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THE MIDNIGHT EDITION

Tag: Inspiration

Rise of the Fallen 722nd

Writing prompts are not my cup of tea.

Not that I have a snobbish attitude toward them, anything that gets the creative juices flowing and entices a person to write is okay in my book. Hell, I’ve even participated in a few hashtag games on Twitter, but none of the suggested prompt words, sentences, paragraphs, or pictures ever truly inspired me.

Until I stumbled upon the Noriyoshi Orai artwork shown above.

Blindsided by an idea, I began scribbling notes of an alien invasion futuristic war that keeps pushing its way further and further into Earth’s past with the intention of creating a zugzwang (a situation in which the obligation to make a move in one’s turn is a serious, often decisive, disadvantage) story using a fairy tale twist.

Why a fairy tale?

Because the old ones are replete with heavy messages, drenched in the misfortunes of the world, and yet faith, perseverance, and sometimes sheer luck, can turn the tide in overcoming life’s trials. I wanted to present it as an old story, told in archaic language, laced with a subtle message still relevant to the modern world.

If you ever want to hear your muse laugh, tell her your lofty goals for a story before you’ve actually written it.

“Rise of the Fallen 722nd” began life as a story examining patriotism, loyalty, ingenuity, and the enduring human spirit in the face of the ultimate no-win scenario. The outline wasn’t difficult to put on paper. The story itself? That’s a different matter altogether. This little darling of mine went through the draft mill forty-nine times, each revision drastically different from the one before. Only one patch of dialogue survived from the original piece.

Futuristic war? Check. Progressing forward into the past? Check. Zugzwang? Double check. Fairy tale twist? Not so much. The fairy tale elements weakened the integrity of the overall structure and sadly had to be put down like Old Yeller. Still, it’s been fun (and frustrating) to write. And I’m not done with it. They say the fiftieth time’s the charm, right?

Wish me luck.

January 17, 2022
My Madd Fat Brain Bug: A Story Box Full of Regret
The damnedest thing can place a bug in your brain. Rod Serling is the source of one of mine.

It happened while I was deep within my Twilight Zone infatuation phase, in the prehistoric information days before civilian access to the internet, when I devoured every Serling-related book, article or fanzine I could lay my grubby little mitts on. In one of the pieces, I read how Rod’s widow, Carol, found a number of scripts and stories amongst her late husband’s possessions that were unproduced at the time.

And thus the bug found a home in my grey matter.

I pictured Rod in the final moments before he shuffled off this mortal coil, his gaze sliding across the room until it fell on the closet door, eyes filled with that unique brand of sadness only known to writers. Carol would remember that stare and later be drawn to the closet by a mysterious force that urged her to dig out a box buried deep beneath the material remnants of Rod’s life, shed like so much old skin. A box filled with his regrets, the stories that remained untold, that never found a proper home.

You don’t have to say it, I know that’s all rubbish. Simply me fictionally placing myself in the position of a man I never met. If Rod had any regrets at all, I certainly wasn’t privy to them. But that doesn’t make my brain bug any less real.

You see, I have a box–well, it started off as a file folder and grew into a box–filled with stories in various stages of development. Ideas written on scraps of paper, composition notebooks loaded with concepts and outlines, and completed stories that only exist in paper form–written pre-computer on an Underwood typewriter, circa 1950–as I haven’t gotten down to the laborious task of transferring them to my computer.

I don’t discuss my box much and I only brought it up to respond to an email I recently received (copied and answered here with permission):

“I want to write a blog but I’m scared of being exposed and having people judge or attack me because of my opinions and I don’t think I have the writing skills to get my point across in the right way. What gives you the courage to write?“

Guess what? Self-doubt and anxiety regarding humiliation and criticism is all part of the process and grist for the mill, so welcome to the club. What separates writers from non-writers is that instead of running away from that fear, we invite it in for wine and cheese. Befriend the beast that frightens you most because there’s a story just waiting to be revealed in that encounter.

It’s true that honest writing takes courage, as does sharing your writing with people who may not be kind in their opinion of it, but you also have to realize that it’s not your job to make people like your writing. Some people will flat out hate it because of your views or your writing style, and because they may not know any better, can possibly hate you because of it. Hopefully, it’ll be the minority. Accept it as an unavoidable truth and move on.

As for the question, “What gives [me] the courage to write?” Everyone has their own reason for writing, and fear of acceptance isn’t high on my list. Sure, it’d be great if the unwashed masses loved my work, but the simple truth is all writing has its audience, whether infinite or infinitesimal, and if you never put your writing out there, there’s no chance in hell of your audience ever finding it.

The real reason I write is because of the aforementioned box. I just don’t want to be lying on my deathbed–hopefully many, many, many years from now–and staring at that damned box full of unwritten stories. I no doubt will have my fair share of regrets in my final days, but I’m determined not to have that box be one of them.

