Tag: short story

  • Donor

    Donor

    low red blood cell count

    There was a knock at Tim’s front door. Impossibly, there was a knock on a day there shouldn’t have been one. Not that it was a big disturbance, it had only interrupted his woolgathering. He began reading a book hours ago and somewhere along the way his mind drifted off to the point where he wouldn’t have been able, even with a gun pressed to his temple, to tell which page he was on or what part of the story he last read.

    The knock again. Tim placed the book open face down on the side table. Next to it was the handheld trigger for the silent alarm which he picked up and let his thumb hover over the panic button. Should he press it or simply answer the door? Smart money was on activating the alarm but he had always been a slave to curiosity so he pocketed the remote, rose from his comfy chair, exited the living room and padded across the hardwood foyer floor on the balls of his feet.

    The closer he got to the door he heard some sort of commotion going on outside and as his hand landed on the doorknob he drew in a deep breath and held it for a long moment to quell the anxious feeling hatching in the pit of his belly. Tim hadn’t realized just how unaccustomed he was to answering his own door, it had been so long.

    As he turned the knob a thought crossed his mind, perhaps the person on the other side of the door, the lawbreaker, was a deranged lunatic or religious fanatic who saw it as their duty, their purpose, their God-given right to put an end to what they viewed as an abomination. He knew that wasn’t the case, though. The knock was far too polite. They were all so damned polite, the knockers. Lightly rapping on his door all day, all night, in any weather, even on holidays. Especially on holidays. The only time they didn’t knock was on Sunday, his sanctioned day of rest.

    He opened the door to shouts and protests. A crowd of people clustered on his front porch began forming a semi-circle behind the woman who stood in the doorway directly in his face. They accused her of jumping the queue, shouted that what she was doing was illegal, and warned/threatened her with the prosecutable penalties of her actions. And the discontent was spreading along people of all ages, ethnicities, male and female alike who gathered in a line that ran the length of his front walk to the pavement, down the block, and most likely around the corner, who were waiting their turn for an audience. But all the chatter came to an abrupt halt the moment they caught sight of Tim.

    The woman in front of him, the illegal knocker, had a familiar face but her features were too average, too face-in-the-crowd, to recall outright, Tim had to flip through his mental rolodex and play the association game. He twigged her face was connected to some sort of event that would have revealed a location that eventually would have produced a name. Taking a deep breath, he relaxed his mind and softened his focus and let his gears spin a bit until he came up with:

    Fundraiser ~~> community center ~~> Dick Cole

    This woman was a friend of Dick Cole. Linda something-or-other. Rhymed with seed. Greed? Mead? Plead?

    “Linda Reid,” Tim smiled, more at the swiftness of the connection than the pleasure of seeing the woman. “It’s been a while. A couple of years, I think.”

    “Settle down, everyone,” Tim addressed the throng beyond the woman. “You know I’m not allowed to accept appointments today so she’s not cutting in line ahead of any of you. She happens to be a friend.”

    Tim gestured for Linda to step inside which prompted the grousing to recommence but he merely closed the door to let them vent amongst themselves.

    “Sorry for causing a commotion,” Linda said, smiling a bit too much. “And for not keeping in touch. Things have been so hectic down at the center with budget cuts and understaffing…and other things, that I don’t socialize much anymore. And you’ve got a lot on your hands at the moment—”

    Tim waved off the rest of the sentence. “No worries,” he said, leading her past the empty administrative desks and into the sitting room.

    “Awful lot of furniture crowding your foyer,” Linda said.

    “That’s for the staff, doormen, greeters, admin assistants, all government appointed. They see to visitors. There are also bodyguards posted at each of the house’s ingress and egress points but they all have the day off because it’s my day off.”

    “I suppose that’s another thing I’m sorry for.”

    “I don’t get many non-work related visitors so this is a welcomed change,” Tim said, gesturing for Linda to take a seat. “Can I get you anything? Water? Juice? Or I could put the kettle on?”

    “Do you have anything stronger?” Linda asked sheepishly as she sat down.

    “I don’t imbibe, I’m afraid. Rules of my employment and all.”

    “Yes, of course, how foolish of me. Water’s fine, then.”

    Tim popped into the kitchen and returned with two glasses and ice water in a silver pitcher dotted with dew-like condensation.

