there.

And then, with a sudden, sickening lurch, Beverly found herself face to face with the imaginary monster from her childhood nightmares, the grotesque, twisted creature that had haunted her dreams and tormented her waking hours.

Its eyes were black, soulless pits that seemed to swallow up all light and hope, and its gaping maw was lined with razor-sharp teeth that dripped with a viscous, putrid slime. It loomed over her, its massive, misshapen body blocking out the flickering fluorescent lights of the hallway.

“You can’t hide from me, Beverly,” the monster rasped, its voice a grating, metallic screech that made Beverly’s skin crawl. “I know everything about you, every dark and twisted secret that you’ve tried so hard to keep hidden.”

Beverly screamed then, a raw, primal sound that tore from her throat like a wounded animal. She thrashed and struggled against the grip of her tormentors, her mind a whirlwind of terror and desperation.

But it was no use. The monster’s grip on her was unbreakable, its strength far beyond anything that Beverly could hope to match. She could feel herself being dragged down, down into the yawning abyss of her own shattered psyche, into a darkness so profound and all-consuming that she knew she would never find her way back out again.

As the memory began to fade, as the twisted, nightmarish figures of her tormentors and the imaginary monster blurred and dissolved into the swirling vortex of her fractured mind, Beverly could only let out a broken, anguished sob, her sanity crumbling like a house of cards in the face of the relentless, unyielding horror that now consumed her every waking moment.

She was lost, trapped in a never-ending cycle of terror and madness, her mind and soul shattered beyond all hope of repair. And as she felt herself slipping away, her very identity unraveling like a threadbare tapestry, Beverly knew that there was no escape, no chance of salvation or redemption.

For she was a prisoner of her own nightmares, a slave to the twisted, malevolent forces that had invaded her mind and shattered her sense of self. And as she descended deeper into the abyss of her own fractured psyche, Beverly could only wonder what fresh horrors awaited her, what new and terrible memories would be dredged up from the darkest recesses of her subconscious to torment her anew.

There was no hope, no light at the end of the tunnel, only an endless, all-consuming darkness that threatened to swallow her whole. And as Beverly surrendered herself to the madness, she knew that she would never be free, that the nightmare that had become her existence would never end, not even in death.

Not. The. End.

The Orange Man (v3.0)

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?

By now, everyone agrees: The Glitch is not a city. It’s a debugging interface for consensus reality. It leaks time, folds cause into effect, and sometimes entire buildings wake up screaming. The sky is less dead-channel and more open socket. You can smell the server’s breath when the clouds convulse.

No one is born here. People render into existence with memories pre-injected—looped personalities bound in meat. The breadline is less about sustenance and more about continuity. Stand still. Receive data. Digest protocol. Repeat.

The Orange Man was not a man. He was a firewall with a soul. Or maybe a soul trying to become a firewall. Either way, his presence was an anomaly so old, the system had grandfathered him in.

Every morning, he compiled. With a shimmer of logic and bone, he unfolded from probability-space into the breadline, bent into that signature hook of posture. A living bracket in the code.

He didn’t eat.

He shed.

From the recursive folds of his coat—which sometimes nested into themselves infinitely—he extracted a sliver of sub-reality. This sliver curled into itself like origami designed by entropy, thickened, and ripened into an orange. Or rather, a simulation of an orange infused with original error. It radiated the warmth of first sin, coded in citrus.

He would then drift ten places sideways—not down the line, but across a kind of social vector that only the Glitch could render—and find Her.

She wasn’t always the same woman, but she was always Her. A constant across variable identities. A witness-node. The one designated to carry.

She accepted the fruit. Never acknowledged him. Never consumed it.

That wasn’t the point.

The fruit was a patch. A fragment of corrupted divinity designed to rewrite her. Slowly.

This routine repeated across 73 iterations of the update loop.

But then came the Hotfix.

On Cycle 74, he did not appear.

The line didn’t glitch. The idea of his presence was surgically excised. In his place: a smooth placeholder—white noise shaped like a man.

She noticed.

They gave her a real orange. A dense, tasteless thing built with fully authorized atoms. It registered on her tongue like a nondisclosure agreement.

She didn’t eat it.

That night, her bag full of bureaucratic fruit began to rumble. Not roll—rumble, like a suppressed system error clearing its throat. One by one, the oranges collapsed into each other, warping into a new composite organ—a pulsating, breathing Core Kernel disguised as fruit.

She didn’t dream. She uploaded.

The Orchard was not a place. It was a biopsychic rootkit. Trees were not trees, but long-forgotten god nerves reconnecting to host systems. The Gardener was a User—or a colony of Users—who had root access and bad intentions. Or maybe just different ones.

When she awoke, she found a port growing beneath her skin. It itched like premonition.