And since we’re on the topic of regrets, I recently read a book, “The Top Five Regrets of the Dying: A Life Transformed by the Dearly Departing” by Bronnie Ware, a palliative care nurse who cited the most common lamentations as being:
1. I wish I’d had the courage to live a life true to myself, not the life others expected of me.
2. I wish I hadn’t worked so hard.
3. I wish I’d had the courage to express my feelings.
4. I wish I had stayed in touch with my friends.
5. I wish that I had let myself be happier.
So, while I can’t offer you reasons why you should write, I can tell you that most of the regrets listed above factor heavily in my need to write.

In closing, someone once wrote, “writing is like getting into a small boat with a wonky paddle and busted compass and setting out on rough waters in search of unknown lands.“

So, paddle forth, friends, and be regret-freely writeful.

Text and Audio ©2021 Rhyan Scorpio-Rhys

Author’s note: Since I’m never at a loss for ideas, I don’t dip into my story box as much as I’d like to, though I will occasionally post one or two of them on this blog or slip them into or in between current projects. The story idea folder on my computer? That’s a whole different story.
June 24, 2021
What’s Your Shark?

“Next question?” the woman at the podium asked. Her hawkish features placed her in the category of handsome rather than beautiful and were accentuated by raven hair cut straight around the head at jaw-level, with a fringe. She was dressed in a black Kevlar bodysuit which made her look like a cross between a superheroine and the baddie in a post-apocalyptic science fiction film.

“You there, the woman in the purple jumper,” she pointed into the sea of reporters.

“Miss Begum, given the mortality rate associated with your line of work, aren’t you the least bit scared that you’ll never grow old enough to start a family of your own?” the reporter asked.

Of all the questions Matilda Begum had ever been asked, this was the one she hated most, which was probably why it was the one asked most frequently.

“I learned to conquer my fear when I was young,” Matilda said, and then course-corrected. “Put a line through that. What I meant to say is that my father taught me at a very young age to use my fear as a motivator.”

“You mean, he endangered the life of a child by manipulating you to help him do his job,” another reporter piped in.

“First of all, my father was a good man,” Matilda snapped, caught herself then regrouped. “And he never manipulated me to do anything. I asked to help him in his work.”

“But as a parent,” yet another reporter added. “Wasn’t it his responsibility to keep his only daughter out of harm’s way?”

“You all already know this story, so I don’t know why you keep rehashing it, but for the sake of this conference, I’ll go through it one last time. My mother was murdered when I was a toddler, so I have zero memories of her. All I’ve ever had in my life was my father. When I was little, he was the biggest, smartest, most important person in the world. When I got older, I could see that he wasn’t really any of those things. He was just a man, flying by the seat of his pants, trying to do his best to raise a girl he didn’t properly understand. When I matured, I realized that he was pretty damned close to the man I thought he was as a child because he endured all my teenage rebellious nonsense, all the hatred and vitriol I spat at him, and never once held it against me.”

“That doesn’t answer my question,” the third reporter said.

“Who’s at the podium, you or me? I’ll answer your question anyway I see fit, and you will not interrupt me again if you wish to remain in this room. Clear?”

The reporter remained silent.

“Good,” Matilda smiled. “Now, where was I? Oh yes, my father would have preferred a son, he never said as much, but he raised me like one and I didn’t mind because I wanted to be just like him. He had turned his quest to find my mother’s murderer into an occupation, and when he finally located the killer, I wanted to be there, to help him get justice for a woman I never had the chance to meet.”

“But you were only ten at the time, were you not?” the second reporter asked.

“Ten going on fifty, as my father used to say.”

The first reporter asked, “And you weren’t scared?”

“Are you kidding me? I was petrified! We stood outside the killer’s house and I was shivering so much I could hardly stand.

“I told my father, I can’t do this!

“And he smiled and said, That’s okay, honey, you just wait here. This shouldn’t take long.

“But I told him I wanted to be there, I wanted to help, for my mother.

“And he asked me, What’s your shark? And I just looked at him like he was crazy.

“I never told you that story? he asked. I thought I did.

“Then he proceeded to tell me the story of the Sharks and Fish. Anyone familiar with it? No? Well, it goes like this:

The Japanese have always loved fresh fish, but the waters close to Japan haven’t held a great deal of fish for decades. So they built bigger fishing boats and traveled farther out to sea but the farther the fishermen went, the longer it took to bring in the fish. If the return trip took more than a few days, the fish weren’t fresh and people didn’t like the taste.
To solve this problem, fishing companies installed freezers on their boats to allow the vessels to go farther and stay longer. However, people could taste the difference and didn’t care for frozen fish, which brought down the price.
Then the fishing companies installed fish tanks, but once placed in the tanks, after a little thrashing around, the fish stopped moving. They were tired and dull, but alive. Unfortunately, the Japanese public could still taste the difference.
Apparently, because the fish didn’t move for days, they lost their fresh-fish taste. The fishing companies pondered over the dilemma until they stumbled onto the solution:
To keep the fish tasting fresh, the fishing companies still put the fish in the tanks, but now they added a small shark to each tank. Sure, the shark ate a few fish, but most of the fish arrived in a very lively state. The fish were being challenged.

