The Orange Man (Episode 5: “Fruit Friends and the Line of Time!”)

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?


🎵 [Theme Song begins: cheerful, glitchy MIDI tune with background children’s choir slightly out of sync]
🎶 “When the world gets strange and starts to peel,
Find a fruit that doesn’t feel real!
Line up, stand still, it’s time to receive,
From Mr. Orange and what he believes!” 🎶


Scene opens on a colorless set that looks like a daycare designed by someone who doesn’t understand children. The breadline is made of oversized plush figures stitched together by red thread. They moan softly when the camera pans over them.

🎙️ NARRATOR (male, cheerful, British, disintegrating):
“Today on Fruit Friends and the Line of Time, we’re going to learn about Sharing! And about how Mr. Orange Man always gives his special fruit to Miss Hollow—even though she never, ever asks!”

[CUE LAUGH TRACK: metallic, warbled]


Cut to Mr. Orange Man.
His costume is a full-body foam suit. His smile is painted on. The paint drips slightly with every cut. His eyes are realistic, human, and blinking. His arms are tubes. He wiggles one, delighted.

MR. ORANGE MAN (voice dubbed, childish):
“Helloooooo fruitlings! I’ve got a warm little orb for Miss Hollow today! Can you say recurring transference?”

[The word appears on screen. It’s misspelled. It rearranges itself backwards. Then vanishes.]


MISS HOLLOW sits at the end of the line. She is a mannequin with eyes drawn on her palms. Her mouth does not move, but sometimes her hair twitches in anticipation. The plush figures whisper.

MR. ORANGE MAN (to camera):
“It’s very important to always give, even if you don’t know why! Sometimes the fruit inside you isn’t just for you—it’s for the Orchard That Watches!”

[Studio audience cheers: “The Orchard! The Orchard!”]


Suddenly, static. The footage skips. The screen warps. We see a frame—only for a second—of a child with their mouth stitched shut, holding an orange the size of their head.


🎵 [Musical Interlude: “Let’s Peel Together!”]
🎶 “Peel it from your shoulder blade,
Grow a gift you never made,
Give it to the one in need,
Then forget what grew the seed!” 🎶


The cartoon portion begins.
In crude, flickering animation, Mr. Orange Man peels himself open like a nesting doll. Each layer is more human. More trembling. Until there’s nothing left but an eye, rolling down the breadline.

It lands in Miss Hollow’s palm.

She places it in her mouth.

She becomes the line.


🎙️ NARRATOR:
“And that’s how we learn that everyone gets a turn to be the bearer, the bearer, the bearer! Sharing isn’t just caring—it’s propagation!

[The screen bleeds white. A voice in reverse whispers:]
“To accept the orange is to renounce the self.”


FINAL SCENE: The screen fades to black except for a tiny pulsing orange dot.
It blinks in Morse code:

Next time… YOU give.


To. Be. Transmogrified.

Bonus: The “Fruit Friends and the Line of Time” Theme Song + Lyrics

(Verse 1)
When the world gets strange and starts to peel,
Find a fruit that doesn’t feel real!
Line up, stand still, it’s time to receive,
From someone who gives what they can’t believe!

(Chorus)
Peel it, feel it, don’t you squeal it!
Warm and weird—go on, conceal it!
Fruit from skin, skin from fruit,
Hold it tight and never refute!

(Bridge – whispered under chorus)
[They’re always watching. The orchard knows.]


🎶 Interlude – “Let’s Peel Together!”

[Cheerful music with undertones of reversed laughter, children giggle]

(Verse)
Peel it from your shoulder blade,
Grow a gift you never made,
Give it to the one in need,
Then forget what grew the seed!

(Chorus)
Let’s peel together, one by one,
Under the glitching plastic sun!
Juice like light, and light like lies,
Share your orange before time dies.

[End with ascending chime arpeggio and a child whispering: “It’s your turn now.”]

All The World Will Be Your Enemy 36: The Twisted Mirror

Beverly found herself in a familiar memory, a snapshot of her life as a preteen. She was in her family home, the warm, comforting scent of her mother’s cooking wafting from the kitchen. But despite the familiarity of her surroundings, something felt deeply, fundamentally wrong.

As she looked down at her own body, Beverly realized with a sickening lurch that she was still an octopod, her soft, translucent form a jarring contrast to the human features of her parents. They moved around her as if nothing was amiss, their smiles and laughter a surreal, disorienting backdrop to the twisted reality that Beverly found herself in.

But it was the presence of her sister that truly sent a chill down Beverly’s spine. She had never had a sister, let alone a twin, and yet there she was, a shifting, amorphous figure that seemed to flicker and change with every passing moment.