    “Not to fret,” he said, sitting opposite Linda and filling her glass. “Most people never consider it when they drop by.”

    She took the water glass and swallowed two gulps. “I–um–I think I have a slight confession to make.”

    “This isn’t a social visit, is it?”

    “I can explain.”

    “Explain what exactly? That you’re a lawbreaker and you seek to make me complicit in your crime? Is this a trap? Did the organization send you? Are you here to test me? Well, I’m not having it so you can go back and tell your bosses that I don’t cut side deals to pocket a little extra cash. We made an arrangement and I’m honoring it to the best of my ability!”

    “So, how does this go? Do I have to fill out an application? Sign a legal document? Do you need proof? I didn’t think to bring any with me but I can get whatever it is you need.”

    “If your request is granted, you’ll need to sign a few documents, including one that absolves me of any blame should the outcome fail to have the desired effect,” he said automatically.

    “Naturally, without a doubt,” Linda answered, a bit too eagerly.

    They’re always so eager at this stage, before the harshness of reality sets in, Tim thought. “But for right now, all you have to do is tell me what brings you here.”

    “Um, okay,” she adjusted herself in the seat and wondered how her breath could so suddenly get caught in her throat. “It isn’t for me, you understand, I’d never come to ask for myself.

    It’s my fiancé, Dick, you’ve met him, in fact, he introduced us at a fundraiser two years ago.”

    “Yes, I know Dick. What’s wrong with him?”

    “He has amyotrophic lateral sclerosis,” Linda said in a quiet voice.

    “Lou Gehrig’s disease.” Tim’s stomach turned over. He didn’t need her to elucidate further.

    She nodded, her eyes fading down to the throw rug, absently tracing patterns. “It’s in the late stages now. I would have come sooner, but it’s taken me some time to talk Dick into this. He doesn’t think it seems right. Not what you do, that’s fine and he thinks you’re a saint for doing it. He doesn’t think it’s right asking you for help, especially this kind of help. Dick doesn’t want you or anyone else taking pity on him. He’s never taken a handout in his life and he can’t help but see this as charity.”

    “Yes,” Tim said, not bothering to hear the rest of the pitch. That’s what they were, pitches. Not simple requests or implorations, these were stories designed to pull at his heartstrings. But who ever bothered to listen to his story? Not one of them. Not a single person among the many that crossed his threshold ever bothered asking him a personal question. As if he wasn’t human, as if he wasn’t allowed his own tragedy.

    “What? I don’t understand.” She set the glass down on the nearby table, missing the coaster by half an inch. Tim either hadn’t noticed or decided not to comment.

    “I’m saying, yes.”

    “Yes, you’ll help?” Linda blinked and met the man’s gaze as a hopeful smile began to split her face.

    “Yes.”

    “I — I don’t know what to say,” she was on her feet before she knew what was happening, moving in for a hug. “I — thank you, Tim!”

    Tim put his hand up, stopping the woman in her tracks. “Don’t thank me yet. There are still a few things you need to realize before you accept my offer.”

    “It doesn’t matter. Anything! And I mean anything!” Interest colored her face.

    “Please calm down for a moment and listen to me. This thing you’re asking of me, this gift of blood, it may not solve your problems and could possibly worsen matters for you.” Tim traced his finger around the rim of his glass.

    “I’ll take that chance… we’ll take that chance!”

    “Listen to me!” Tim brought the glass down on the table, just hard enough to startle and capture her full attention. At the cost of a wet sleeve and the water stains that would surely mark the cherry wood. “Ever since scientists discovered the curative properties of my blood, tests have been run. Mostly successful, I’m a match for all blood types, and my white blood cells haven’t encountered a disease it can’t cure—”

    “Which is why I came to you. I did my research and you cured other ALS patients before—”

    “The problem isn’t my blood,” he interrupted. “It’s Dick’s immune system reaction that’s the danger. If his body rejects my blood and tries to attack parts of it, there won’t be a second chance. He instantly becomes a non-match. On the other hand, if his body takes the transfusion, in a few month’s time, his white blood cells will resemble mine and he’ll automatically be enlisted in the same line of work as I am.”

    The weight of Tim’s words slowly settled on Linda. “You mean, he’ll—?”

    “He’ll never know another moment’s peace for the rest of his life. People will hound him, pleading for themselves or family or friends, day and night, night and day. Nonstop. Some gentle, others less so.”