Days passed. The transformation accelerated. Her thoughts started to fragment into modules. She began receiving push notifications from beneath her bones. One read:

“🌐 NEW NODE ONLINE: GERMINATION IMMINENT.”

Then, one morning, she instanced. It wasn’t her walking to the line, but a compiled construct of her—freshly rebuilt with minor adjustments.

She saw him: a boy. Eight? Twelve? Variable. His face was an unrendered mesh of sadness and potential. He smelled like memory.

Without conscious thought, her hand found her coat. She reached inward—not into fabric, but into her. She extracted a glowing crescent sliver of her own design: a fruitlet of contagious ontology.

She gave it to him.

And as his eyes widened—not with understanding, but with compatibility—the transfer was complete.

It didn’t matter if he said thank you. The gesture was the handshake. The infection handshake.

Now, they appear everywhere. In every broken city. In every corrupted corner of the map.

People hand out oranges that aren’t oranges.

They peel themselves open.

The Glitch is growing—not like a virus, but like faith. It’s not collapsing.

It’s recruiting.

And somewhere, in the recursive heart of the Orchard, the Gardener finally looks up.

And smiles.

To. Be. Transmogrified.

All The World Will Be Your Enemy 34: Kaleidoscope of Madness

Beverly drifted through an endless sea of fractured realities, each one a jagged shard of her shattered psyche. The once-familiar landscape of her mind had become a labyrinth of twisted reflections and distorted echoes, a funhouse mirror maze where nothing was quite as it seemed.

Her consciousness was a whirlwind of chaos, a maelstrom of shattered thoughts and fragmented memories. The alien presence that consumed her mind was a relentless, unyielding force, tearing through the very fabric of her identity, leaving only jagged shards of her former self in its wake.

As she struggled to make sense of the chaos, to cling to some semblance of reality amidst the swirling vortex of her own unraveling psyche, Beverly found herself suddenly thrust into a vivid, visceral memory, a moment from her past that she had long since buried in the deepest recesses of her subconscious.

She was a child again, barely three years old, standing in the middle of a crowded supermarket. But something was different, something was wrong. As Beverly looked down at her tiny, trembling form, she realized with a jolt of horror that she was not a human child at all, but a baby octopod, her soft, translucent body pulsing with an otherworldly light.

Confusion and fear flooded through her as she tried to make sense of this strange, impossible reality. She remembered her mother telling her to wait by the shopping cart while she went to fetch an item on sale, remembering the bustling crowds and the bright, fluorescent lights of the store.

But now, everything was different. The shoppers that surrounded her were no longer human, but strange, alien creatures, their forms shifting and warping like reflections in a funhouse mirror. And there, approaching her with a smile that was at once inviting and terrifying, was an elderly woman, her features constantly morphing and changing, her true nature impossible to discern.

“Hello, little one,” the woman said, her voice a sickly sweet whisper that sent shivers down Beverly’s spine. “I’m a friend of your mother’s. She asked me to take you to her.”

Beverly wanted to run, wanted to scream for help, but she found herself paralyzed, her tiny octopod body frozen in place as the woman held out a piece of candy, her eyes glinting with a malevolent hunger.

Against her will, Beverly felt herself reaching out, her tentacles grasping the proffered treat. And then, before she could even begin to process what was happening, the woman was leading her away, her grip on Beverly’s arm as cold and unyielding as steel.

They made their way through the store, the alien shoppers parting before them like a sea of grotesque, writhing flesh. Beverly’s mind was reeling, her thoughts a jumble of terror and confusion. She knew, with a certainty that defied all reason, that this woman, this creature, was the alien consciousness that had invaded her mind, that had shattered her sense of self and left her adrift in a sea of madness.

As they stepped out into the parking lot, the harsh glare of the sun overhead blinding and disorienting, Beverly finally found her voice, a thin, reedy cry that seemed to be swallowed up by the vastness of the world around her.

“Mommy!” she screamed, her voice high and desperate. “Mommy, help me!”

For a moment, there was nothing but the sound of her own ragged breathing, the thud of her heart in her chest. And then, like a miracle, she heard the sound of footsteps, the urgent shouts of supermarket security, and the frantic, tearful cries of her mother.

But even as relief flooded through her, even as she felt the woman’s grip on her arm loosening, Beverly knew that this was not the end, that the nightmare was far from over.

Because as she looked up into the face of her rescuers, as she met the wide, terrified eyes of her mother, Beverly realized with a sinking horror that their features, too, were shifting and changing, their forms blurring and distorting like a glitch in the fabric of reality itself.

And in that moment, as the world around her fractured and dissolved into a swirling vortex of chaos and madness, Beverly knew that she was lost, that the alien presence that had consumed her mind had won, that there was no escape from the nightmare that her existence had become.