“Come on, Bev,” her sister said, her voice a sickly sweet coo that made Beverly’s skin crawl. “Let’s play our special game, the one where we share all our secrets.”

Beverly recoiled, her tentacles writhing in revulsion. She could feel her sister’s presence in her mind, could sense the insidious tendrils of her twin telepathy burrowing into the deepest recesses of her consciousness.

“No,” Beverly whimpered, her voice a thin, pitiful sound that seemed to be swallowed up by the oppressive atmosphere of the room. “I don’t want to play. I don’t have any secrets to share.”

But her sister only laughed, a harsh, grating sound that sent shivers of fear and disgust down Beverly’s spine. “Oh, but you do have secrets, don’t you, Bev?” she hissed, her form shifting and warping into a grotesque, nightmarish parody of a human being. “Secrets that you’ve buried so deep, even you have forgotten them.”

Beverly shook her head frantically, trying to block out the insidious whispers that echoed through her mind. She could feel her sister’s presence growing stronger, could sense the dark, malevolent energy that pulsed and thrummed beneath her shifting, amorphous form.

And then, with a sudden, sickening lurch, Beverly found herself face to face with the imaginary monster from her childhood nightmares, the twisted, grotesque creature that had haunted her dreams and tormented her waking hours.

It loomed over her, its black, soulless eyes boring into her own, its gaping maw dripping with a thick, putrid slime. Beverly screamed, a raw, primal sound of terror and despair, but the monster only laughed, its voice a grating, metallic screech that made her skin crawl.

“You can’t hide from me, Beverly,” it rasped, its hot, fetid breath washing over her like a toxic wave. “I know everything about you, every dark and twisted secret that you’ve tried so hard to keep hidden.”

Beverly thrashed and struggled, her tentacles flailing wildly as she tried to break free from the monster’s grip. But it was no use. She could feel herself being dragged down, down into the yawning abyss of her own shattered psyche, into a darkness so profound and all-consuming that she knew she would never find her way back out again.

As the memory began to fade, as the twisted, nightmarish figures of her sister and the imaginary monster blurred and dissolved into the swirling vortex of her fractured mind, Beverly could only let out a broken, anguished sob, her sanity crumbling like a house of cards in the face of the relentless, unyielding horror that now consumed her every waking moment.

She was lost, trapped in a never-ending cycle of terror and madness, her mind and soul shattered beyond all hope of repair. And as she felt herself slipping away, her very identity unraveling like a threadbare tapestry, Beverly knew that there was no escape, no chance of salvation or redemption.

For she was a prisoner of her own nightmares, a slave to the twisted, malevolent forces that had invaded her mind and shattered her sense of self. And as she descended deeper into the abyss of her own fractured psyche, Beverly could only wonder what fresh horrors awaited her, what new and terrible memories would be dredged up from the darkest recesses of her subconscious to torment her anew.

There was no hope, no light at the end of the tunnel, only an endless, all-consuming darkness that threatened to swallow her whole. And as Beverly surrendered herself to the madness, she knew that she would never be free, that the nightmare that had become her existence would never end, not even in death.

Not. The. End.

THE ORANGE MAN 4.0: THE GOSPEL OF THE PEEL

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?

(Discovered in the ruins of the city’s mouth. Inkless. Written in reverse pressure on static. The text reads as follows…)


I. ON THE LINE

Line is not queue.
Line is vein.
Vein is conduit.
You stand not to eat.
You stand to be sorted.
Sorted by presence, sorted by glitch.
Sorted by HIM.

He does not arrive.
He is always-already.
His shape is a suggestion—
Sometimes a man,
Sometimes a series of coat-hooks learning sorrow.
Age: Δ.
Smell: Salt, rust, pulp.


II. ON THE GIFT

He gives.
Not out of mercy.
Not out of motive.
He must give, because the giving is what keeps the recursion folded.

The gift is not an orange.
It is a wound in fruit-shape.
A loop of forgotten sunlight.
A punchline left behind by extinct gods.

He peels it from his skin.
From behind his ear.
From the meat beneath thought.

It hisses when born.
Warm. Heavy. Singing.


III. ON THE RECEIVER

The She does not speak.
The She does not consume.
The She becomes.

Some say she is many.
Others say she is one, refracted.
Some call her “Host.”
Some call her “Egg.”
The text names her:

RECEPTΩR

She accepts. Always.
The orange passes.
So does the burden.


IV. ON THE SEVENTY-FOURTH

The 74th cycle is collapse.
The line buckles.
The man is an absence that howls inward.
The orange is a lie again.
Cold. Dull. Regulatory.