“So, when you lot ask me if I’m scared, of course, I am and I think that anyone in this or any other profession should be in a constant state of fear when doing their job. This, of course, requires your willingness to break free from your comfort zone and push boundaries.

“If it isn’t already, life needs to be your exploration into that frightening undiscovered country. Every new project is an opportunity to attempt feats above your current skill set. To see what lies beyond the unfamiliar horizon. To embrace bizarre new thoughts, take on larger points of view. To shake hands with the intimidating unknown. To paint the world you live in with unique challenges. Anything less and you do a disservice not only to your work but also to your life.

“Challenging yourself is about punching above your weight class, learning to not only chew but swallow that which you’ve bitten off, and in essence growing as you come to the realization that you’ve just become something better than you believed yourself capable of.”

“So, when you lot ask me if I’m scared, of course, I am and I think that anyone in this or any other profession should be in a constant state of fear when doing their job. This, of course, requires your willingness to break free from your comfort zone and push boundaries.

“If it isn’t already, life needs to be your exploration into that frightening undiscovered country. Every new project is an opportunity to attempt feats above your current skill set. To see what lies beyond the unfamiliar horizon. To embrace bizarre new thoughts, take on larger points of view. To shake hands with the intimidating unknown. To paint the world you live in with unique challenges. Anything less and you do a disservice not only to your work but also to your life.

“Challenging yourself is about punching above your weight class, learning to not only chew but swallow that which you’ve bitten off, and in essence growing as you come to the realization that you’ve just become something better than you believed yourself capable of.”

“So, in the wake of your father’s passing, God rest his soul, does that mean you’ll keep up the family business?” a reporter off in the rear of the conference room shouted.

“Of course,” Matilda said, her smile beaming. “Vampire hunting is in my blood!”

©2021 Rhyan Scorpio-Rhys

June 23, 2021
Braiding Tales: We Built a World, Row by Row (a true story)

“We gave the Future to the winds, and slumbered tranquilly in the Present, weaving the dull world around us into dreams.” ― Edgar Allan Poe, The Mystery of Marie Rogêt

I spent most of my early teens in the Bronx. The street I lived on, corner to corner, ran the length of three average city blocks and was the picture of diversity—the melting pot that New York had become famous for. It was all about migration. Italians were moving to new ground as black people nestled in and on their tail were Hispanics followed by West Indians. It was a neighborhood in transition where multi-cultures learn by cohabitation that differences in race didn’t make a person less human.

It was also the 70’s and I rocked a killer afro to end all ‘fros. Metal pronged afro pick with the handle clenched in a black power fist and a peace symbol carved out on the base, tucked in the back of my hair.

It drove my parents crazy. They rode my back constantly to get it cut but there was that preteen Samsonian fear that the strength of my personality—-my Madd-ness—-would be stripped away, were a barber to lay clippers on my precious locks. When I got the “as long as you’re living under my roof” speech, I knew I needed a solution and I needed it quick.

Enter: Cynthia Holloway. I mentioned my plight in passing and out of nowhere she offered to braid my hair into cornrows. So, we sat on the stoop of a private house and armed with only a comb and hair grease, Cynthia worked her nimble fingers like a loom.

She was one of those neighborhood girls that I’d never really spoken to before outside the odd hello. Not that there was anything wrong with her, she was simply a person that kept herself to herself. The type of person you’d have to make an effort to get to know.

It would take many years for me to become that type of person.

But in sitting with her I discovered she was both intelligent and imaginative, with interesting stories to tell. Her father was a retired Army Ranger colonel, who spent a great deal of his free time on the road in a jazz band.

I’m not sure how much of that was true. No one could ever remember seeing Cynthia’s dad, so maybe it was a story she invented to keep nosy kids at bay. Or perhaps it was one of the quiet lies that parents tell their children to spare them from the harsh realities of troubled marriages.

Since we had nothing but time to kill, we talked about our constricted home lives, mentioned the odd hobby, told a few jokes and had a couple of laughs, and when all the conversation wells had run dry, we told each other stories.

At the end of every month, when the braids began to look a little ratty, I’d take them out and Cynthia met me back on that stoop to repeat the process. And after a brief bit of catch-up, we’d go back to telling each other imaginary stories and without meaning to, wound up designing an illusory sanctuary from the burdens and pains of our everyday pre-teenage lives.

While we mentally terraformed our neighborhood row by cornrow, we got to know each other in those months as the monarchs of our fantasy world. We explored the surroundings, went on adventures, and basically forgot the world for a few hours a month.

Come the fifth month, I sat on the stoop and waited, my hair a wild crop of imagination waiting to be plowed, but Cynthia never showed. I later learned from a friend of a friend’s sister that she and her mother had moved away in the middle of the night without telling a soul where they were headed.

