To Make a Long Story Shortest: #TwitterFiction

First there was the micro novel, or microblogging novel, a work of fiction intended as a full-length novel written and distributed in chunks, varying in size, depending on the social media site it was being published on. Then, flash fiction burst onto the scene (see: The Short and Short of Flash Fiction) and dared to tell big stories with extreme brevity. Not to be undone, a new arrival,Twitter fiction (aka tweet fiction), tossed its hat into the ring, boasting its ability to tell a story within 140 characters.

Thumb your literary nose up at it, if you will, but surely you can see the art in concise writing. Catching the key moment of a story and carefully selecting the proper words so that your audience infers your meaning and does all the heavy lifting of filling in the details themselves requires a level of skill and finesse. Not to mention the challenge of drawing laughter or tears from your reader, or filling them with horror or dread as you build suspense in such a confined space.

And this latest sub-genre hasn’t escaped the notice of well-known writers who have tried their hand at 140-character novels:

Geoff Dyer – I know I said that if I lived to 100 I’d not regret what happened last night. But I woke up this morning and a century had passed. Sorry.

James Meek – He said he was leaving her. “But I love you,” she said. “I know,” he said. “Thanks. It’s what gave me the strength to love somebody else.”

Ian Rankin – I opened the door to our flat and you were standing there, cleaver raised. Somehow you’d found out about the photos. My jaw hit the floor.

Andrew O’Hagan – Clyde stole a lychee and ate it in the shower. Then his brother took a bottle of pills believing character is just a luxury. God. The twins.

Jeffrey Archer – “It’s a miracle he survived,” said the doctor. “It was God’s will,” said Mrs Schicklgruber. “What will you call him?” “Adolf,” she replied.

SJ Watson – She thanks me for the drink, but says we’re not suited. I’m a little “intense”. So what? I followed her home. She hasn’t seen anything yet.

Charlie Higson – Jack was sad in the orphanage til he befriended a talking rat who showed him a hoard of gold under the floor. Then the rat bit him & he died.

India Knight – Soften, my arse. I’m a geezer. I’m a rock-hard little bastard. Until I go mushy overnight for you, babe. #pears

Rachel Johnson – Rose went to Eve’s house but she wasn’t there. But Eve’s father was. Alone. One thing led to another. He got 10 years.

Inspired and curious, I even took a stab at Twitter narrative one idle Sunday and among my favorites are:

A large stone, the opportunity, a swampside grave; all that was needed to end a lifelong sibling rivalry. Guess who’s Daddy’s favorite now?

Mother warned him not to look but curiosity was his master. Now he struggles to reverse the time of eye to unsee the horror.

Regardless of your personal views on Twitter and tweet fiction, I honestly think you should give it a go. If nothing else, you can consider it a warm-up exercise to get your mental juices flowing. Can you think of a better way to hone your craft than practicing clear, clean and concise writing? And what have you got to lose? Surely not time. In the moments wasted complaining about the artform, you could have written several magnum opuses.

Sally forth and be tweetful.

— Rhyan Scorpio-Rhys

PS. If you’re looking for more famous author tweet novels, you can find them by searching #140novel on Twitter.

P.P.S. Not exactly #tweetfiction-related, but dealing with creating fiction, the NY Times ran an article on the importance of Twitter in today’s pop-culture era: How To Make a TV Drama in the Twitter Age.

Wanna Succeed as a Writer? Buddy Up to Failure, it’s the Best Friendship You’ll Ever Make

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Far better is it to dare mighty things, to win glorious triumphs, even though checkered by failure… than to rank with those poor spirits who neither enjoy nor suffer much, because they live in a gray twilight that knows not victory nor defeat. —- Theodore Roosevelt

The act of bollocksing it up, getting it all wrong and falling flat on your literary face is the worst, most evil thing that can be thrust upon the fragile ego of a creative person. No writer ever wants to be standing hip-deep in a congealing bucket of epically proportioned failure. Not only does it cling to you, branding you with the scarlet letter of incompetence, but the fumes from it seep into your pores and attack your confidence, enthusiasm and self esteem.

And even worse than failing? Atychiphobia:

From the Greek phóbos, meaning “fear” or “morbid fear” and atyches meaning “unfortunate” atychiphobia is the abnormal, unwarranted, and persistent fear of failure, often leading to a constricted lifestyle, and is particularly devastating for its effects on a person’s willingness to attempt certain activities.

But “fear of” is getting kicked to the curb in this post because—if you haven’t sussed it from the title—I’m actually advocating for failure, which in my insolent opinion, gets a bad rap.

When you first begin to write for an audience, or writing in a genre that’s new to you, or in a different format, etc., your first attempts will most likely not be optimal. No two ways about it. No getting around it. Why? Because your life isn’t a movie, wunderkind wasn’t conveniently inserted into your backstory, and greatness isn’t DNA-encodable at this point in time, it still has to be strived for.