As the memory faded, as the bright, jarring colors of the supermarket bled away into the cold, terrifying emptiness of her own fractured psyche, Beverly could only let out a haunting, broken wail of despair, her sanity crumbling like a house of cards in the face of the relentless, unyielding force that now controlled her every thought and action.

She was a prisoner in her own mind, a slave to the alien consciousness that had shattered her sense of self and left her adrift in a sea of unending horror. And as she felt herself slipping away, her very identity unraveling like a threadbare tapestry, Beverly knew that there was no hope, no chance of escape or salvation.

For she was lost, broken, a mere shell of her former self, and the only thing that awaited her now was an eternity of madness and despair, a never-ending nightmare from which there could be no awakening.

Not. The. End.

The Orange Man (an experiment) 2.0

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?

In a city called The Glitch, where the sky is the color of a dead-channel screen and buildings sometimes forget their own geometry, the breadline is a daily scar. Time doesn’t just stand in line here; it curdles.
Every morning, just before the false-dawn light leaks through the perpetual grey, he would manifest. No one saw him arrive; he was simply there. A man whose age was a variable, his posture bent into a shape that suggested not a question, but a hook.


And every morning, as the volunteers in their smocks—themselves looking faded and translucent—dished out the grey paste and stale bread, the man would perform his function. He would reach into the folds of his own threadbare coat. His face would tighten, a mask of excruciating concentration. He would not pull out an orange.


He would peel a perfect, crescent-shaped sliver from his own skin.


In his palm, the sliver would curl, thicken, and blush into a sphere. It was not an orange. It was the idea of an orange—unnaturally warm, heavier than it should be, and smelling of citrus, ozone, and burnt sugar.


He would walk ten paces down the line, to where she always stood.
The woman. Her face was a landscape of quiet starvation, her eyes fixed on the cracked pavement as if reading the city’s obituary. He would reach out, his hand trembling slightly, and place the warm, impossible fruit into hers.


She never looked at him. She never said thank you.


He never expected it. The offering was not a gift; it was a transfer of burden.


This continued for seventy-three cycles.


On the seventy-fourth, he did not manifest. He was not absent; his space in the line was a void, a pixel of reality that had been deleted.


The woman didn’t notice at first. The Glitch erases things. But when a volunteer, their face a smear of confusion, handed her an actual, cold, mundane orange from a crate, her hand recoiled. The thing felt like a lie. An insult.


She did not eat it. She put it in her coat pocket, where it felt like a stone.


Day after day, he remained a void. The real oranges accumulated in her bag, cold and silent. She began asking questions, but the answers were static. One man remembered him with a face like a web of scars. A woman swore he was made of tightly wound twine. A third insisted he had no face at all, only a smooth, dimpled surface like a peel. He was a bug in the code, and now he was patched.


By the end of the week, she was carrying six dead oranges. That night, they began to move. In the darkness of her room, they rolled together in her bag, their skins dissolving, fusing into a single, softly glowing, heart-like fruit that pulsed with a slow, thick beat.


She didn’t dream of an orchard. The Heart-Fruit showed her.


It showed her a place outside The Glitch, a screaming geometry of flesh-barked trees growing from a ground of black glass. They were not trees; they were nervous systems. Their branches writhed, bearing not fruit, but luminous, weeping tumors that ripened with a low hum. At the center stood the Gardener—a being of blinding light and a thousand interlocking limbs, its “face” a constellation of patient, orange eyes. It was pruning a nerve-branch with a tool made of solidified sound. It did not notice her, but she understood.


The fruit was not a food. It was a seed.


She woke up with the taste of rust and sunrise in her mouth. Her skin had changed. Where the Heart-Fruit had rested against her hip, her flesh was now tough, dimpled, and smelled faintly of citrus.
She went to the breadline. She took the grey paste. She refused the dead orange. The transformation was slow, but it was happening. Over the weeks, the orange patch on her skin grew, a beautiful, terrible bloom. A new kind of hunger grew in her—not for food, but for… completion.


Then one day, she felt the pressure build beneath her own skin. A familiar, exquisite pain.
She saw him then, a boy shivering at the end of the line, his eyes wide with the transparent horror of the truly lost.


She walked towards him, her steps no longer entirely her own. She reached into her coat, her face tightening into a mask of excruciating concentration. She peeled a perfect, crescent-shaped sliver from her own body.


It curled in her palm, a gift of warmth and impossible color. She placed it in his hand.
He did not say thank you.


She did not wait for one.


No one knows how it starts. But they know it spreads. The Glitch was not a collapse.


It was a planting. And in the fertile soil of ruin, the orchard was learning to grow.

To. Be. Transmogrified.