I tried to imagine all the possible reasons that would cause them to make a hurried escape under the cloak of twilight and seriously hoped it had nothing to do with her retired-Army-Ranger-colonel-jazz-band-dad. Nothing negative, anyway.

And yes, I eventually had no other choice than to submit to the ~~butcher shop~~ barbershop haircut. Much to my surprise, I managed to retain all of my Madd-ness afterward. I was still filled with my nerdy sameness and when I missed her a bit, I’d sometimes sit on the stoop and give an imaginary Cynthia updates on the latest goings-on in the world we created.

Thanks for humoring me as I wool-gathered.

PS. Cyn, if through some bizarre happenstance you should come across this, hit me up real quick. There’s a world in some need of serious upkeep.

June 14, 2021
Passage Through the Graveyard of Earthworms

My monotony needed twisting yesterday, so I went for a stroll, sans iPod. You know, breathe in a bit of city fresh air, clear some cobwebs, that sort of deal.

There I was walking down the street, mind-sifting through character conversations and scene settings when I looked down at the pavement and realized that I was traipsing through what looked like the aftermath of the Great Worm War of 2021. The sidewalk was a battlefield littered with the corpses of thousands of earthworms that coated an entire city block.

Logically I knew how this could have happened. I knew they came to the surface either during the heavy rains–but it’s been dry weather for the past week–or to pair off and mate only to get caught on things that are hard for them to crawl across, like sidewalks and subsequently fry on the surface from sun rays–but that normally occurs during spring.

So, what then? Had there actually been a battle? Warring clans pitched against one another over territorial disputes? Factions in conflict over the claiming of a throne? Families locked in a deadly dispute over an unholy union?

Or was it a warning?

As I stood there, staring at their dried remains, curled into runic shapes, I wondered if they had been somehow gifted with a vision of the approaching apocalypse and had sacrificed themselves in an effort to warn us in the only language they knew. The last Germanic language spoken to them by man before the two species went their separate ways.

At that moment I felt like Indiana Jones in the passageway to the Grail chamber, trying to decipher the worm cadavers’ possible portents of doom, only without the aid of a diary or Sean Connery whispering something about, “Only the penitent man will pass.” or like John Nash without an ounce of the mental code breaking ability.

And I stood there. Longer than I’m comfortable admitting. Frustrated by the limits of my linguistics. Finally, I forced myself to move on, but not before making a promise:

No more outdoor strolls without my iPod.

March 1, 2021
The Three Simple Facts Of Writing
Today’s entry is a shortie because I’m busy wrestling with a wordy bastard of a story that refuses to be tamed but I’m in a particularly stubborn mood, so challenge met!

That said, I offer you my three simple facts of writing:
1. If you do not write the story you truly want to write, it will never be read. You can’t have the unwashed masses confirm your greatness when you haven’t given them anything to be in awe of.
2. If you don’t submit your work—–for review, publication, employment, or whatever—–the answer will always be no. The cruelest rejection you can ever receive is from yourself, the toughest critic you’ll ever know. If you never show your work, you never give an editor, publisher, prodco, or whatever, the chance to say yes (exercise caution, of course, and protect your writing before letting it fly out into the world).
3. If you don’t write, you’ll never be a writer. Plain and simple. Also, many, many, many years from now, when you’re lying on your deathbed, do you really want a box of regret—–filled with all the unwritten stories of your life—–hanging over your head like the sword of Damocles? I think not.
Sally forth and be writeful.

— Rhyan Scorpio-Rhys
December 23, 2020
The Tam Commandments

My past often crossed paths with my present, but never with the people I desired to see again. Because of this, I’m always filled with an odd mix of embarrassing nostalgia and unwanted reflection, followed by the inevitable introspection. I see where old acquaintances are in their lives and I can’t help but look at where I am in relation to my dreams and aspirations.

No matter if you’re the outgrower (the disinterested party) or the outgrown (the rejected party), neither are comfortable during a random meeting. Also, dealing with people from my past have had the effect of feeling like I was moving backward. As if all the growth I’d experienced after being separated from that person vanished because they’re present in my life again.

And these chance encounters happened in the damnedest places. At the time the incident that is the subject of this post occurred, I was tucked away in a small town in a new state on the opposite coast when I ran into a childhood friend. Well, friend might have been a bit of a stretch. She wasn’t really friends with anyone. Truer to say we ran in the same circles. Even truer than that, we ran in different circles that sometimes overlapped like a Venn diagram of societal misfit kids.

Rough and rugged, tough as nails, she took no shit off anyone, not even her parents. She went her own way, did her own thing, and everyone in the neighborhood, kid and adult alike knew she’d most likely end up either dead or in prison. Some people only left their future open for those two options.

Anyway, I was at the local thrift store when I heard someone calling my name. I assumed it couldn’t be me since I knew exactly zero people in Los Angeles, but as this person kept calling, my curiosity got the better of me and turned to see her: Tamika.

It took me a moment to work out who she was. Not that the years hadn’t been kind to her, it was just that she wasn’t a person I had ever thought about remembering.