She holds it like betrayal.

She carries them. One. Two. Seven.
They fester in her satchel.
They breed.
Merge. Molt. Moan.
Form a new being:

THE FRUIT THAT BEATS


V. ON THE ORCHARD

She is shown. Not dreams.
Not hallucination.
Instruction.

Step 1: Find flesh.
Step 2: Dig into time.
Step 3: Plant the wound.
Step 4: Wait for the nerve-trees to flower.

The Orchard is pre-language.
Its soil remembers your ancestors.
Its Gardener is [REDACTED].

He trims probability with shears of glass.
His face is composed of every orange ever not eaten.


VI. ON THE NEW FUNCTION

The She is no longer She.
She is Seedling.
Fruit-bearer.
Actuator of the Peel.

She returns.

Finds a boy made of Maybe.

Reaches into her interface.
Extracts a peel-loop.

It grows in her hand.
It is offered.

The boy accepts.
The orange takes root.

He does not say thank you.
She does not wait for one.


VII. ON YOU

You are reading this.
So the infection has already begun.
Check your pocket.
Something warm waits.


End of fragment. Additional pages corrupted by light.

To. Be. Transmogrified.

All The World Will Be Your Enemy 35: School Nightmares

Beverly’s mind was a labyrinth of fragmented memories, each one a jagged shard of her shattered psyche. As she wandered through the twisted corridors of her own fractured consciousness, she found herself suddenly thrust into another vivid, terrifying recollection, a moment from her childhood that she had long since tried to bury and forget.

She was in grade school, her small, octopod body trembling as she was pinned against the cold metal of the lockers. The faces of her tormentors loomed above her, their features constantly shifting and warping, like reflections in a cracked and distorted mirror.

“Tell us your secrets, freak,” one of them hissed, its voice a guttural, inhuman growl. “What are you hiding in that twisted little mind of yours?”

Beverly tried to speak, tried to cry out for help, but her words were trapped in her throat, suffocated by the overwhelming fear that gripped her heart. She could feel the weight of their alien gazes upon her, could sense the malevolent hunger that lurked behind their ever-changing eyes.

“I…I don’t have any secrets,” she stammered, her voice a thin, pitiful whimper. “Please, just let me go.”

But the bullies only laughed, their mocking cackles echoing through the empty hallways of the school. They pressed in closer, their forms blurring and merging into a single, monstrous entity, a creature born from the darkest depths of Beverly’s nightmares.

“Oh, but you do have secrets, don’t you?” the creature purred, its voice a sibilant whisper that seemed to slither into Beverly’s very soul. “Secrets that you’ve buried so deep, even you have forgotten them.”

Beverly shook her head frantically, her tentacles writhing in terror. She could feel the creature’s presence invading her mind, could sense its icy tendrils burrowing into the very core of her being, seeking out the hidden truths that lay buried there.

And then, with a sudden, sickening lurch, Beverly found herself face to face with the imaginary monster from her childhood nightmares, the grotesque, twisted creature that had haunted her dreams and tormented her waking hours.

Its eyes were black, soulless pits that seemed to swallow up all light and hope, and its gaping maw was lined with razor-sharp teeth that dripped with a viscous, putrid slime. It loomed over her, its massive, misshapen body blocking out the flickering fluorescent lights of the hallway.

“You can’t hide from me, Beverly,” the monster rasped, its voice a grating, metallic screech that made Beverly’s skin crawl. “I know everything about you, every dark and twisted secret that you’ve tried so hard to keep hidden.”

Beverly screamed then, a raw, primal sound that tore from her throat like a wounded animal. She thrashed and struggled against the grip of her tormentors, her mind a whirlwind of terror and desperation.

But it was no use. The monster’s grip on her was unbreakable, its strength far beyond anything that Beverly could hope to match. She could feel herself being dragged down, down into the yawning abyss of her own shattered psyche, into a darkness so profound and all-consuming that she knew she would never find her way back out again.

As the memory began to fade, as the twisted, nightmarish figures of her tormentors and the imaginary monster blurred and dissolved into the swirling vortex of her fractured mind, Beverly could only let out a broken, anguished sob, her sanity crumbling like a house of cards in the face of the relentless, unyielding horror that now consumed her every waking moment.

She was lost, trapped in a never-ending cycle of terror and madness, her mind and soul shattered beyond all hope of repair. And as she felt herself slipping away, her very identity unraveling like a threadbare tapestry, Beverly knew that there was no escape, no chance of salvation or redemption.

