Dorothy Parker On Writing

  1. “It’s easier to write about those you hate — just as it’s easier to criticize a bad play or a bad book.”
  2. “If you’re going to write, don’t pretend to write down. It’s going to be the best you can do, and it’s the fact that it’s the best you can do that kills you.”
  3. “I hate writing, I love having written.”
  4. “All those writers who write about their childhood! Gentle God, if I wrote about mine you wouldn’t sit in the same room with me.”
  5. “Wit has truth in it; wisecracking is simply calisthenics with words.”

10 Screenwriting Tips From Billy Wilder

1. The audience is fickle.
2. Grab ‘em by the throat and never let ‘em go.
3. Develop a clean line of action for your leading character.
4. Know where you’re going.
5. The more subtle and elegant you are in hiding your plot points, the better you are as a writer.
6. If you have a problem with the third act, the real problem is in the first act.
7. Let the audience add up two plus two. They’ll love you forever.
8. In doing voice-overs, be careful not to describe what the audience already sees. Add to what they’re seeing.
9. The event that occurs at the second act curtain triggers the end of the movie.
10. The third act must build, build, build in tempo and action until the last event, and then—that’s it. Don’t hang around.

Sam Shepard On Writing

1. The great thing for me, now, is that writing has become more and more interesting. Not just as a craft but as a way into things that are not described.

2. I think without writing I would feel completely useless.

3. I’ve heard writers talk about ‘discovering a voice’, but for me that wasn’t a problem. There were so many voices that I didn’t know where to start.

4. My first job was with the Burns Detective Agency. They sent me over to the East River to guard coal barges during these god-awful hours like three to six in the morning. It wasn’t a very difficult job — all I had to do was make a round every fifteen minutes — but it turned out to be a great environment for writing. I was completely alone in a little outhouse with an electric heater and a little desk.

5. I’m a writer. The more I act, the more resistance I have to it. If you accept work in a movie, you accept to be entrapped for a certain part of time, but you know you’re getting out. I’m also earning enough to keep my horses, buying some time to write.

10 Remarkable Quotes From Arundhati Roy

Suzanna Arundhati Roy (born 24 November 1961) is an Indian author and political activist who is best known for the 1998 Man Booker Prize for Fiction winning novel The God of Small Things (1997) and for her involvement in environmental and human rights causes.

1. To love. To be loved. To never forget your own insignificance. To never get used to the unspeakable violence and the vulgar disparity of life around you. To seek joy in the saddest places. To pursue beauty to its lair. To never simplify what is complicated or complicate what is simple. To respect strength, never power. Above all, to watch. To try and understand. To never look away. And never, never, to forget.

2. I do what I do, and write what I write, without calculating what is worth what and so on. Fortunately, I am not a banker or an accountant. I feel that there is a time when a political statement needs to be made and I make it.

3. Torture has been privatized now, so you have obviously the whole scandal in America about the abuse of prisoners and the fact that, army people might be made to pay a price, but who are the privatized torturers accountable to?

4. Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.

5. That’s what careless words do. They make people love you a little less.

6. The secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again.

7. The American way of life is not sustainable. It doesn’t acknowledge that there is a world beyond America.

8. The [Booker] prize was actually responsible in many ways for my political activism. I won this thing and I was suddenly the darling of the new emerging Indian middle class – they needed a princess. They had the wrong woman. I had this light shining on me at the time, and I knew that I had the stage to say something about what was happening in my country. What is exciting about what I have done since is that writing has become a weapon, some kind of ammunition.

9. Smells, like music, hold memories.

10. I’m trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat — patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I’ve found. For me, the way words, punctuation and paragraphs fall on the page is important as well — the graphic design of the language.

Why C.S. Lewis became a writer

“What drove me to write was the extreme manual clumsiness from which I have always suffered. I attribute it to a physical defect which my brother I both inherited from our father; we have only one joint in the thumb. The upper joint (that furthest from the nail) is visible, but it is a mere sham; we cannot bend it. But whatever the cause, nature laid on me from birth an utter incapacity to make anything. With pencil and pen I was handy enough, and I can still tie as good a bow as ever lay on a man’s collar; but with a tool or a bat or a gun, a sleeve link or corkscrew, I have always been unteachable. It was this that forced me to write.

I longed to make things, ships, houses, engines. Many sheets of cardboard and pairs of scissors I spoiled, only to turn from my hopeless failures in tears. As a last resource, I was driven to write stories instead; little dreaming to what a world of happiness I was being admitted. You can do more with a castle in a story than with the best cardboard castle that ever stood on a nursery table.”

—– From Surprised By Joy: The Shape of My Early Life