She, on the other hand, treated me like we were lifelong buddies. Big hugs and kisses and a smile that could have lit the Hollywood Bowl. Time has a funny way of altering the past. She remembered our relationship very differently than I had.

So, we did what people who hadn’t seen one another in ages do. We shared past stories, gave abridged accounts of our lives since then, and painted the brightest possible picture for our futures. And me being me, I remarked on how I never thought I’d see her ever again. Of all the people, not including those that had passed, she was easily the last person I ever expected to clap eyes on.

She hadn’t taken offense. She knew better than anyone the type of person she was back then and she said she probably would have fulfilled everyone’s prophesy of jail or death if not for Chickie.

Chickie was the only other person who could’ve matched Tammy pound for pound. Cut from the same cloth, sisters from a different mister, they were thick as thieves. And probably would have been for life, had Chickie not met her maker at the claw end of a hammer in a drug deal gone horribly wrong.

That’s when Tam found the way.

My internal groan was so loud I feared she might’ve heard it. I myself am areligious, and though I don’t begrudge anyone their spiritual beliefs, I have a hard time listening to the sanctimony of proselytizing born-agains.

But she hadn’t found Jesus, at least not in that way. Nor had she joined a cult. She claimed she simply hit rock bottom and having no one to turn to, sat down and wrote out a list of commandments for herself. A self-imposed list of rules in which she would like to live by.

And while I wish I could remember the list verbatim–my memory, unfortunately, has a mind of its own–I instead offer up a similar list that contains many of Tamika’s instructions for living a good life:

The 82 Commandments of Alejandro Jodorowsky

1. Ground your attention on yourself. Be conscious at every moment of what you are thinking, sensing, feeling, desiring, and doing.

2. Always finish what you have begun.

3. Whatever you are doing, do it as well as possible.

4. Do not become attached to anything that can destroy you in the course of time.

5. Develop your generosity – but secretly.

6. Treat everyone as if he or she was a close relative.

7. Organize what you have disorganized.

8. Learn to receive and give thanks for every gift.

9. Stop defining yourself.

10. Do not lie or steal, for you lie to yourself and steal from yourself.

11. Help your neighbor, but do not make him dependent.

12. Do not encourage others to imitate you.

13. Make work plans and accomplish them.

14. Do not take up too much space.

15. Make no useless movements or sounds.

16. If you lack faith, pretend to have it.

17. Do not allow yourself to be impressed by strong personalities.

18. Do not regard anyone or anything as your possession.

19. Share fairly.

20. Do not seduce.

21. Sleep and eat only as much as necessary.

22. Do not speak of your personal problems.

23. Do not express judgment or criticism when you are ignorant of most of the factors involved.

24. Do not establish useless friendships.

25. Do not follow fashions.

26. Do not sell yourself.

27. Respect contracts you have signed.

28. Be on time.

29. Never envy the luck or success of anyone.

30. Say no more than necessary.

31. Do not think of the profits your work will engender.

32. Never threaten anyone.

33. Keep your promises.

34. In any discussion, put yourself in the other person’s place.

35. Admit that someone else may be superior to you.

36. Do not eliminate, but transmute.

37. Conquer your fears, for each of them represents a camouflaged desire.

38. Help others to help themselves.

39. Conquer your aversions and come closer to those who inspire rejection in you.

40. Do not react to what others say about you, whether praise or blame.

41. Transform your pride into dignity.

42. Transform your anger into creativity.

43. Transform your greed into respect for beauty.

44. Transform your envy into admiration for the values of the other.

45. Transform your hate into charity.

46. Neither praise nor insult yourself.

47. Regard what does not belong to you as if it did belong to you.

48. Do not complain.

49. Develop your imagination.

50. Never give orders to gain the satisfaction of being obeyed.

51. Pay for services performed for you.

52. Do not proselytize your work or ideas.

53. Do not try to make others feel for you emotions such as pity, admiration, sympathy, or complicity.

54. Do not try to distinguish yourself by your appearance.

55. Never contradict; instead, be silent.

56. Do not contract debts; acquire and pay immediately.

57. If you offend someone, ask his or her pardon; if you have offended a person publicly, apologize publicly.

58. When you realize you have said something that is mistaken, do not persist in error through pride; instead, immediately retract it.

59. Never defend your old ideas simply because you are the one who expressed them.

60. Do not keep useless objects.

61. Do not adorn yourself with exotic ideas.

62. Do not have your photograph taken with famous people.

63. Justify yourself to no one, and keep your own counsel.

64. Never define yourself by what you possess.

65. Never speak of yourself without considering that you might change.

66. Accept that nothing belongs to you.

67. When someone asks your opinion about something or someone, speak only of his or her qualities.

68. When you become ill, regard your illness as your teacher, not as something to be hated.

69. Look directly, and do not hide yourself.

70. Do not forget your dead, but accord them a limited place and do not allow them to invade your life.

71. Wherever you live, always find a space that you devote to the sacred.

72. When you perform a service, make your effort inconspicuous.

73. If you decide to work to help others, do it with pleasure.

74. If you are hesitating between doing and not doing, take the risk of doing.

75. Do not try to be everything to your spouse; accept that there are things that you cannot give him or her but which others can.