    “But why is that necessary?” Linda asked.

    “My white blood cells can’t be synthesized. Top minds have tried and failed time and again. And although my blood can be stored, the white blood cells lose their miraculous properties over a period of thirty-six hours outside my body.

    “I would have been strapped to a table in a laboratory for the rest of my natural life if I wasn’t for my brother. Hell of a lawyer. Fought his ass off to petition the quality of life rights that allow me the tiny bit of freedom I have. The stipulation is I must share my gift, triage the world, help the sickest among you. There are restrictions, legal hours when people have the right to approach me, but no one listens. How can they be expected to follow the rules when they or their loved ones are dying?

    “I used to fight it. Turn people away when the established workday was through. Dealt with the angry mobs and the death threats. Then I asked myself, “Why?” Why fight my fate? If I’m meant to help people, why shouldn’t I do it when it needs to be done and not only when I want to do it? And there’s a selfish reason if I’m honest. You see, if I help enough people, if enough of the populace possesses my blood, I won’t be special anymore or alone in all this. Maybe then, when there’s enough blood to go around and my bit for the world is done, the price of my gift paid, maybe then I can be left alone to die in peace.”

    Linda hesitated. She shook her head and turned to leave. “This… this is… “ She stumbled over the words, not knowing how to express her thoughts.

    Tim realized too late that he said too much, chose the wrong person to unburden himself on. He regretted his action instantly. “It’s a lot to process, I know. Why don’t you go home and discuss it with Dick? You can contact me if you decide to go through with it.”

    From his shirt pocket, he fished out a solid white business card, imprinted only with a faint phone number that had to be viewed at the proper angle in order to be seen. “A direct line, please don’t share it with anyone.”

    “I won’t,” Linda muttered as she shambled to the doorway. “I — look, I know you can’t talk about the other people you’ve seen, but can you just tell me if anyone has ever turned down your help after you’ve explained everything to them?”

    For a moment, Tim didn’t respond, he just watched as the hope drained from her face. “More people than you might imagine.” He noted she found no reassurance in his answer. He turned away, unable to look upon her sorrow any longer. He had his own to contend with.

    Over his shoulder, he said, “Be sure you tell Dick everything I’ve told you, and if he refuses, try to understand. Sometimes there are worse things than death.”

    Text and Audio ©1988 – 2021 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: Beautiful But Broken

    Micro-Fiction Corner: Beautiful But Broken

    The mirror came from an estate sale, its frame carved with roses detailed enough to include individual thorns. A diagonal crack divided the glass from upper corner to lower edge, which explained why nobody else bid on it. I liked the damage. It made the object feel less decorative and more like something that had survived being used.

    For a year, nothing unusual happened.

    Then the crack began closing.

    At first I assumed the difference was lighting. Months later, photographs confirmed that the dark line had narrowed. The change happened slowly enough to escape daily notice, yet steadily enough that by spring only a hairline remained.

    One morning the glass was whole.

    That was when the reflection started behaving differently.

    The delays were small. I would lower my hand and see it remain raised for a fraction of a second. My reflection occasionally seemed to inhale before I did. Once, while passing through the hallway, I saw myself standing still in the mirror even though I had never stopped walking.

    The dealer remembered the mirror’s history reluctantly. It came from a house where a woman had died directly in front of it. According to the estate inventory, the crack appeared the same morning. Family members claimed it had been intact the night before.

    I asked whether anyone knew what caused her death.

    He said the records described no injury and no illness. She had simply been found sitting before the mirror with an expression of profound exhaustion.

    After that I began photographing the glass every morning.

    The crack has returned.

    It started as a faint line along the old path and has widened each week. I should find that reassuring. Instead, the reflection appears healthier as the glass deteriorates. Its skin has color mine lacks. Its posture is straighter. It smiles more easily.

    Yesterday I noticed the carved roses changing too. Several blossoms now face inward toward the glass. Their thorns appear longer.

    I have stopped touching the frame.

    The mirror seems to be dividing something again, and I am beginning to suspect the crack was never damage at all. It may have been the only visible sign that two versions of the same life had finally been forced apart. What I do not yet know is which side of the glass was considered the safe one.