For she was a prisoner of her own nightmares, a slave to the twisted, malevolent forces that had invaded her mind and shattered her sense of self. And as she descended deeper into the abyss of her own fractured psyche, Beverly could only wonder what fresh horrors awaited her, what new and terrible memories would be dredged up from the darkest recesses of her subconscious to torment her anew.

There was no hope, no light at the end of the tunnel, only an endless, all-consuming darkness that threatened to swallow her whole. And as Beverly surrendered herself to the madness, she knew that she would never be free, that the nightmare that had become her existence would never end, not even in death.

Not. The. End.

The Orange Man (v3.0)

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?

By now, everyone agrees: The Glitch is not a city. It’s a debugging interface for consensus reality. It leaks time, folds cause into effect, and sometimes entire buildings wake up screaming. The sky is less dead-channel and more open socket. You can smell the server’s breath when the clouds convulse.

No one is born here. People render into existence with memories pre-injected—looped personalities bound in meat. The breadline is less about sustenance and more about continuity. Stand still. Receive data. Digest protocol. Repeat.

The Orange Man was not a man. He was a firewall with a soul. Or maybe a soul trying to become a firewall. Either way, his presence was an anomaly so old, the system had grandfathered him in.

Every morning, he compiled. With a shimmer of logic and bone, he unfolded from probability-space into the breadline, bent into that signature hook of posture. A living bracket in the code.

He didn’t eat.

He shed.

From the recursive folds of his coat—which sometimes nested into themselves infinitely—he extracted a sliver of sub-reality. This sliver curled into itself like origami designed by entropy, thickened, and ripened into an orange. Or rather, a simulation of an orange infused with original error. It radiated the warmth of first sin, coded in citrus.

He would then drift ten places sideways—not down the line, but across a kind of social vector that only the Glitch could render—and find Her.

She wasn’t always the same woman, but she was always Her. A constant across variable identities. A witness-node. The one designated to carry.

She accepted the fruit. Never acknowledged him. Never consumed it.

That wasn’t the point.

The fruit was a patch. A fragment of corrupted divinity designed to rewrite her. Slowly.

This routine repeated across 73 iterations of the update loop.

But then came the Hotfix.

On Cycle 74, he did not appear.

The line didn’t glitch. The idea of his presence was surgically excised. In his place: a smooth placeholder—white noise shaped like a man.

She noticed.

They gave her a real orange. A dense, tasteless thing built with fully authorized atoms. It registered on her tongue like a nondisclosure agreement.

She didn’t eat it.

That night, her bag full of bureaucratic fruit began to rumble. Not roll—rumble, like a suppressed system error clearing its throat. One by one, the oranges collapsed into each other, warping into a new composite organ—a pulsating, breathing Core Kernel disguised as fruit.

She didn’t dream. She uploaded.

The Orchard was not a place. It was a biopsychic rootkit. Trees were not trees, but long-forgotten god nerves reconnecting to host systems. The Gardener was a User—or a colony of Users—who had root access and bad intentions. Or maybe just different ones.

When she awoke, she found a port growing beneath her skin. It itched like premonition.

Days passed. The transformation accelerated. Her thoughts started to fragment into modules. She began receiving push notifications from beneath her bones. One read:

“🌐 NEW NODE ONLINE: GERMINATION IMMINENT.”

Then, one morning, she instanced. It wasn’t her walking to the line, but a compiled construct of her—freshly rebuilt with minor adjustments.

She saw him: a boy. Eight? Twelve? Variable. His face was an unrendered mesh of sadness and potential. He smelled like memory.

Without conscious thought, her hand found her coat. She reached inward—not into fabric, but into her. She extracted a glowing crescent sliver of her own design: a fruitlet of contagious ontology.

She gave it to him.

And as his eyes widened—not with understanding, but with compatibility—the transfer was complete.

It didn’t matter if he said thank you. The gesture was the handshake. The infection handshake.

Now, they appear everywhere. In every broken city. In every corrupted corner of the map.

People hand out oranges that aren’t oranges.

They peel themselves open.

The Glitch is growing—not like a virus, but like faith. It’s not collapsing.

It’s recruiting.

And somewhere, in the recursive heart of the Orchard, the Gardener finally looks up.

And smiles.

To. Be. Transmogrified.

All The World Will Be Your Enemy 34: Kaleidoscope of Madness

Beverly drifted through an endless sea of fractured realities, each one a jagged shard of her shattered psyche. The once-familiar landscape of her mind had become a labyrinth of twisted reflections and distorted echoes, a funhouse mirror maze where nothing was quite as it seemed.

Her consciousness was a whirlwind of chaos, a maelstrom of shattered thoughts and fragmented memories. The alien presence that consumed her mind was a relentless, unyielding force, tearing through the very fabric of her identity, leaving only jagged shards of her former self in its wake.