76. When someone is speaking to an interested audience, do not contradict that person and steal his or her audience.

77. Live on money you have earned.

78. Never brag about amorous adventures.

79. Never glorify your weaknesses.

80. Never visit someone only to pass the time.

81. Obtain things in order to share them.

82. If you are meditating and a devil appears, make the devil meditate too.

Not being a fan of dogma, creed, or commandments in general, I admit I can find merit in many items on this list as suggestions for people to find their own path in life. Hell, if it worked for Tamika, it damn sure couldn’t hurt giving it a go.

So, sally forth, true believers and blasts from the past, and be making your own commandments and living by themingly writeful.

©2014 Rhyan Scorpio-Rhys

June 25, 2018
Stories Are the Creatures That Forage in the Wilderness of Our Minds

“Stories are the creatures that forage in the wilderness of our minds. Their claws pierce our curiosity, digging in deep to prevent our escape, as they force us into their maw, past razor sharp teeth of conflict.” —- Rhyan Scorpio-Rhys

“Tell me a story.” the woman said, book opened to a blank page on her lap, graphite stick firmly in hand and at the ready. The reading chair in which she sat was, what appeared to my eyes, nothing more than a series of interwoven vines that had grown from the lush green carpet in the center of the room. This indoor library of hers smelled of petrichor, the scent of rain on dry earth, which would explain the moisture that dotted the spines of the books stacked in chaotic fashion on the recessed shelves lining the walls.

“I — I don’t have any stories.” I shifted uncomfortably in a small puddle on the carpet—that was most assuredly grass—as the woman took in the sum of me.

“Nonsense, everyone has stories, some more interesting than others, but they are stories nonetheless.” she said, gesturing with a nod for me to sit. “Everything is present for a story to exist: a teller, that would be you, and an audience, which would be me.”

My seat—a normal metal folding chair with padding—was as much out of place with the room’s décor as I. A reminder, no doubt, that although invited, I was still considered an interloper. The fact that the chair was bone dry despite the moist surroundings was of small consolation. I squirmed until I found the position that afforded the least amount of discomfort and said, “All right, then… I don’t know how to tell a story.”

“Ah, a different matter altogether.” she said, placing the book and graphite aside. “The act of storytelling is as old as the creative spark that burns within us all. And though truly great storytellers are born, those lacking the unique gift may still acquire the skill.”

1. Keep it simple.

“The first thing to bear in mind is if you have the choice between a complicated or simple telling, choose the simple approach. As marvelous as the brain may be, it can become overwhelmed if it attempts to process too much information at one time.”

2. Open big.

“Next, you mustn’t be afraid to grab your audience by the balls!” the woman smiled, amused by my unease. “And never apologize for doing so. You’re familiar with the saying, ‘you only get one chance to make a first impression,’ aren’t you? The same applies to your story. You need to carefully craft your opening line to grab your audience’s attention immediately, and represent the promise of your story by displaying a unique voice and perspective.

“There is no going soft here. Your opening line should possess the elements that make up the story as a whole, told in a distinctive voice, a point of view, a rudimentary plot and some hint of characterization. By the end of the first paragraph, your audience should know the setting and conflict… unless there is a particular reason to withhold this information.”

3. Be mindful of your story’s spine.

“Stories are the creatures that forage in the wilderness of our minds. Their claws pierce our curiosity, digging in deep to prevent our escape, as they force us into their maw, past razor sharp teeth of conflict. But despite outward appearances, these beasts are only as strong as their spine.

“Your duty is to support that spine by arranging your content in a logical order and supporting it with anecdotes that raise questions to keep up interest and moments of reflection to show your story’s appeal. We, as the audience, need a reason to care.

“And lop off the vestigial appendages of tangents where you find them. Going too far astray will only lose your audience’s attention.”

4. Don’t alienate your audience.

“Some subjects require a delicate touch. You’ll know them by their appearance and the uneasy feeling they leave in your gut. By no means avoid them if they’re integral to your story, but instead find the best way to craft the tale so that you draw your audience in before revealing sensitive details. Invest them in the story before you shock them and then give them time to digest it.”

5. End strong.

“Whether you end your story on an upbeat note, allow your audience to fill in the blanks, come full circle with your lead, close with a relevant quote, provide a brief summary, or wrap things up with either a surprise or anecdotal ending… you need to come strong. Elevate your story’s effectiveness with a great ending and leave them with a lasting impression. The yang to your ‘first impression’ yin.

“You should also give your audience the proper space to appreciate your ending. A mere sentence or two in which you take a step back and let the story meaning steep in their mind.