    ©2013 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: Every Detail But None

    Micro-Fiction Corner: Every Detail But None

    The police sketch artist spent thirty years producing composites so precise that witnesses sometimes recoiled when she turned the drawing around. She credited patience. Faces, she explained, emerged through accumulation: distance between the eyes, shape of the jaw, angle of the brow, one uncertain detail corrected by another.

    A young detective found the pattern while digitizing old case files.

    Several sketches from unrelated investigations showed the same person.

    The crimes stretched across decades and shared no obvious connection. Witnesses had lived in different cities, belonged to different age groups, and described suspects of varying heights and builds. Yet beneath changes in hairstyle and apparent age, the face remained unmistakable. A narrow mouth. Deep-set eyes. A faint scar above the left eyebrow.

    The detective brought the files to the retired artist expecting her to recognize a mistake. Instead she studied the drawings for nearly an hour.

    She remembered every interview. She remembered witnesses struggling over noses, chins, hairlines, cheekbones. She remembered drawing each detail individually. What she could not remember was ever choosing the face those details became.

    They arranged the sketches chronologically.

    The figure aged.

    Early drawings suggested someone in their twenties. Later ones showed middle age, then deepening lines around the mouth and eyes. The progression roughly matched the artist’s own career.

    The detective expanded the search. More sketches surfaced in neighboring jurisdictions. Some had been drawn by other artists. A few came from descriptions given before she entered the profession. The same face appeared there too, younger again.

    Then they found photographs.

    A blurred face in the background of a crime-scene image. A reflection in a shop window. Someone standing among spectators behind police tape. Never central. Never clear enough for identification.

    The retired artist has stopped discussing the investigation. She keeps one final composite locked in a drawer, assembled from every surviving description.

    According to the detective, the face in that drawing is elderly now.

    What bothers him most is the newest case. A witness described someone standing across the street during a burglary, watching the house with unusual concentration. The sketch artist assigned to the case produced the familiar face without ever seeing the older files.

    This time, however, the scar above the left eyebrow is gone.

    In its place is a thin pencil mark, exactly where someone might begin correcting a drawing.

    ©2013 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: Rampire Princess Igloo

    Micro-Fiction Corner: Rampire Princess Igloo

    The children invented the game during a winter so cold the gutters froze solid. They built a snow fort at the dead end of the block, packed the walls nearly shoulder-high, and carved a throne into the center. Whoever occupied the throne longest became the Rampire Princess, a title assembled from words nobody could later trace. The game survived childhoods, moves, divorces, demolished houses, and every adult attempt to explain why no one used the name correctly.

    When I returned to the neighborhood decades later, the fort was still there.

    It had been rebuilt many times, yet the oldest section remained beneath an overgrown hedge. Even in July, when the pavement softened in the heat, a fist-sized core of ice persisted in the soil. Children still gathered around it every winter, adding fresh walls and choosing a new princess. None could explain the rules beyond the essentials: the princess sat, the others tried to remove her, and she was never supposed to leave the throne before dark.

    My mother remembered more.

    Years before I was born, a girl had refused to surrender the seat during a blizzard. By the time adults realized the children were still outside, visibility had collapsed. They found the fort intact and the other children huddled near the entrance. The girl was gone. No footprints led away.

    Afterward, parents demolished the fort. Children rebuilt it the following winter without discussing why. Every generation did the same.

    This year I watched from my mother’s window as the youngest child in the group climbed onto the snow throne. The others became unusually quiet. She sat very straight, hands folded in her lap, while frost thickened along the inside walls.

    I went outside before dusk and told them the game was over.

    None argued. That unsettled me more than resistance would have.

    The child on the throne opened her eyes and asked whether I had come to relieve her. I said yes before understanding the question. The other children immediately began dismantling the fort around us, laughing again as though released from some obligation.

    Since then, the patch beneath the hedge has finally started melting. My own hands, however, stay cold no matter how warm the room becomes, and every night I dream of sitting somewhere made of snow while generations of children wait patiently for me to decide who sits there next.

    ©2013 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: The Scarlet Maw

    Micro-Fiction Corner: The Scarlet Maw

    The tavern had operated under that name for so long that nobody remembered whether it referred to the red door, the stained-glass windows, or some forgotten owner with theatrical taste. The current proprietor inherited the building along with its ledgers, liquor license, and several generations of unpaid repairs, and for years regarded the name as one more piece of branding nobody had bothered changing.

