Gustave Flaubert on Writing

Gustave Flaubert was an influential French writer who is counted among the greatest novelists in Western literature. He is known especially for his first published novel, Madame Bovary (1857), for his Correspondence, and for his scrupulous devotion to his art and style. The celebrated short story writer Maupassant was a protégé of Flaubert.

  1. The author, in his work, must be like God in the Universe, present everywhere and visible nowhere.
  2. Be regular and orderly in your life, so that you may be violent and original in your work.
  3. To be stupid, selfish, and have good health are three requirements for happiness, though if stupidity is lacking, all is lost.
  4. There is no truth. There is only perception.
  5. Travel makes one modest. You see what a tiny place you occupy in the world.
  6. Do not read, as children do, to amuse yourself, or like the ambitious, for the purpose of instruction. No, read in order to live.
  7. Everything one invents is true, you may be perfectly sure of that. Poetry is as precise as geometry.
  8. Judge the goodness of a book by the energy of the punches it has given you. I believe the greatest characteristic of genius, is, above all, force.
  9. Writing is a dog’s life, but the only life worth living.
  10. Stupidity is something unshakable; nothing attacks it without breaking itself against it; it is of the nature of granite, hard and resistant.
  11. One can be the master of what one does, but never of what one feels.
  12. One arrives at style only with atrocious effort, with fanatical and devoted stubbornness.
  13. You must write for yourself, above all. That is your only hope of creating something beautiful.
  14. One never tires of what is well written, style is life! It is the very blood of thought!
  15. The one way of tolerating existence is to lose oneself in literature as in a perpetual orgy.

The Best Writing Advice Professional Authors Received

  1.  Alice Kahn: The best writing advice I’ve ever heard: Don’t write like you went to college.
  2. Andrei Codrescu: Best advice I ever got was from the Romanian poet Nichita Stanescu, who told me in Bucharest, before I emigrated: ‘Learn English. French is dead.’
  3. Christopher Buckley: The best advice on writing I’ve ever received was from William Zinsser: ‘Be grateful for every word you can cut.’
  4. Cynthia Ozick: The best advice on writing I’ve ever received is: Write with authority.
  5. David Guterson: The best advice on writing I’ve ever received is to take it seriously, because to do it well is all-consuming.
  6. George Plimpton: I think the best advice on writing I’ve received was from John Steinbeck, who suggested that one way to get around writer’s block (which I was suffering hideously at the time) was to pretend to be writing to an aunt, or a girlfriend. I did this, writing to an actress friend I knew, Jean Seberg. The editors of Harpers forgot to take off the salutation and that’s how the article begins in the magazine: Dear Jean….
  7. James Atlas: The best advice on writing I’ve ever received was from Dwight Macdonald: ‘Everything about the same subject in the same place.’
  8. Margaret Carlson: Best writing advice I’ve ever received: Sell everything three times.
  9. Nick Tosches: The best advice on writing I’ve ever received was given to me, like so much else, by Hubert Selby, Jr.: to learn and to know that writing is not an act of the self, except perhaps as exorcism; that, in writing what is worth being written, one serves, as vessel and voice, a power greater than vessel and voice.
  10. Patsy Garlan: The best advice on writing I’ve ever received is: Don’t answer the phone.
  11. Peter Mayle: Best advice on writing I’ve ever received: Finish.
  12. Richard Ford: The best advice on writing I’ve ever received: ‘Don’t have children.’ I gave it to myself.
  13. Robert Lipsyte: The best advice on writing I’ve ever received was, ‘Rewrite it!’ A lot of editors said that. They were all right. Writing is really rewriting—making the story better, clearer, truer.
  14. Russell Banks: The best advice on writing I’ve ever received was probably something Ted Solotaroff told me years ago when he was my editor. Going over a manuscript line by line again and again he kept reminding me, ‘Remember, this is your book, not my book. You’re the one who’s going to have to live with it the rest of your life. I might publish 30 or 40 books this year, you’re only going to publish one, and probably the only one you’re going to publish in two or three years.’
  15. Whitney Balliett: The best advice on writing I’ve ever received is, ‘Knock ‘em dead with that lead sentence.’

Free Books Recommended by Hemingway for Aspiring Writers

Free Books Recommended by Hemingway for Aspiring Writers

Ernest Hemingway

The fine folks at GalleyCat kindly put together a list of many of Hemingway’s recommendations for aspiring writers, and the best part is they’re available online for free (just hit the link above Papa Ernie’s head).

The advantages of writing in bed

Marcel Proust
Writing in bed is not just about convenience or comfort. I think there’s a psychological advantage, too. If you write in bed in the early morning you occupy an intriguing part of consciousness, somewhere between dreaming and wakefulness. Part of you is still in the shadowy cave of dream world; part of you is adjusting to the sharp brightness of reality. The mixture is fruitful and often suggestive.
Read Robert McCrum’s original article for the Guardian here.

Anne Bernays on Thinking Like a Writer

You can teach almost anyone determined to learn the basics required to write sentences and paragraphs that say what you want them to say clearly and concisely. It’s far more difficult to get people to think like a writer, to give up conventional habits of mind and emotion. You must be able to step inside your character’s skin and at the same time to remain outside the dicey circumstances you have maneuvered her into. I can’t remember how many times I advised students to stop writing the sunny hours and write from where it hurts: “No one wants to read polite. It puts them to sleep.”

Allegra Goodman Says, “Do Not Sit and Mope!”

Allegra Goodman

Now you may ask, what if my characters won’t talk to me? What if they won’t even visit? The only answer is to think and think some more, and then go out and read and look and listen some more. Do not sit and mope. Do not sigh. Do not throw up your hands and give up on the whole project. Do not go back to the drawing board. There is nothing more depressing than an empty drawing board. No, go back to the world, which is where all characters originally come from.

Annie Dillard Answers the Question, “Who Will Teach Me to Write?”

Who will teach me to write? a reader wanted to know. The page, the page, the blankness of eternity which you cover slowly, affirming time’s scrawl as a right and your daring as necessity; the page, which you cover woodenly, ruining it, but asserting your freedom and power to act, acknowledging that you ruin everything you touch but touching it nevertheless, because acting is better than being here in mere opacity; the page, which you cover slowly with the crabbed thread of your gut; the page in the purity of its possibilities; the page of your death, against which you pit such flawed excellences as you can muster with all your life’s strength: that page will teach you to write.

A Message From John Updike: “Don’t be thin-skinned.”

John Updike

Try to develop steady work habits, maybe a more modest quota, but keep to it. Don’t be thin-skinned or easily discouraged because it’s an odds-long proposition; all of the arts are. Many are called, few are chosen, but it might be you.

Sally FOURTH (get it? get it?) and be writeful.