And finally, allow your audience to hear the door click shut behind them, signifying that the story is well and truly over. Everything’s done and dusted. Thank you for visiting my world, now it’s time to return to your own.”

“Got all that?” she asked. I nodded that I understood.

“Good,” the woman rested the tip of the graphite stick on the book leaf, “now tell me a story.”

Click.

Sally forth and be writeful.

©2013 Rhyan Scorpio-Rhys

October 2, 2016
Duchess and the Anecdote

“Art to me is an anecdote of the spirit, and the only means of making concrete the purpose of its varied quickness and stillness.” —– Mark Rothko

They come from miles around, my characters do, traveling the great distance from the fringes of my minds eye, some even making the long and arduous haul from my childhood, just to sit and talk. They do this whenever I’m alone.

As they gather ’round, I cast an eye upon their many and various faces and can’t help but feel the slightest twinge of remorse. Being in my company, locked within the confines of my imagination, is not wholly unlike a purgatory for them. A holding pattern, a waiting room, where they converse amongst themselves in voices audible only to myself, trying to catch my attention in the slimmest hope of being set free. Birthed into a story.

Some are fresh meat, the rest lifers, each easily spotted by the differences in their appearance and the strength of their voices. Fresh meats are gossamers—newly formed characters, little more than a stack of traits—who shout in whispers. Lifers, on the other hand, are as fleshed out as you or I, perhaps even more so, who have acquired the proper pitch and turn of phrase to catch me unawares during the times when my mind idles.

Before the talks begin–serious conversation, not the normal natterings they engage in–a flying thing the size of a butterfly, jewel toned blue stripes, greenish gold spots, with flecks of silver on the wings, lands in the palm of my outstretched hand.

“What is that, then?” a childlike voice asks from somewhere deep in the crowd, low to the ground. I recognize it instantly.

“It’s an anecdote, Duchess. Come see for yourself.” I reply, as the creature’s wings beat softly on my palm.

The throng–my personal rogues gallery whose roster includes reputables and reprobates alike–part like the Red Sea, making way for the most noble of all serval cats, The Duchess.

“An antidote? Have you been poisoned?” The Duchess queries as she saunters into the open space, a dollop of concern gleaming in her vivid blue eyes.

I try to not laugh, partly out of respect, but mostly due to the fact that though she is the eldest of my unused characters, she is technically still but a kitten. “No, Duchess, it’s an anecdote, as in a short, amusing or interesting story about a person or an incident.”

“I know full well what an anecdote is, thank you kindly. I was merely attempting to lighten the dreadfully somber mood with a bit of levity.” Not her best faux pas cover, but it was swift, which should count for something. As casually as she could manage, the kitten turned to see if anyone found amusement at her expense. No one did. They knew better. “May I hold it?”

I hesitate and stare at the leapling. Created on February 29th all those many years ago, it was my rationale–on paper–for keeping her a kitten, seeing as she had fewer birthdays, she would naturally age at a decelerated rate. The actuality is I have an affinity for kittens. For full grown cats? Not so much. And now the dilemma is if her kittenish nature should come into play and, without meaning to, cause injury to the anecdote, then all this would be for naught.

Her eyes plead with all the promise of being good and I have no choice but to relent. “It’s fragile, so be gentle. Take care not to crush it.” I gently place the anecdote in her cupped paws.

“Why does one need an anecdote?” The Duchess of Albion asked, her nose twitching whenever the creature moves its wings.

“To tell a proper story.” I answer. “More than just a sequence of actions, anecdotes are the purest form of the story itself.”

“But I thought characters are at the heart of every great story?”

“They are and anecdotes connect the hearts and minds of those characters to a story.” I try to feign calm but I can see the kitten’s body tensing up. Her eyes, those glorious baby blues, are studying the creature closely. Was I wrong in my decision to trust that she rules her instincts and not the other way around?

“They also add suspense to your story, giving the audience a sense that something is about to happen. If you use them right, you can start raising questions right at the beginning of your story—something that urges your audience to stay with you. By raising a question, you imply that you will provide your audience with the answers. And you can keep doing this as long as you remember to answer all the questions you raise.”

The kitten’s breath becomes rapid and her paws close in around the anecdote and I want to cry out, urge her to stop, but it’s far beyond that point now. She is in control of her own fate. Canines bare themselves, paws pulling the creature closer to her mouth.

“No!” she shakes her head violently. Her ears relax and her mouth closes as her breathing returns to normal. Then, the oddest thing happens…

The Duchess begins to vanish. All the characters look on in a dazed silence, uncertain how to react.

“What is happening to me?” she shoots me a panicked glance as cohesion abandons her form.

“Haven’t you sussed it out yet?”

“No… I’m scared!”

“Don’t be.” I smile. “Look around you. You’re at the heart of a story. You’re free.”

“Truly?” she is suddenly overwhelmed with delight, her expression priceless. “But — but what do I do with the anecdote now?”

“Open your paws, let it fly off.”