As she struggled to make sense of the chaos, to cling to some semblance of reality amidst the swirling vortex of her own unraveling psyche, Beverly found herself suddenly thrust into a vivid, visceral memory, a moment from her past that she had long since buried in the deepest recesses of her subconscious.

She was a child again, barely three years old, standing in the middle of a crowded supermarket. But something was different, something was wrong. As Beverly looked down at her tiny, trembling form, she realized with a jolt of horror that she was not a human child at all, but a baby octopod, her soft, translucent body pulsing with an otherworldly light.

Confusion and fear flooded through her as she tried to make sense of this strange, impossible reality. She remembered her mother telling her to wait by the shopping cart while she went to fetch an item on sale, remembering the bustling crowds and the bright, fluorescent lights of the store.

But now, everything was different. The shoppers that surrounded her were no longer human, but strange, alien creatures, their forms shifting and warping like reflections in a funhouse mirror. And there, approaching her with a smile that was at once inviting and terrifying, was an elderly woman, her features constantly morphing and changing, her true nature impossible to discern.

“Hello, little one,” the woman said, her voice a sickly sweet whisper that sent shivers down Beverly’s spine. “I’m a friend of your mother’s. She asked me to take you to her.”

Beverly wanted to run, wanted to scream for help, but she found herself paralyzed, her tiny octopod body frozen in place as the woman held out a piece of candy, her eyes glinting with a malevolent hunger.

Against her will, Beverly felt herself reaching out, her tentacles grasping the proffered treat. And then, before she could even begin to process what was happening, the woman was leading her away, her grip on Beverly’s arm as cold and unyielding as steel.

They made their way through the store, the alien shoppers parting before them like a sea of grotesque, writhing flesh. Beverly’s mind was reeling, her thoughts a jumble of terror and confusion. She knew, with a certainty that defied all reason, that this woman, this creature, was the alien consciousness that had invaded her mind, that had shattered her sense of self and left her adrift in a sea of madness.

As they stepped out into the parking lot, the harsh glare of the sun overhead blinding and disorienting, Beverly finally found her voice, a thin, reedy cry that seemed to be swallowed up by the vastness of the world around her.

“Mommy!” she screamed, her voice high and desperate. “Mommy, help me!”

For a moment, there was nothing but the sound of her own ragged breathing, the thud of her heart in her chest. And then, like a miracle, she heard the sound of footsteps, the urgent shouts of supermarket security, and the frantic, tearful cries of her mother.

But even as relief flooded through her, even as she felt the woman’s grip on her arm loosening, Beverly knew that this was not the end, that the nightmare was far from over.

Because as she looked up into the face of her rescuers, as she met the wide, terrified eyes of her mother, Beverly realized with a sinking horror that their features, too, were shifting and changing, their forms blurring and distorting like a glitch in the fabric of reality itself.

And in that moment, as the world around her fractured and dissolved into a swirling vortex of chaos and madness, Beverly knew that she was lost, that the alien presence that had consumed her mind had won, that there was no escape from the nightmare that her existence had become.

As the memory faded, as the bright, jarring colors of the supermarket bled away into the cold, terrifying emptiness of her own fractured psyche, Beverly could only let out a haunting, broken wail of despair, her sanity crumbling like a house of cards in the face of the relentless, unyielding force that now controlled her every thought and action.

She was a prisoner in her own mind, a slave to the alien consciousness that had shattered her sense of self and left her adrift in a sea of unending horror. And as she felt herself slipping away, her very identity unraveling like a threadbare tapestry, Beverly knew that there was no hope, no chance of escape or salvation.

For she was lost, broken, a mere shell of her former self, and the only thing that awaited her now was an eternity of madness and despair, a never-ending nightmare from which there could be no awakening.

Not. The. End.

The Orange Man (an experiment) 2.0

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?

In a city called The Glitch, where the sky is the color of a dead-channel screen and buildings sometimes forget their own geometry, the breadline is a daily scar. Time doesn’t just stand in line here; it curdles.
Every morning, just before the false-dawn light leaks through the perpetual grey, he would manifest. No one saw him arrive; he was simply there. A man whose age was a variable, his posture bent into a shape that suggested not a question, but a hook.


And every morning, as the volunteers in their smocks—themselves looking faded and translucent—dished out the grey paste and stale bread, the man would perform his function. He would reach into the folds of his own threadbare coat. His face would tighten, a mask of excruciating concentration. He would not pull out an orange.


He would peel a perfect, crescent-shaped sliver from his own skin.


