Welcome to No Fixed Address, a weekly series where I write candidly about what it means to be homeless—right now, in real life, not in some sanitized Hollywood version. I’m currently unhoused. Not “drifting.” Not “on a journey.” Just trying to survive in a world that looks away.
Each week, I’ll share personal accounts, hard truths, and moments that don’t make it into the movies. If you’re here to understand what homelessness actually looks like—not as a plot point, but as a life—then you’re in the right place.
This is not a cry for pity. It’s a record. A mirror. A small act of resistance.
Being homeless, you slowly develop the mutant ability of invisibility. You don’t ask for it, but it’s given to you, day by day, until you master the art of being looked through as if you didn’t exist. The city becomes a blur of legs and exhaust, a world that moves around a space you only temporarily occupy. On the rare occasion, however, someone’s focus snags on you, and for a moment, you flicker back into existence.
Such was the case for me at a church-run soup kitchen in a neighborhood that had long since given up trying to be safe. The air outside reeked of old urine and decay, but inside, it was a sterile blast of bleach and boiled coffee. Security was a serious affair: a guard with tired eyes checked bags and backpacks, and everyone submitted to the electronic chirp of a metal detector wand and an indifferent pat-down. A necessary ritual before you could be granted a breakfast tray of food.
The dining hall was a cramped, narrow space, lined with four long benches already crowded with hunched shoulders and weary faces. The room was made even smaller by the bustling team of volunteers, a small army of good intentions standing by to deliver the morning’s meal. Due to a series of funding cuts following the most recent presidential election, the breakfast was reduced to a single-serving packet of dry cereal, a small plastic cup of milk, a diced fruit cup swimming in syrup, a granola bar, a small bottle of water, and the choice of either a cup of coffee or tea. A checklist of calories.
As was my custom, I made my way down the line of volunteers, offering a quiet, “Hello, thank you for being here.” Some nodded back, a few offered a real smile. Most didn’t. It never bothered me. Acknowledging their presence was my way of holding onto a piece of the man I used to be. You are only responsible for your own actions, after all.
The volunteer who served me was a flurry of limbs and apologies. A tall, slender blonde woman whose thick glasses seemed to magnify the slight panic in her eyes. She stumbled bringing the tray over, her sneakers squeaking on the linoleum. She almost tripped setting it down, which caused the milk to slosh over the side, a white splash on the worn plastic.
“Oh, I am so sorry!” she gasped, her accented voice soft, with a melody to it I couldn’t place. She fumbled with a napkin, making the puddle worse.
“Hey, it’s totally fine,” I said, smiling. “Adds a little character to the tray.” And it really was fine because milk was the enemy. Being lactose intolerant, I always ate my cereal dry.
She paused her frantic dabbing and looked at me. Really looked. And then, to my surprise, she blushed. “I am also sorry I did not say hello when you came in,” she said, finally meeting my eyes. “I am afraid my klutziness made the first impression.”
I wish I’d had the presence of mind to remember her name, but alas and alack, my memory isn’t worth the paper it’s printed on. What I did recall was that she was from the Czech Republic, and was currently working as an au pair in New Jersey. She was in New York because she’d seen Moulin Rouge the night before and stayed in a hostel overnight in order to volunteer at the soup kitchen. Her face lit up as she described the play, transforming her persona from awkward to incandescent. She was a self-proclaimed fashion and craft nerd. She’d made gifts for the cast, contacted them through Instagram, and actually arranged to meet them backstage after the show. She showed me pictures on her phone of her beaming alongside the actors, holding up her handmade creations. She hoped, she confessed, that it might one day lead to costume design work in an actual Broadway or West End production. Her biggest fear was that the current administration would make it impossible to get another work visa after her current one expired in August.
She painted a picture of a life so different from mine it felt like a broadcast from another galaxy. Then, searching for common ground, I pointed to a small pin on her apron—a Starfleet insignia.
Her eyes widened behind her glasses like a starship engaging its warp drive. She was a Trekkie. A super-fan. She’d made her own uniforms from every series. “Even,” she whispered conspiratorially, leaning in, “Discovery.”
I chuckled. “That’s dedication.”
The kitchen had a strict ten-minute time limit per meal to keep the line moving. But I was the last one in, and the morning rush was over. The other volunteers started wiping down counters, their glances growing heavier, but she didn’t seem to notice. We talked Trek, debating the merits of Kirk versus Picard, the tragedy of Jadzia Dax, the sheer brilliance of the Dominion War arc. We were two strangers in a forgotten corner of the city, speaking a shared, secret language.
Then, her expression softened. “And what about you?” she asked.
I gave her the abridged version. You learn to edit your life story for polite company. But she listened with an unnerving intensity. I didn’t want to dim the light in her eyes after she’d just had such a perfect, starlit day.
She must have sensed my hesitation. “No, I mean,” she said, her voice dropping, “how does this… affect you? Mentally. Emotionally.”
The question was so direct, so human, it disarmed me. I decided to give her the truth.
“It grinds you down,” I said, the words feeling heavy and foreign in my mouth. “You start to feel less than human. Invisible. Like a ghost haunting a world that’s forgotten you’re even there.”
She looked at me for a long, silent moment, her head cocked to one side as if trying to solve a complex equation. Then, with a small, definitive nod, she said something that shattered the air between us.
“I would have your babies.”
I froze. My mind, which had just been soaring through the Alpha Quadrant, crashed back to Earth. I am old enough to be her father, maybe even her grandfather. The statement hung in the air, bizarre and profound. It wasn’t a proposition. It wasn’t a joke. It was a declaration. A strange, fiercely human, and impossibly beautiful testament that shot through layers of invisibility and said: I see you. You are a man. You are worthy.
I didn’t know how to process it. Still don’t. I didn’t push, or dig for meaning, or make a clumsy joke. I just let it sit there, an echo from a parallel world where such things could be said.
Some moments aren’t meant for deconstruction. They’re meant to be held, like a fragile, priceless thing. You just take the compliment, breathe it in, and let it be enough.
For that one conversation, in that cramped and sterile room, I wasn’t on the streets. I wasn’t a ghost. I was a man talking to a woman about starships and dreams.
And that was a kind of magic more real than anything I had felt in quite a while.
– Rhyan
MADD FICTIONAL 