She unfolds her paws. Tiny wings beat their path to freedom. Then someone from the back of the crowd gives The Duchess a slow clap. Soon, others join in, building into a tidal wave of applause.

The now translucent Duchess waves a tearful thank you to the crowd, before turning back to me with a request, “Say my name.”

“Why?”

“Because you always simply address me Duchess and I want to hear you call me by my full name one last time before I g– —”

And just like that, she was gone.

I bid you a fond farewell, Your Grace the Duchess of Albion Gwenore del Septima Calvina Hilaria Urbana Felicitus-Jayne Verina y de Fannia. Enjoy your journey. You will be missed.

Sally forth and be writeful.

©2013 Rhyan Scorpio-Rhys

September 13, 2013
Stories Are the Creatures That Forage in the Wilderness of Our Minds

“Stories are the creatures that forage in the wilderness of our minds. Their claws pierce our curiosity, digging in deep to prevent our escape, as they force us into their maw, past razor sharp teeth of conflict.” —- Rhyan Scorpio-Rhys

“Tell me a story.” the woman said, book opened to a blank page on her lap, graphite stick firmly in hand and at the ready. The reading chair in which she sat was, what appeared to my eyes, nothing more than a series of interwoven vines that had grown from the lush green carpet in the center of the room. This indoor library of hers smelled of petrichor, the scent of rain on dry earth, which would explain the moisture that dotted the spines of the books stacked in chaotic fashion on the recessed shelves lining the walls.

“I — I don’t have any stories.” I shifted uncomfortably in a small puddle on the carpet—that was most assuredly grass—as the woman took in the sum of me.

“Nonsense, everyone has stories, some more interesting than others, but they are stories nonetheless.” she said, gesturing with a nod for me to sit. “Everything is present for a story to exist: a teller, that would be you, and an audience, which would be me.”

My seat—a normal metal folding chair with padding—was as much out of place with the room’s décor as I. A reminder, no doubt, that although invited, I was still considered an interloper. The fact that the chair was bone dry despite the moist surroundings was of small consolation. I squirmed until I found the position that afforded the least amount of discomfort and said, “All right, then… I don’t know how to tell a story.”

“Ah, a different matter altogether.” she said, placing the book and graphite aside. “The act of storytelling is as old as the creative spark that burns within us all. And though truly great storytellers are born, those lacking the unique gift may still acquire the skill.”

1. Keep it simple.

“The first thing to bear in mind is if you have the choice between a complicated or simple telling, choose the simple approach. As marvelous as the brain may be, it can become overwhelmed if it attempts to process too much information at one time.”

2. Open big.

“Next, you mustn’t be afraid to grab your audience by the balls!” the woman smiled, amused by my unease. “And never apologize for doing so. You’re familiar with the saying, ‘you only get one chance to make a first impression,’ aren’t you? The same applies to your story. You need to carefully craft your opening line to grab your audience’s attention immediately, and represent the promise of your story by displaying a unique voice and perspective.

“There is no going soft here. Your opening line should possess the elements that make up the story as a whole, told in a distinctive voice, a point of view, a rudimentary plot and some hint of characterization. By the end of the first paragraph, your audience should know the setting and conflict… unless there is a particular reason to withhold this information.”

3. Be mindful of your story’s spine.

“Stories are the creatures that forage in the wilderness of our minds. Their claws pierce our curiosity, digging in deep to prevent our escape, as they force us into their maw, past razor sharp teeth of conflict. But despite outward appearances, these beasts are only as strong as their spine.

“Your duty is to support that spine by arranging your content in a logical order and supporting it with anecdotes that raise questions to keep up interest and moments of reflection to show your story’s appeal. We, as the audience, need a reason to care.

“And lop off the vestigial appendages of tangents where you find them. Going too far astray will only lose your audience’s attention.”

4. Don’t alienate your audience.

“Some subjects require a delicate touch. You’ll know them by their appearance and the uneasy feeling they leave in your gut. By no means avoid them if they’re integral to your story, but instead find the best way to craft the tale so that you draw your audience in before revealing sensitive details. Invest them in the story before you shock them and then give them time to digest it.”

5. End strong.

“Whether you end your story on an upbeat note, allow your audience to fill in the blanks, come full circle with your lead, close with a relevant quote, provide a brief summary, or wrap things up with either a surprise or anecdotal ending… you need to come strong. Elevate your story’s effectiveness with a great ending and leave them with a lasting impression. The yang to your ‘first impression’ yin.

“You should also give your audience the proper space to appreciate your ending. A mere sentence or two in which you take a step back and let the story meaning steep in their mind.

And finally, allow your audience to hear the door click shut behind them, signifying that the story is well and truly over. Everything’s done and dusted. Thank you for visiting my world, now it’s time to return to your own.”

“Got all that?” she asked. I nodded that I understood.

“Good,” the woman rested the tip of the graphite stick on the book leaf, “now tell me a story.”

Click.

Sally forth and be writeful.

©2013 Rhyan Scorpio-Rhys

September 11, 2013