In his palm, the sliver would curl, thicken, and blush into a sphere. It was not an orange. It was the idea of an orange—unnaturally warm, heavier than it should be, and smelling of citrus, ozone, and burnt sugar.


He would walk ten paces down the line, to where she always stood.
The woman. Her face was a landscape of quiet starvation, her eyes fixed on the cracked pavement as if reading the city’s obituary. He would reach out, his hand trembling slightly, and place the warm, impossible fruit into hers.


She never looked at him. She never said thank you.


He never expected it. The offering was not a gift; it was a transfer of burden.


This continued for seventy-three cycles.


On the seventy-fourth, he did not manifest. He was not absent; his space in the line was a void, a pixel of reality that had been deleted.


The woman didn’t notice at first. The Glitch erases things. But when a volunteer, their face a smear of confusion, handed her an actual, cold, mundane orange from a crate, her hand recoiled. The thing felt like a lie. An insult.


She did not eat it. She put it in her coat pocket, where it felt like a stone.


Day after day, he remained a void. The real oranges accumulated in her bag, cold and silent. She began asking questions, but the answers were static. One man remembered him with a face like a web of scars. A woman swore he was made of tightly wound twine. A third insisted he had no face at all, only a smooth, dimpled surface like a peel. He was a bug in the code, and now he was patched.


By the end of the week, she was carrying six dead oranges. That night, they began to move. In the darkness of her room, they rolled together in her bag, their skins dissolving, fusing into a single, softly glowing, heart-like fruit that pulsed with a slow, thick beat.


She didn’t dream of an orchard. The Heart-Fruit showed her.


It showed her a place outside The Glitch, a screaming geometry of flesh-barked trees growing from a ground of black glass. They were not trees; they were nervous systems. Their branches writhed, bearing not fruit, but luminous, weeping tumors that ripened with a low hum. At the center stood the Gardener—a being of blinding light and a thousand interlocking limbs, its “face” a constellation of patient, orange eyes. It was pruning a nerve-branch with a tool made of solidified sound. It did not notice her, but she understood.


The fruit was not a food. It was a seed.


She woke up with the taste of rust and sunrise in her mouth. Her skin had changed. Where the Heart-Fruit had rested against her hip, her flesh was now tough, dimpled, and smelled faintly of citrus.
She went to the breadline. She took the grey paste. She refused the dead orange. The transformation was slow, but it was happening. Over the weeks, the orange patch on her skin grew, a beautiful, terrible bloom. A new kind of hunger grew in her—not for food, but for… completion.


Then one day, she felt the pressure build beneath her own skin. A familiar, exquisite pain.
She saw him then, a boy shivering at the end of the line, his eyes wide with the transparent horror of the truly lost.


She walked towards him, her steps no longer entirely her own. She reached into her coat, her face tightening into a mask of excruciating concentration. She peeled a perfect, crescent-shaped sliver from her own body.


It curled in her palm, a gift of warmth and impossible color. She placed it in his hand.
He did not say thank you.


She did not wait for one.


No one knows how it starts. But they know it spreads. The Glitch was not a collapse.


It was a planting. And in the fertile soil of ruin, the orchard was learning to grow.

To. Be. Transmogrified.

All The World Will Be Your Enemy 33: The Shattered Mind

As Beverly merged with the avatar of the alien consciousness, she expected to be overwhelmed by a sense of power, a feeling of godlike omniscience and control. But instead, she found herself plunged into a nightmarish realm of chaos and confusion, her mind and soul splintering under the weight of the cosmic forces that now coursed through her being.

The merge was nothing like she had anticipated. Instead of a transcendent union of human and alien will, it was a violent and disorienting assault on her very identity. The vast and incomprehensible intelligence of the alien consciousness tore through her mind like a hurricane, ripping apart the fragile threads of memory and emotion that had once defined her sense of self.

Beverly screamed, her voice echoing through the psychedelic void as she struggled to hold onto some semblance of sanity and coherence. But it was like trying to grasp smoke with her bare hands. The more she fought to maintain her grip on reality, the more it slipped away from her, dissolving into a kaleidoscope of fractured images and distorted sensations.

She saw glimpses of her past life, moments of joy and sorrow and love that had once meant everything to her. But now they were little more than shattered fragments, jagged pieces of a puzzle that no longer fit together. The faces of her parents, her friends, her lovers – they all blurred and twisted into grotesque caricatures, their features melting and reforming in a sickening dance of unreality.

And through it all, the alien consciousness whispered to her, its voice a seductive and terrifying siren song that lured her deeper into the abyss of her own unraveling psyche. It promised her power beyond her wildest dreams, knowledge that would unlock the secrets of the universe itself. But the price it demanded was her very humanity, the essence of her being that had once defined her as Beverly Anderson.