    During the handover, the previous owner mentioned a cellar door at the rear of the building and advised her never to open it after last call. He offered no explanation, and she assumed the warning concerned pipes, wiring, or some structural defect he hoped to avoid paying for.

    She ignored him once.

    It happened during a quiet winter night after the final customer had gone. Behind the door lay no storage room. A passage descended beyond the foundation, narrow and red, its walls ribbed with pale bands that tightened and released at long intervals. Warm air moved through it in a slow inward pull. When she leaned closer, the passage contracted slightly around the light from her phone.

    She closed the door and began noticing details she had previously dismissed. Glasses left overnight sometimes stood empty by morning even when nobody had cleared them. Regulars who spent decades drinking at the same tables seemed to age unevenly, remaining unchanged for years before suddenly appearing much older. The building itself shifted through the seasons, floorboards rising and settling with a rhythm that never matched humidity.

    She eventually tracked down the previous owner at a retirement home. He laughed when she asked about the cellar. The tavern, he explained, had always done better when crowded. It liked conversation, music, arguments, confessions, flirtations, and all the other things people released after enough drink. Owners who kept the place lively tended to prosper.

    She asked what happened to everything the building took in.

    He told her that was the wrong question to ask while still standing inside it.

    Since then she has kept longer hours. The tavern does excellent business. Customers often remark that the place feels unusually warm and intimate, especially late at night. Lately, though, the cellar door has started opening by itself just before closing, and the red passage beyond seems slightly shorter each time, as though whatever has been swallowing the noise for all these years has begun moving closer to the room where the noise is made.

    ©2013 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: Spinner Tori’s Inner Story

    The carousel at the edge of the fairground had run on the same tinny calliope recording for more than forty years. Paint peeled from the horses, mirrors had clouded around their edges, and the brass poles wore dark where generations of children had gripped them. One horse stood apart from the others only because a small plaque at its base read TORI.

    Nobody knew who had named her.

    Children chose her whenever possible. Something in the tilt of her carved head made the expression seem different from every angle. Seen from the entrance, she appeared cheerful. From the operator’s booth, the same painted face looked frightened. Parents often remarked on how lifelike she seemed before laughing at themselves.

    The longtime operator told me that Tori had always moved slightly out of time with the carousel. Each rotation she lagged perhaps half a second behind the other horses. The mechanism should have made that impossible, yet maintenance crews never found a fault. Riders sometimes stepped off disoriented, insisting the ride had lasted much longer than the three minutes shown on the clock.

    Eventually the operator showed me a hidden panel beneath the saddle.

    Inside the hollow body lay a folded scrap of paper. Most of the writing had faded beyond recognition, though one line appeared to contain a woman’s name different from Tori and a date nearly twenty years before the fairground opened. The ink changed subtly whenever anyone tried to copy it. Letters shifted places. Numbers reversed. Once, the operator photographed the note and discovered that the image showed a completely different date.

    She stopped opening the panel after that.

    The carousel began slowing near the end of her final season. Motors tested normally. Bearings were replaced. The other horses kept perfect time while Tori drifted farther behind each night.

    Children riding her started telling similar stories. They described seeing another fairground during the turns, older and dimmer, where adults rode the carousel instead of children. Some said a woman stood beside the operator’s booth counting rotations. One child claimed the woman kept asking whether anyone remembered her real name.

    After closing, the calliope now continues faintly for several minutes after the power is cut. Only one set of hoof mechanisms moves during those extra rotations.

    The operator retired last week and left instructions for her replacement. Keep the panel closed. Never repaint the horse’s face. If Tori completes one full turn after the rest of the carousel has stopped, do not restart the ride until morning.

    She did not explain the final rule.

    Yesterday, the new operator called to tell her Tori had stopped lagging.

    For the first time in decades, the horse is moving slightly ahead of the others. The operator said it feels less like the mechanism has been repaired and more like whatever has been circling inside finally knows where it wants to arrive.

    ©2013 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: The Wisdom of Rice

    Micro-Fiction Corner: The Wisdom of Rice

    My grandmother threw rice at every wedding she attended well into her nineties. Long after guests switched to bubbles, bells, flower petals, and biodegradable confetti, she arrived with a small cloth pouch and ignored anyone who warned her about birds. Rice remembers things bubbles cannot, she would say, as though the explanation were obvious.