You. Will. Fail. Fail to connect with your audience. Fail to notice logic issues in your plot easily spotted by a reader. Fail to end a story properly (if you even complete it at all). Fail in your use of words to convey the intended images. Fail to make a sale. Fail to impress your literary heroes. Fail to please everyone (always), the majority (on occasion), and anyone (trust me, it happens).

The only surefire way to avoid writing failure is to either never commit your ideas to paper–let them swirl around in the magical kingdom of your imagination, living their Peter Pan existence, as you vegetate in front of the TV–or never put your writing out into the world. If either of these sound like a viable solution, good on you and go for it. I’m not here to judge.

If, however, you’re not satisfied with letting ideas fester in your gray matter as you wait for the opportunity to unleash your genius in that perfect moment that never ever seems to swing around your way, you’ll need to look disappointment square in the eye and accept the fact that the outcome of your writing endeavors will not always line up with your expectations.

And though I’m not here to judge, should you actually consider never committing your ideas to paper, one possible adverse effect is that idea can metamorphosize into a bloated squatter that takes up an unnecessary amount of mind space, thereby blocking the arrival of new ideas. If it were me, I’d serve it an eviction notice and make way for a new tenant. But that’s just me. Still no judgements.

Once you’ve wrapped your noggin around the simple truth that you will fail and have given up feeling hopeless, weak, and belittling both yourself and your talents, you’re finally ready to accept the fact that failure plays a very important, incredibly positive role in your writing life. In fact it offers you a chance to grow and learn.

The first step in learning how failure breeds success is to let yourself fail a few times. Experience it in it’s totality. When you discover that it does not, in fact, destroy you, feel free to brush yourself off and climb back on the horse. All successful writers have experienced failure (and a great deal of the time the success/fail ratio favors the negative) but what made them successful is they weren’t afraid to fail and if they did, they just learned from their mistakes and moved on.  They didn’t allow themselves to be defeated by rejection, hurt or disappointment.

There will be those of you who poo-poo (yeah, I said poo-poo, deal with it) the notion of getting accustomed to failure because you personally know someone whose first ever novel made the bestsellers list, whose first draft screenplay became a Hollywood blockbuster, whose tweets became a TV series, blah-blah-blech. There’s a professional name for that phenomenon. It’s called a miracle. Right place, right time, all the planets fall into alignment. This is great when/if it happens, but you shouldn’t factor it into your overall game plan. It’s akin to being dirt poor and signing the deed on a mansion just because you’re sure you’re gonna win the lottery.

Well, writing calls, so I must be off–I’m sure I’ll speak more on this topic in the future–but before I go, let me leave you with a list to help you on your way to palling up with failure:

  1. Read.
  2. Write.
  3. Fail.
  4. Learn.
  5. Repeat.

It’s as simple, and as difficult, as that.

Sally forth and be writeful.

Greets The Lightning, Fears The Thunder

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Although the rough draft was completed last year, I finally put the spit and polish touches on the official first draft of my latest horror screenplay, “Greets The Lightning, Fears The Thunder.” And while the screenplay might be new, the story isn’t. “Greets” first saw life as a short story written for a long-forgotten vanity press, Writerarium, way back in the Fall of 1988. It was loosely based on actual events involving my then girlfriend who suffered from a severe case of astraphobia and night terrors.

There’s a strange sense of satisfaction in breathing new life into old work that I wish I experienced more often, Most times, old stories lose their malleability, having found contentment in their original form. This work fought me a little as well, but in the end we were able to come to a suitable compromise.

— Rhyan Scorpio-Rhys

UPDATE: The first draft of “Greets” went up for review on the Trigger Street Labs site on May 15th and the first review was:

“This is an action packed, intense thriller!

I’d love to see this made into a movie. I feel like your dialogue and script feels well developed. I feel like maybe more comic relief would break up the intense moments. But overall really well written.

Your opening scene really sucked me in and I couldn’t stop reading. I couldn’t tell if it was a dream she was having or real at the beginning.

i liked the flashback scenes to Africa – so you get the background story. I feel like this was a perfect way to get the information you needed about Leyna.

The ending was awesome, gives you the notion that there was more to the elements than we knew. That maybe Gordon is now a catalyst of the bird… I loved the ending.”

UPDATE: “Greets” got the screenplay review treatment on June 3rd by the New York City Screenwriters Collective.

UPDATE: “Greets” was subjected to a third round of script review, this time in Los Angeles on February 2nd courtesy of Write Club.

UPDATE: “Greets” was subjected to a fourth round of script review, this time in Los Angeles on April 1 courtesy of the Malibu Screenwriting Group.

UPDATE: “Greets” was subjected to a fifth round of script review, this time in Los Angeles on April 20 courtesy of the Inktank Screenwriting Group.