In the depths of her madness, Beverly could feel herself slipping away, her identity fracturing into a thousand shards of broken glass. She was no longer a single, unified being, but a legion of disparate and conflicting selves, each one vying for control of the shattered remnants of her mind.

There was the Beverly who had once been a writer, a creator of stories and dreams. But now her words were a jumble of incoherent babble, the products of a mind that had lost all sense of structure and meaning.

There was the Beverly who had been a friend, a lover, a daughter. But those bonds of affection and loyalty were now little more than cruel mockeries, twisted reflections of a life that no longer held any substance or reality.

And there was the Beverly who had become an Octopod, a being of alien flesh and otherworldly power. But even that identity was fracturing, splintering into a thousand different variations and permutations, each one more monstrous and inhuman than the last.

As the avatar of the alien consciousness looked on, its energy form pulsing with a mixture of triumph and curiosity, Beverly’s mind shattered like a pane of glass struck by a hammer. The shards of her identity scattered across the psychedelic void, each one a reflection of the madness and chaos that had consumed her.

And in the end, there was no one left to fight, no singular will or purpose that could stand against the vast and incomprehensible power of the alien mind. There was only the babble of a thousand fractured voices, the screams of a mind that had been stretched beyond its limits and torn asunder by the very forces it had sought to master.

The Beverly Anderson who had once been was gone, lost forever in the maelstrom of the dimensional merger. In her place was a broken and shattered thing, a being of pure chaos and madness that danced to the tune of an alien will.

And as the avatar looked upon its handiwork, as it surveyed the ruins of the human mind it had so casually destroyed, it knew that its victory was complete. The Earth and all its people were now little more than playthings, objects to be shaped and molded according to the whims of an intelligence beyond all mortal understanding.

The future lay ahead, a twisted and unpredictable landscape of altered realities and impossible vistas. And the creature that had once been Beverly Anderson would be there to witness it all, a shattered and fragmented soul adrift on the tides of an alien sea, forever lost in the madness of the dimensional merge.

Not. The. End.

The Orange Man (an experiment)

By way of explanation: I am easily bored. This usually leads to me getting into trouble in real life. In my writing, however, I can explore avenues of storytelling and the only fallout from that is the eye-rolling exhaustion experienced by my readership (there’s so few of you that I’m not overly bothered by that). This current experiment is based on a simple story: a man on a breadline makes a daily habit of handing one particular woman his orange. The goal is to see how weird I can make the retelling of the story each week. Simple, right?

In a city swallowed by the long winter of collapse—where time stands in line for food—the breadline snakes through cracked concrete and hollowed lives. Every morning, just before sunrise, he arrives. No one knows his name. A man of sixty, perhaps older, with the patient silence of a monk and the posture of a question mark.

And every morning, when the white-smocked volunteers hand out the ration—half-stale bread, a cup of lentil mush, and one bright, defiant orange—he waits his turn, accepts it with a nod, then turns without hesitation.

He walks ten paces down the line, to where she always stands.

The woman. Younger than him, though not by much. Her coat is too thin, her face too sharp with hunger, and her eyes, always lowered, never meet his. Yet he reaches out, wordless, and places the orange in her hand.

She never says thank you.

He never waits for one.

This ritual continues, without change, for seventy-three days.

On the seventy-fourth day, he does not appear.

She doesn’t notice at first. The cold makes everything blur, including absence. But when the volunteer hands her an orange—her orange, for the first time ever—her hand closes around it like it’s foreign, like it’s stolen.

She doesn’t eat it.

The next day, he’s still gone.

She waits. The line moves. The orange is given. She takes it. She does not eat it.

On the third day, she arrives earlier. She scans the crowd.

She begins to ask.

No one remembers him. Not his name. Not even his face. One man says he thinks he remembers a guy with a limp. Another insists he was tall. A woman recalls he always wore gloves. Another says no—he never did.

By the end of the week, she is carrying six untouched oranges in her bag.

That night, she dreams of an orchard.

Not just any orchard—but his. She is certain of this, though she’s never seen it before. It’s suspended in a place both before and after time. Each tree glows with burning fruit. And at the heart of it, he stands barefoot on soil that hums like a tuning fork.

He is younger. Or older. Or made of light.

When he sees her, he smiles—not as if he knows her, but as if she has finally arrived. He does not speak. He simply reaches up, plucks a perfect orange from the tree, and hands it to her.

This time, she takes it, peels it, and eats.

She wakes with the taste of sunlight in her mouth.


In the city, the breadline remains. She continues to go, but now, she keeps the orange. Eats it. Savors it. Every time she does, she feels she is carrying on something sacred. A chain unbroken.