    After she died, my mother found shelves of glass jars in the pantry. Each contained a handful of dried rice labeled with a wedding date and the names of the couple. Some went back more than seventy years. Folded inside every jar was a small square of paper bearing one of several marks: a circle, a slash, a pair of parallel lines, occasionally something resembling a knot.

    We assumed it was sentimental record keeping until my mother began comparing the jars with family history.

    The slashes belonged almost exclusively to marriages that ended early. Circles marked long unions. Parallel lines appeared beside couples who stayed married but lived largely separate lives. The knotted symbol was rare. Every marriage bearing it had survived circumstances that should have destroyed it: disappearances, affairs, prison sentences, decades of resentment, even one case where the couple divorced and remarried each other three times.

    My grandmother apparently knew which symbol to draw by watching the rice fall.

    My mother began testing the method at weddings. A wide scatter that bounced freely across the pavement usually meant the couple would grow apart without catastrophe. Rice that landed close around their feet suggested endurance. Grains that struck one person and avoided the other entirely corresponded disturbingly well with later illness or abandonment.

    Then came my wedding.

    My mother used rice from my grandmother’s old supply, throwing it as we left the ceremony. Her face changed almost immediately. She gathered several grains from the pavement before anyone could step on them and sealed them in a napkin.

    She has refused to tell me what pattern they made.

    Months later I found her new collection of jars. Mine sat on the top shelf with no symbol on the paper inside. Instead, the rice itself had arranged into a narrow ring against the glass, leaving the center completely empty.

    I asked her what it meant. She admitted she did not know because my grandmother had never recorded anything like it.

    Since then, my spouse and I have both started dreaming of the same room: a long table covered with white cloth, two empty chairs at the far end, and rice falling continuously from somewhere above. My mother has begun checking our jar every morning because the ring keeps tightening by a few grains at a time, though nobody has opened the lid.

    ©2013 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: Hell, If This Ain’t Heaven

    Micro-Fiction Corner: Hell, If This Ain’t Heaven

    The retirement home sat beside a wide bend in the river, beautiful enough that families repeated the same phrase whenever they first toured the grounds. Hell, if this ain’t heaven, they would say, relieved by the gardens, the sunlight on the water, and the absence of everything they had feared a nursing facility might look like. Staff heard the remark so often that it eventually became background noise.

    Residents began saying it too.

    A newly hired nurse noticed the pattern because she worked nights and paid attention to strange repetitions. People nearing death often used the phrase within a day or two of passing. They said it while gazing toward the river, usually in late afternoon when sunlight reflected off the bend and filled the rooms with a pale gold haze. Some smiled. Others sounded surprised. One resident who had been mostly unresponsive for a week sat upright, spoke the sentence clearly, then asked whether someone had remembered to open the gate.

    There was no gate.

    The nurse began keeping records in a notebook hidden behind her locker. Room number, time of day, weather, exact wording, date of death. She discovered that the phenomenon followed the light rather than the residents. During summer, when the sunset angle shifted, the affected rooms changed accordingly. People housed away from the river rarely said anything unusual until they were moved temporarily into a room with the proper view.

    Then she heard herself say it.

    She was alone in the supply closet on an ordinary Tuesday, folding towels with no window nearby. The words came out softly in a voice she recognized only after hearing it. It belonged to a resident who had died the previous winter.

    After that, she started avoiding the riverside corridor during late afternoons. The avoidance lasted three days. On the fourth she found herself standing before the largest window on the floor with no memory of walking there.

    The river below looked unusually still. Reflected sunlight formed a bright path across the surface, ending exactly beneath the building. For several seconds she thought she could see figures standing along that path, shoulder to shoulder, facing upward.

    The facility has since installed blinds in every riverside room. Residents complain about them constantly and somehow manage to raise them shortly before sunset, even those who cannot leave their beds unaided.

    The nurse has stopped trying to prevent it. Her notebook now includes another column labeled VISITATION, because several residents who spoke the phrase did not die afterward. They simply became calmer, as though reassured by something they had seen.

    She finds that possibility more unsettling. Death would at least explain why the river seems to be calling. Whatever appears in the light may instead be convincing some of them that they already know the way back.