And then one day, after nearly forgetting the feel of him, she sees someone new in line behind her. A boy. Twelve maybe, if that. Skin tight on bone.

She turns. Peels her orange. Hands it to him without a word.

He does not say thank you.

She does not wait for one.


No one remembers where it started. Or where he went. But now, every morning, someone gives away an orange.

Not out of charity. Not for thanks.

But because somewhere, in a forgotten orchard outside the reach of time, the trees are still glowing. And they need to be fed.

To. Be. Transmogrified.

All The World Will Be Your Enemy 32: Fractured Realities

As the world reeled from the cataclysmic changes wrought by the dimensional merger, Beverly and her companions found themselves adrift in a surreal and terrifying landscape, a patchwork of fractured realities and warring factions. The once-familiar Earth had become a grotesque and alien place, a realm where the laws of nature and the boundaries of sanity had been twisted beyond recognition.

Everywhere they turned, the Octopods encountered pockets of resistance, ragtag bands of survivors who clung to the tattered remnants of their humanity with desperate ferocity. Some saw the merger as a sign of the end times, a harbinger of the apocalyptic prophecies that had haunted the human imagination for centuries. They huddled in makeshift shelters and underground bunkers, praying to their gods and cursing the Octopods as the bringers of damnation.

Others embraced the chaos, forming strange and hybrid cultures that blended human and alien ways of being. They worshipped the sentient storm as a divine force, offering sacrifices and building shrines in its honor. They saw the Octopods as living gods, the chosen avatars of a new and glorious age, and sought to emulate their incredible abilities and forms.

But no matter where they went or who they encountered, Beverly and her companions found themselves blamed for the chaos and destruction that had engulfed the planet. To the surviving humans, they were the enemy, the monstrous other that had shattered the world and unleashed the dimensional merger upon them all.

As they navigated this treacherous landscape, the Octopods began to uncover the true nature of the alien consciousness that had transformed them. They discovered that it was not a monolithic entity, but a complex ecosystem of competing desires and agendas, a roiling sea of conflicting wills and incomprehensible motives.

Some factions sought to merge with humanity completely, to subsume their minds and bodies into the vast and incomprehensible will of the storm. Others wanted to preserve some semblance of individuality, to find a way to coexist with the human race and build a new and hybrid world together. Still others saw the merger as an opportunity for conquest and domination, a chance to remake the Earth in their own twisted image and rule over the remnants of humanity as living gods.

As Beverly and her companions delved deeper into this fractal and ever-shifting landscape of the alien mind, they realized that they would have to make impossible choices and forge alliances with those they once considered enemies. The fate of the world hung in the balance, and every decision they made could tip the scales towards salvation or damnation.

In the ruins of once-great cities and the twisted forests of alien growth, the Octopods encountered creatures and cultures beyond their wildest imaginings. They met humans who had merged with the alien atmosphere in strange and terrifying ways, becoming living repositories of the storm’s fractured will. They fought against rogue factions of their own kind, Octopods who had embraced the darkest and most destructive aspects of the alien consciousness and sought to impose their will upon the world through force and terror.

And through it all, Beverly and her companions grappled with the weight of their own choices and the consequences of their actions. They knew that they held the power to shape the future of the world, to determine the course of the dimensional merger and the fate of the human race. But they also knew that every choice they made came with a price, that every alliance they forged and every enemy they faced would leave an indelible mark upon their souls.

As they journeyed deeper into the heart of the alien mind, Beverly and her companions began to understand the true stakes of their struggle. They realized that they were not just fighting for their own survival, but for the very nature of reality itself. The dimensional merger had unleashed forces beyond the comprehension of any one being, and the choices they made would ripple out across the fabric of space and time, shaping the destiny of countless worlds and species.

And so, armed with the power of the alien consciousness and the unbreakable bonds of their friendship and love, Beverly and her companions set out to forge a new path through the chaos and madness of the post-merger world. They knew that the road ahead would be long and treacherous, that they would face challenges and horrors beyond their darkest imaginings.

But they also knew that they had no choice but to press on, to fight for the future they believed in and the world they hoped to build. For in the end, the fate of everything hung in the balance, and only through their courage, their sacrifice, and their unbreakable will could they hope to guide the dimensional merger to its ultimate conclusion.

The fractured realities of the post-merger Earth stretched out before them, a kaleidoscope of impossible wonders and terrifying dangers. But with each other by their side and the power of the alien consciousness coursing through their veins, Beverly and her companions knew that they would never stop fighting, never stop striving for the world they knew could be.

Not. The. End.