    ©2013 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: Shook By A Graveyard Look

    Micro-Fiction Corner: Shook By A Graveyard Look

    The cemetery caretaker had a phrase for the expression certain visitors acquired after standing too long over a grave. He called it the graveyard look and claimed he could recognize it from half a field away. Ordinary mourners shifted their weight, wiped their eyes, checked the time, eventually remembered the living world waiting beyond the gates. Someone with the graveyard look became perfectly still, the face emptied of everything except attention.

    He taught me to spot it during my first week on the job. The dead, he said, grew accustomed to familiar company. Visit often enough and they learned your shape. Stand still long enough and they occasionally mistook you for something that belonged there permanently. His remedy was simple: approach noisily. Scuff gravel. Cough. Say something ordinary about rain or traffic. Give whoever was being watched a reason to remember they still occupied a body.

    I treated this as workplace folklore until the widow in section nine froze beside her husband’s stone one October afternoon. She had visited every Sunday for three years, always leaving chrysanthemums and talking quietly for twenty minutes before going home. That day she remained motionless for nearly an hour.

    Even from the maintenance shed, something about her posture felt wrong.

    I crossed the path dragging my boots through the gravel and called out that frost was expected overnight. She jerked hard enough to drop her handbag and drew several sharp breaths, as though surfacing from deep water. When I asked whether she was all right, she said she had been listening to her husband explain how lonely the cemetery became after closing.

    She stopped visiting regularly after that.

    Since then I have noticed other things. People wearing the graveyard look sometimes face the wrong headstone. Fresh flowers appear beside markers belonging to families who moved away decades ago. More than once I have heard my own name spoken from behind me while working alone.

    The caretaker retired last winter. On his final day he gave me his keys and advised me never to count how many people remained on the grounds after sunset. I understood the warning only recently.

    Some mornings, before leaving for work, I catch the graveyard look on my own face in the hallway mirror. The stillness arrives before I realize I have stopped moving, and my eyes seem focused on something several feet behind my reflection. I scuff my boots against the floorboards until the feeling breaks. Lately, though, the sound has been answered by another scrape from somewhere inside the mirror, slightly delayed and growing more confident each time.

    ©2013 Rhyan Scorpio-Rhys

  • Micro-Fiction Corner: A Certain Style

    I noticed her the way you notice weather changing, gradually and then all at once. For nearly a year she appeared two rows ahead of me at every wedding I attended, always in the aisle seat and always turned slightly toward the couple exchanging vows. She possessed the particular composure of someone who had attended hundreds of such ceremonies. Her smile arrived at exactly the right moments, and whatever she wore seemed perfectly chosen for the season, the venue, even the flowers.

    For months I assumed we moved in overlapping circles. By the fourth wedding I started counting. By the sixth I began asking questions. None of the couples knew her. Her name appeared on no guest list. Photographers found her in their pictures, sometimes seated prominently enough that forgetting her seemed impossible, yet nobody remembered speaking to her at the reception. One bride studied a photograph for nearly a minute before saying the woman’s dress was exactly what she herself would have worn if she had been attending instead of marrying.

    At the seventh wedding, the woman caught me watching. Her usual ceremonial smile changed into something warmer, almost relieved. She inclined her head slightly, acknowledging that I had finally understood enough to be interesting.

    She attended my wedding the following spring.

    Her dress matched a shade I had privately considered for the flowers and never mentioned to anyone. During the vows she watched me more closely than she watched my intended. Once, our eyes met, and for several seconds I became acutely aware of how I was standing, where my hands rested, how wide I was smiling. I adjusted all three without deciding to.

    Afterward, photographs began troubling me. In every picture my posture resembled hers. Within months I caught myself using her restrained smile during arguments, funerals, even moments alone. My marriage changed too, though I cannot identify a single event that changed it. We simply began behaving like two people remembering how married people ought to behave.

    Then the invitations started arriving.

    Some were addressed to strangers. Others contained no names at all, only dates and locations. I attend anyway. Nobody questions me when I take an aisle seat two rows back. I always seem to own the appropriate clothes, though I no longer remember buying them.

    Recently I have noticed certain guests watching me with growing concentration. When one finally catches my eye, I find myself smiling more warmly than the occasion requires. There is satisfaction in that moment, accompanied by the strange certainty that whatever I inherited was never interested in weddings themselves. It requires only ceremonies where people promise to become something, because promises apparently leave enough room for another shape to enter.

    ©2013 Rhyan Scorpio-Rhys